“A significant event...in the development of UAE theatre.”Great interview with Al Raheel | Departure writer @rzreem and director @JoannaSettle in @magpieUAE. Commissioned by @NYUAbuDhabi and @abudhabicf. World premiere this Fri and Sat, Jan 24-25
It’s certainly an interesting subject area, summarised by @activecultures as “the perspective of Emirati women who live in a world that toggles between English and Arabic, and who navigate expectations and opportunities in the dynamic and quickly changing world of the #UAE”.
Or as the playwright Reem Almenhali @rzreem says: “it’s about the experience of growing up in a world both traditional and universal...it turns home into a place to explore and the outside world into a place to inspect and find the relatable in.”
“I believe it is important to make local work that integrates the rapid development of this country into our growth narratives.” - @rzreem
“These questions of how nationhood is created and recreated have never been so present for me in a creative process. The textures of personal growth embedded in a globalising world directly translate to be the textures of the performance world.” - @JoannaSettle
“The Emirati women in their teens and 20’s whom I’ve come to know in Abu Dhabi – in this cast and in my classroom – are on the brink of inheriting a history woven into them in ways far deeper than our English word ‘respect’ can capture.” @JoannaSettle nyuad-artscenter.org/en_US/events/2…
Poet @thedesertpearl Danabelle Gutierrez visits @SabynJaveri’s @NYUAbuDhabi class Real and Imagined: Women’s Writing Across Worlds and discussed her transition from writing novels to poetry.
She also talks about the ongoing conundrum: where is home? She grew up in 3-4 different countries. She started her time as a poetry focusing on Love Poetry. She admits that it was in part a shield to protect herself from being self-revealing.
Discussion of @RebeccaSolnit and the way that female poets often get classified as “confessional”. “Even if I wasn’t revealing elements of myself in my poetry, people were still interpreting it as “confessional.”
If you want to preserve your country and your culture, you must protect your language.
Dubai based Egyptian chanter @ZigZagGhanim visits Maya Kesrouany’s @nyuabudhabi Arabic literature class in advance of his performance at #Hekayah tonight.
Language is sacred, but not just because it’s the language of religion, but also because of the role it plays in human identity. Language is a living being.
When languages encounter other languages, they change and morph. @ZigZagGhanim’s music mixes classical language and modern forms (like house music) - question: is that encounter “fusion”?
Starting the first @NYUAbuDhabi class visit by @RaviColtrane to two classes combined. Music Technology Fundamentals and What is Music?
Ravi answers the first question.
Music is organized sound.
He goes on to talk about his parents @JohnColtrane and Alice Coltrane. They were pioneers in building a home studio in their house when he was a child. John passed away before he could use it, but Alice used it frequently.
He launches quickly into a discussion of sound, and the role that microphone choice profoundly influences his sound. He built his own recording studio in 1999, built around a Tascam early 24 track unit - tape and hard disc based. It changed everything. Then Pro-tools etc entered
In the wake of @NYUAbuDhabi Climate commitment yesterday, listening to the conversation on Creative Placemaking and the tension between cultural tourism vs serving local community via @GCDNet’a Adrian Ellis. Gonna listen to @AlserkalAvenue’s Vilma next
Interesting conversations about what qualifies as quality of live and how the pandemic reshaped behaviors, needs, and wants, patterns of development and redevelopment. And what we need from our art.
As the conversations goes on, focus on values-based work in terms of behavior, and accountability, but also imagination, storytelling, expression and civic responsibility
This morning, @candocodance Artistic Director Charlotte Darbyshire talks to Lee Singh’s Movement and Meaning class in the @NYUAbuDhabi 1st Year Writing Program. Starts with a brief history of the company and how their decision making process functions.
They started with collective leadership. Eventually funding channels led them to more singular leadership. Post-pandemic they are again thinking about collective leadership, and majority led by people with disabilities.
Discussion about creative restrictions. Charlotte reflects that their limitations are primarily financial. The big curatorial consideration is balancing well-known choreographer/ reputation with riskier, lesser known choreographer