@iandavidmorris It was illegal to enslave a Muslim. At the same time, slaves might convert to Islam, and there was a lot of social pressure to free Muslim slaves.
New slaves were therefore not born in Muslim lands, for the most part, but stolen from the frontiers.
@iandavidmorris On the steppes of Central Asia, a nomadic lifestyle prevailed. Children were taught from a young age to ride and to fight on horseback.
When they were captured and sold into slavery, children and young adults already knew the fundamentals of steppe warfare.
@iandavidmorris Meanwhile, in the Muslim empire, the caliphs no longer felt that they could rely on the regular army.
The reasons for this are a bit complicated, but I’ll keep it brief:
@iandavidmorris The first great dynasty of Islam, the Umayyads, were based in Syria, and they employed Syrians to do most of their fighting.
But the Umayyads were overthrown by a popular revolution in 750. Most of the revolutionaries came from the east: Iraq and Iran.
@iandavidmorris The revolution had no single figurehead and no fixed demands. There were dozens of factions with conflicting plans to seize power.
All they agreed on was that the Umayyads had to go.
@iandavidmorris So when the Abbasid faction won the throne, it had to purge all the other factions. The revolutionaries were killing their own.
@iandavidmorris And because the revolution had no unifying demands, the Abbasids had no real plan of action.
Their major selling point was that they weren’t the Umayyads; but all the social ills that plagued the Umayyads also plagued the Abbasids.
@iandavidmorris The revolution of 750 was violent, destabilising, and basically pointless.
So when it came to building a new army, the Abbasids had to ask themselves: does anyone really *want* to fight for us?
@iandavidmorris After a series of nasty rebellions and civil wars, the Abbasid caliph al-Mu‘tasim tried a radical new strategy.
Not free Muslim volunteers, but slave soldiers, would form the backbone of his imperial army.
@iandavidmorris Al-Mu‘tasim and his successors, based in Iraq, imported thousands of boys from Central Asia.
They were converted, trained and educated in the palace complex. There was no meaningful contact with the outside.
The caliph was the centre of their world.
@iandavidmorris Unlike paid soldiers, slave soldiers had no regional loyalties, no ideological conflicts—no ties outside the ruling house.
The Abbasids had solved their problem!
…Or so they thought.
@iandavidmorris Trained and trusted, the slave soldiers were given key roles in the palace. They heard all the gossip, all the state secrets. They learned the dark arts of politics.
All this while they controlled who got in and out of the palace.
@iandavidmorris The caliphs thought the slave soldiers were their prisoners. That was a fatal mistake.
@iandavidmorris There will be more about the rise of the slave soldiers tomorrow: this thread is already too long, and I must sleep.
In the meantime, please send me comments, queries and criticisms!
Tuesday: Sotades the Obscene, inventor of palindromes, the Priapeia, sotadean metre and so much more. Also: the kinaidoi (effeminate dancers of Alexandria), Arsinoe the sex-positive proto-feminist queen, incestual royal marriage and sick burns. 2/7 -ms
Wednesday: later antique Greek palindromes from the oldest letter-by-letter verse (a school exercise in Tebtunis Egypt) through the Greek Anthology, Leo the Wise, Western Euopean baptismal fonts and Theodoros Prodromos. 3/7 -ms
Day 6 of palindromic #TwitterHistorian @taoish Mark Saltveit's stint. Yesterday, the SATOR / ROTAS square. Today, "versus recurrentes" = Latin palindromic poetry, mostly 1 line. At #IMC2021, I argued that it was a continuous & self-referential genre from 2nd-15th c. CE.
1/12 -ms
I listed 42 but documenting is tricky. These were rarely in main texts. Most appeared in margins or on fly leaves, but repeated over the centuries. Theory: these were transmitted by teachers, esp. of scribes, and passed via wax tablets, memory & pen tests (federproben).
2/12 -ms
The classic (and first known) Latin verse #palindrome is a dactylic pentameter: "Roma tibi subito motibus ibit amor." Sidonius Apollinaris (ep. 9.14, ~480 CE) called it ancient. It's on a roof tile from Aquincum dated 107 CE next to a ROTAS square & at Ostia (200 CE). 3/12 -ms
Day 4 of #TweetHistorian Mark Saltveit @taoish's look at #palindromes. Thursday we viewed palindromic forms in non-European languages, a sadly neglected topic. "Today": the SATOR / ROTAS square, attested 4x in the first c. CE: 3x at Pompeii, 1x at Conimbriga in Portugal. 1/12 -ms
It's the Hollywood celebrity of #palindromes, thx to Chris Nolan's film TENET. It starts at an OPERA. ROTAS is the time reversal machine. TENET is the name of the conspiracy. Andrei SATOR is the villain. Thomas AREPO is an art forger we never see. 2/12 -ms beyondwordplay.com/palindromes-at…
This square is an image, a graphic composed of letters, arguably the world's first and most successful meme. Calling it a Latin sentence (SATOR AREPO TENET OPERA ROTAS, or the reverse) is a hypothesis with v. little historical support. AREPO is not a Latin word or name. 3/12 -ms
Let's try to tie this all together. Yesterday, we looked at how the spread of monotheism to South Arabia impacted its political sphere. Today, let's take a look at South Arabia during the early Islamic period.
~ik
Yesterday I mentioned how the Ethiopian Aksumites invaded South Arabia and installed a local Christian ruler. Around 530 AD, it was followed by that of the Ethiopian general ʾAbraha.
However, ʾAbraha made sure to follow in the footsteps of his Himyaritic predecessors.
~ik
For example, he claimed the Himyarite royal title, had reparations made at the Marib dam, and continued to leave inscriptions in the Sabaic language. He also continued to wage campaigns in Central Arabia; the inscription mentioned day 5 is actually one of his!
Yesterday, we looked at what the Amirite and Himyarite inscriptions tell us about the linguistic landscape of South Arabia in the late pre-Islamic period.
Now, let's look at the socio-political environment during the same period.
~ik
The 3rd century AD saw an intensification of relations between South Arabia and the Mediterranean/Levant. These statues depicting the Himyaritic rulers Ḏamarʿalī Yuhabirr and his son, Ṯaʾban are a fantastic example of this cultural exchange.
~ik
The statues show a coalescence of Hellenistic and South Arabian features: their nudity and the headbands typical ot former, the long hair and the moustache, ot the latter.
Also: the sculptors left their signature on the statues' knees, showing Hellenistic/SA collaboration.
Today, let's look more at the Himyarites and the language of their inscriptions. They reveal some more important clues about South Arabia's linguistic landscape during the late pre-Islamic period. ~ik
The Himyarites became the main political force in S-A around 300 AD. Around 280 AD, the Himyarite ruler Yāsir Yuhanʿim conquered the Sabaeans; his successor Šammar Yuharʿiš took parts of Ḥaḍramawt. By the early 4th century all of Ḥaḍramawt had been conquered ~ik
The Himyarites' success is reflected in the language of the inscriptions. From the 4th to the 6th centuries, all the S-A inscriptions are written in what we call Late Sabaic.
The differences are both linguistic and paleographic. ~ik