On this #IWD2020, I’m reading Lamia Ziadé’s memoir of her childhood during the beginnings of the Lebanese Civil War, “Bye Bye Babylon.” Beautiful and tragic and fascinating. Here’s a thread of some favorite pages.
She begins with cataloging the consumer products available in Beirut in the early ‘70s, from toys and foods to guns.
She points out the details of life under siege, with so many tiny unexpected moments, like here, in a sequence cataloging what her family stocked up on - not just food and batteries, but also candy, Valium, and face cream.
She presents the unexpected joys of spending so much time at home with her parents, but, from her current perspective, also shows us what was being kept from her.
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Arguing that tales of dragons are evidence that dinosaurs lived in human times - humm. Arguing that anything Herodotus says was literal truth - nope. (Nice buff H-man, there, though.)
“by funding scientific studies on Native American human remains… federal agencies have created incentives for institutions to hold on to ancestors in ways that undermine the goals of NAGPRA…”
It’s not that they didn’t think about consulting tribes - it’s that they thought doing so was a bad idea for their research. Holy moly.
Inscriptions friends... is pecking out a circular letter form instead of carving freehand weird for ca. 530 BCE? (Context in next tweet.)
So, John Marshall buys this stele in fragments from 1902-1913: metmuseum.org/art/collection…. Marshall was offering £10 a letter for further fragments of the inscription, or £500 for the rest of it.
In 1907, here's the part of the inscription he has (left) and two more parts he's offered by a dealer in Athens (right). The new parts have the cautious circles.
The Art Institute of Chicago knows about this photograph from 1970 of its Buddha sculpture embedded in the wall of a shrine in Nepal. It knows Nepal prohibited the export of such antiquities in 1956. And yet it's still working on whether to repatriate it...
The Art Institute currently holds at least four Nepali artifacts for which there are photographs or other evidence of theft - all donated by a single collecting couple, the Alsdorfs, who previously had to return nine other stolen artworks.
Even I didn’t think it was this bad: “Reporters reviewed the [Metropolitan Museum’s] catalog and found at least 1,109 pieces previously owned by people who had been either indicted or convicted of antiquities crimes; 309 of them are on display.” nepalitimes.com/here-now/in-se…
“A look at the museum’s catalogue of more than 250 Nepali and Kashmiri antiquities, for example, found that only three have any origin records explaining how they left the regions.” 😳