For our #MondayMotivaton today I try to work out which sports we can still play whilst socially distancing...
...explained through the medium of Hot Hits compilation albums!
Association Football? NO! Keeping two meters apart is too difficult in soccer, unless we use the rules of table football for each match (note: no spinning and no tilting the pitch!)
Angling? YES! Social distancing is the reason most people take up this pastime in the first place, plus the smell of bait keeps most people at least two meters away from you.
Motor racing? POSSIBLY! Yes you're far away from people on the track, but pit crews would probably have to be banned. You'll need to change your own tyres if you want to bring back F1 nowadays.
Archery? YES! In fact there's no better way to keep people socially distanc than waving a recursive bow around and yelling "don't you f*cking dare!" like a distressed drunk at the Battle of Agincourt.
Skeleton Bob? NO! You're going to leave a trail of exhaled germs behind you on the track that all subsequent competitors would inhale. Technically one person only could compete safely, but is that really sport?
Triple Jump? YES! Possibly the safest of all track and field events, but competitors would need masks in case they sneezed in the sandpit. Rakes would of course need to be two meters long.
Rugby? NO! Not even League. Scrums, tackles and communal singing in a shared bath afterwards makes this a COVID-19 no-no. Don't try Rugby Sevens either, as I'm not convinced that's actually a sport rather than a warm-up.
Tennis? POSSIBLY! Keeping two meters apart would mean lots of emphasis on 100mph aces from the baseline and that really kills the drama of the game. Players would have to sanitize their own balls and stop picking at their pants before serving too.
Well there you have it: sport is possible during the coronavirus outbreak but you have to think it through beforehand. Fortunately sports enthusiasts are our top thinkers, so I'm sure common sense will prevail! #StayAlert
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Today I'm looking back at the work of British graphic designer Abram Games!
Abram Games was born in Whitechapel, London in 1914. His father, Joseph, was a photographer who taught him the art of colouring by airbrush.
Games attended Hackney Downs School before dropping out of Saint Martin’s School of Art after two terms. His design skills were mainly self-taught by working as his father’s assistant.
Today I'm looking back at the career of English painter, book illustrator and war artist Edward Ardizzone!
Edward Ardizzone was born in Vietnam in 1900 to Anglo-French parents. Aged 5 he moved to England, settling in Suffolk.
Whilst working as an office clerk in London Ardizzone began to take lessons at the Westminster School of Art in his spare time. In 1926 he gave up his office job to concentrate on becoming a professional artist.
Today in pulp I look back at the Witchploitation explosion of the late 1960s: black magic, bare bottoms and terrible, terrible curtains!
Come this way...
Mainstream occult magazines and books had been around since late Victorian times. These were mostly about spiritualism, with perhaps a bit of magic thrown in.
But it was the writings of Aleister Crowley in English and Maria de Naglowska in French and Russian that first popularised the idea of 'sex magick' in the 20th century - the use of sexual energy and ritual to achieve mystical outcomes.
Between 1960 and 1970 Penguin Books underwent several revolutions in cover layout, at a time when public tastes were rapidly changing.
Today in pulp I look back at 10 years that shook the Penguin!
Allen Lane founded Penguin Books in 1935, aiming to bring high-quality paperbacks to the masses for the same price as a packet of cigarettes. Lane began by snapping up publishing rights for inexpensive mid-market novels and packaging them expertly for book lovers.
From the start Penguins were consciously designed; Lane wanted to distinguish his paperbacks from pulp novels. Edward Young created the first cover grid, using three horizontal bands and the new-ish Gill Sans typeface for the text.
Today in pulp: a tale of an unintentionally radical publisher. It only produced 42 books between 1968-9, but it caught the hedonistic, solipsistic, free love mood of the West Coast freakout scene like no other.
This is the story of Essex House...
Essex House was an offshoot of Parliament Press, a California publishing company set up by pulp artist Milton Luros after the market for pulp magazines began to decline. It specialised in stag magazines sold through liquor stores, to skirt around US obscenity publishing laws.
By the 1960s Parliament Press was already selling pornographic novels through its Brandon House imprint, though these were mostly reprints or translations of existing work. Luros was interested in publishing new erotic authors, and set up Essex House to do just that.
Today in pulp... one of my favourite SF authors: Harry Harrison!
Harry Harrison was born Stamford, Connecticut, in 1925. He served in the US Army Air Corps during WWII, but became disheartened with military life. In his spare time he learned Esperanto.
Harrison started his sci-fi career as an illustrator, working with Wally Wood on Weird Fantasy and Weird Science up until 1950. He also wrote for syndicated comic strips, including Flash Gordon and Rick Random.