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As it's #WorldPenguinDay I'm looking at Penguin Books from 1966. Why? Because that's the year they ditched the Marber Grid and brought in Alan Aldridge as art director to spice up their fiction covers!

He was a controversial choice, so let's see how he did... #SaturdayThoughts
Sleepwalkers, by David Karp. Penguin Books, 1966. I really like this as a cover.
Farewell, My Lovely by Raymond Chandler. Penguin Books, 1966. Another favourite of mine.
Kiss Kiss, by Roald Dahl. Penguin Books, 1966. Art by Alan Aldridge.
Jubb, by Keith Waterhouse. Penguin Books, 1966. Richard Heimann's photography catches the 60s mood.
Boswell's London Journal: 1762-1763, edited by Frederick A Pottle. Penguin Books, 1966. Cover by Alan Aldridge.
Gunner Cade, by Cyril Judd. Penguin 1966. Cover by Ian Yeoman.
A Kind Of Loving, by Stan Barstow. Penguin Books, 1966. I'm reading this very edition at the moment.
Island, by Aldous Huxley. Penguin, 1966. Cover by Ross Cramer.
Maigret's Special Murder, by Georges Simeon. Penguin Books, 1966. Cover by Karl Ferris.
The Penguin John Lennon (1966). Cover by Alan Aldridge.
The Unpleasant Profession of Jonathan Hoag, by Robert A Heinlein. Penguin, 1966. Cover by Alan Aldridge.
Personally I'm a fan of Alan Aldridge's work at Penguin, though that does put me into a minority! De gustibus non disputandum est, as they say.

More covers another day...
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Pulp Librarian
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For today's #SundayMotivation I'm looking back at '70s Argentine superhero Namur, a lady who lives her life by the motto "Peligro Supremo!"
Namur is something of a mystery. She's an FBI agent who uses her unique martial arts skills to fight crime. However she always wears a mask to protect her identity.
Namur's boss at the FBI is the equally mysterious 'Taurus' who hides his identity behind a fan. It's such a secretive world fighting crime...
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In the 1970s a fascinating engineering battle took place between America and Japan for control of the future. The prize was the world we live in now. And one of the key battles took place on your wrist.

This is the story of the digital watch war... #FridayFeeling
'Digital' is a magical marketing word. Like 'laser' or 'turbo' it suggests progress, mastery and the future. People like those ideas. They like them enough to spend a lot of money on products that have them, especially if they can be a first adopter.
And so it was with the wristwatch. Electronic quartz watches were already a thing by the 1960s: an analogue movement driven by a quartz crystal resonator, powered by a small button battery.

But one American company was setting out on a new timekeeping odyssey...
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It was a phenomenon, spawning a franchise that has lasted fifty years. It's also a story with many surprising influences.

Today in pulp I look back at a sociological science-fiction classic: Planet Of The Apes! #FridayFeeling
Pierre Boulle is probably best known for his 1952 novel Bridge On The River Kwai, based on his wartime experiences in Indochina. So it was possibly a surprise when 11 years later he authored a science fiction novel.
However Boulle had been a Free French secret agent during the war. He was captured in 1943 by Vichy forces in Vietnam and sentenced to hard labour. This experience of capture would shape his novel La Planète Des Singes.
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