80s! Thinking about INPUT Magazine and the ill-fated Cliffhanger game they published as a type-in assembly code listing.
Although I never tried typing it in, the series of articles and their illustrations really fired up my imagination and got me excited about assembly
I was a BBC Micro owner. Here's a tiny snippet of the reams of code you'd be given to type in on the beeb.
I loved the illustrations! Different artists and photographers would be commissioned on various months publications.
Sadly, the entire thing was fatally flawed. That was the early 1980s, the days of desktop publishing - so staff had to enter code listings into DTP software by hand. LOTS OF TYPOS!
So until 2010, almost 30 years after publication, almost no-one had seen Cliffhanger running.
Marshall Cavendish, the publisher on INPUT, realised as they went along that they had lots of typos creeping into the listings published. So at the end the published a massive list of the assembler compiled bytes in memory for you to verify against memory!
Sadly, the listing of bytes in memory had exactly the same issue as the original assembly code: typos made by staff made while entering the masses of hex numbers.
So any attempt to enter the listing was doomed to failure.
The Cliffhanger articles spanned 150 pages of INPUT magazine (admittedly, with code for several different home computers).
I am so glad I never tried to type that in.
Forward the clock almost 30 years. A hero, who I can't find the full name of -- Dave -- resurrected a working copy of Cliffhanger for the BBC Micro through excruciating means and wrote up the efforts and the history.
People don’t really understand how frosted glass works. This does us a dis-service.
I think it may have something to do with people intuitively understanding how apertures work. Take for example a gap in a curtain in your living room: this is an aperture.
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We all pretty much understand that when you’re close to the aperture, the curtain gap, you can see lots of what is on the other side.
OTOH, people far away from the aperture, in the street, don’t see much past the gap in the curtains.
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So when someone has frosted glass in their bathroom window (facing the street) and they stand close to it, they can’t see much of the street at all.
But I think because of knowing how curtain gaps work, they assume they are “safe” and the street can see even less of them.
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