Feel like doing a Steve Vai aesthetics thread. Steve and I share the same birthday (06/06), and while I've never been a ~huge~ fan of his music personally, I admire his embodiment of his own aesthetics. At his peak (IMO), he had this interesting xeno-magick-conjurer vibe going on
First thing I would start with re: Vai is not to talk about his music, or his clothes, or his bands, or his onstage persona
I'd start by talking about the guitar he co-designed: the Ibanez JEM. It's what you might call a "super-strat", designed for pretty serious abusing
The JEM:
- 24 frets (other guitars had 22, 21 frets)
- cutaways to make it easier to reach those frets
- more pickup options
- more whammy options
watch/listen Steve talk about his thinking – he has a hacker's mindset, modifying his tools to suit him. "I really wanted..."
a thing that people argue about is the point of the Monkey Grip. It doesn't help you play the guitar any better. What's the point?
I like to think it has the same point as the handle on the iMac. It makes it more approachable. It *invites* you to pick it up. It's about intimacy
here are a couple of cute bits – first talking about the claw – the scallops under the bridge that allow the player to pull the whammy bar up (for those wild squeal guitar sounds), and then the monkey grip.
Love hearing how Rich translated Vai's vision into reality
Now let's talk about inlays! Most guitar necks have either dot inlays or block inlays. These help you visually orient yourself on the neck, to find your position.
(Some cool kids play guitars with *no* inlays, maybe to show off how well they know their way around 😂)
now check out the JEM inlays! rather than use a series of discrete dots or blocks, Vai's design has a continuous "Tree Of Life" vine that runs fluidly through the whole neck.
Call me overdramatic but I find the Tree of Life inlay inspiring! question your assumptions and priors
switching up a bit – here's the story behind the multi-ring necklace that Vai wears
I remember seeing it multiple times and vaguely thinking "there's something about that", and I think it may have informed my thinking about talismans
some of Vai's aesthetics over the years
I think it's interesting that he started out with a sort of "traditional" psychadelic and hard glam rock aesthetic before evolving over time to his more "alien willy wonka" vibe
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i haven't really bothered to make a deliberate effort to grow my twitter following or to write bangers etc in years, but i still have a clear sense of how to do it and i've advised other people who wanted to do the same, and witnessed them succeed. here are a couple of thoughts
one of the most important things you have to remember, especially if you're still a small account starting out and trying to get more attention, is that people aren't reading your tweets in isolation. your tweets are showing up as a 'beat' on a timeline
so if your tweet is something that's moderately unclear or confusing, or has too many details, or the sentiment is too complex, people's likeliest response is to scroll past it
this changes once people know you, care about you, believe that it's worth the effort to decipher you
there’s a thing I often wish I could explain to people… but hilariously, it fits the same pattern I’m trying to explain:
a lot of the most interesting, valuable things you can do are things that have very small windows of opportunity
so in the case of matchmaking, a beginner matchmaker might think it’s a matter of finding the best possible people (according to some set of metrics) for the best possible people.
but the expert matchmaker will tell you that actually timing and seasonality etc matter more
in something like football you might think that the player with the most stamina, best striking ability, etc is the strongest
but the guy that scores the most goals is typically the guy who is most sensitive to the situation. Messi famously just walks around the pitch Observing
one of the oldest stories we have on record is from 1850BC Egypt called "The Eloquent Peasant". It's fairly short yet interestingly complex. i'll try and retell it as quickly and entertainingly as i can
we begin with our boi Khun-Anup, a poor peasant just tryna sell his wares...
to get to the market he has to pass thru land that's owned by nobles. ultimately i believe the land is owned by the pharaoh, but it's administrated by the high steward Rensi, who in turn lets it be run by the local goon Nemtynakht... a ~4000yo matryoshka of bureaucracy
so anyway. the local goon Nemtynakht is a corrupt mf and decides to rob our boi Khun-Anup. he lays out a cloth across the narrow path, which is in between a river and the goon's private fields of barley.
Khun-Anup is like, pls sir, I can't move, I don't wanna trample your cloth
for starters I don’t think you’re selfish for not having children
and kids actually are a joy to have
but if you need a different reason, I really liked what some other couple once said, about wanting to have “a maximum human experience”. I’ll elaborate how I interpreted that
but first again I’ll reiterate that you *don’t* have to have kids. i don’t think it’s something that should be done from a sense of weary obligation. I believe it’s possible to have a meaningful, beautiful life without kids and you should do what feels right for you in your heart
ok so like the first wild thing to me about having kids is that you get to see your own childhood and your own parents from a sort of “exploded perspective” view. it’s like seeing the matrix, the current timeline directly loops over the past and it’s narratively ultra satisfying
when I was young I figured out a bunch of solutions to a bunch of problems and I thought it would make people love me lol but it actually alienated me from them, and it’s turns out it’s roughly because people identify with their problems
(I then went on to solve that alienation problem for myself by making a bunch of new friends, which involved dis-identifying as alienated)
there’s some subtlety here that’s worth getting into
disidentifying is not about denying the truth of something or pretending that it doesn’t exist or that it doesn’t hurt etc
it’s simply removing the pedestal from underneath it, demoting it from its main character status