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keerthik śaśidharan Profile picture
@KS1729
Aug 28, 2019 • 7 tweets • 2 min read • Read on X
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A busy examining hall in the opium factory at Patna, India. Lithograph, c. 1850, Walter S. Sherwill.
The mixing room in the opium factory at Patna, India. Lithograph, c. 1850
A busy balling room in the opium factory at Patna, India. Lithograph, c. 1850
A busy drying room in the opium factory at Patna, India. Lithograph, c. 1850, Walter S. Sherwill.
A busy stacking room in the opium factory at Patna, India. Lithograph, c. 1850
A fleet of opium clippers with other boats and rafts on the Ganges/Ganga, Lithograph, c. 1850
All of the above from this fascinating study:

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More from @KS1729

keerthik śaśidharan Profile picture
Jan 17, 2023
For 2023, a new thread of sentences.

1. “I walked past the brothel as if past the house of a beloved.”

— The Diaries of Franz Kafka, translated by Ross Benjamin #KafkaDiaries
2. From 'Confessions of an English Opium-Eater' by Thomas De Quincey Image
3. आशासु शीतलतरासु पयोदतोयै-
राशासिताप्तिविवशेषु च सज्जनेषु ।
नैशाकरोदयविधौ निशि मध्यमायां
क्लेशापहस्त्रिजगतां त्वमिहाविरासी: ॥२॥
Read 59 tweets
keerthik śaśidharan Profile picture
Dec 30, 2022
A thread of Indian paintings, from 1900 to 2022, arranged according to year of creation. One painting per year.

Many works & artists missing. 🙏

My hope was to *see* the changes in Indian aesthetics—from Colonialism to Covid.
1900 -- Traveller and Lotus -- Abanindranath Tagore Image
1901 -- Shakuntala -- Raja Ravi Varma Image
Read 125 tweets
keerthik śaśidharan Profile picture
Mar 21, 2022
Like, An Experiment

***

Call me,
like a grasshopper in a May meadow
like silent sentinels all around the town
like leaves upon this shepherd’s head
like a snow hill in the air.
like a candle moving about in a tomb.
like a Czar in an ice palace made of frozen sighs,
like the segment made in the new-mown grass by a long-armed mower
like a corkscrew,
like a restless needle sojourning in the body of a man
like another cursed Jonah,
like a bench on the Battery
like a coffer-dam
like an ape
like a string of inions
like the stained porcupine quills round an Indian moccasin
like a hamper
like lightning
like a mildewed
like polished ebony
like a tenpin between the andirons
like a strip of that same patchwork quilt
like a Newfoundland dog just from the water
Read 8 tweets
keerthik śaśidharan Profile picture
Mar 2, 2022
Narendra Pachkhede on G. N. Devy's new book abt the relationship b/w India & Mahabharata: "He does not dwell on what is the relationship of this greatest literary work with our people, but rather he delves into how this relationship functions."
thewire.in/books/gn-devy-…
"The allure of the Mahabharata and how it provides insight into its cultural memory in India could be best explained through the idea of a controlling text – a reference point for all thinkers and a recourse to fall back on for the nation."
This review also kindly makes a mention of my book and compares it to the writings of Hilda Doolittle and her poems marked by Greek/Roman myth. Didn't know who she was so had to google her. 😎 literaryladiesguide.com/classic-women-…
Read 4 tweets
keerthik śaśidharan Profile picture
Feb 10, 2022
For 2022, a new thread of sentences.
Read freely, quote happily, attribute with caution. For a similar threads from 2021 and 2018-20, see 👇🏼:

1. “The verb “to lose” has its taproot sunk in sorrow; it is related to the “lorn” in “forlorn.” It comes from an Old English 1/3
word meaning to perish, which comes from an even older word meaning to separate or cut apart. The modern sense of misplacing an object only appeared later, in the thirteenth century; a hundred years after that, “to lose” acquired the meaning of failing to win. 2/3
In the sixteenth century we began to lose our minds; in the seventeenth century, our hearts. The circle of what we can lose, in other words, began with our own lives and each other and has been steadily expanding ever since.”

Kathryn Schulz

3/3
Read 57 tweets
keerthik śaśidharan Profile picture
Jul 19, 2021
A story about the Gibraltar skull, involving Darwin, always reminds me of how difficult it is to truly speak about the world as we see it. This incident, involving the skull, in a world-historic life such as Darwin's often reminds me of a line by V. S. Naipaul.

A short thread.
In 1864, Charles Darwin had been very sick for weeks. (He suffered various ailments for much of his adult life.)

To "see how I stand change", he and his wife, Emma Darwin arrived at 4 Chester Place in London where his sister-in-law Sarah Wedgewood lived.

[Charles & Emma]
It was a convenient location for Darwin because despite being sick, he could walk over to the Royal Botanical Society and the Zoological Society. In those months and past few years he was writing a book/monograph on climbing plants then.
Read 12 tweets

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