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Pulp Librarian Profile picture
@PulpLibrarian
May 24, 2020 • 13 tweets • 7 min read • Read on X
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Time for a pulp countdown now, and today its my top 10 swinging pulp spies!

Prepare to be shaken and stirred as we enter the world of sexpionage... #SundayFunday Image
Swinging spy no 10: The Man From Planet X! Peter Lance is an alien spy from the planet Tharb, with a three foot long *ahem*... ImageImage
Swinging pulp spy no 9: Rod Damon - The Coxeman! Superspy, professor of sociology and director of L.S.D., the League for Sexual Dynamics. ImageImage
Swinging pulp spy no 8: Cherry Delight - The Sexecutioner! Top agent for N.Y.M.P.H.O. (New York Mafia Prosecution & Harassment Organization) ImageImage
Swinging pulp spy no 7: Tim O'Shane - the man from TOMCAT! Quite a good spy plot, apparently... ImageImage
Swinging pulp spy no 6: John Stake, the agent from PrICK! (Private Institute for Central Knowledge). Sweden's very own superspy! ImageImage
Swinging pulp spy no 5: Trevor Anderson - agent 0008! Of course it's a Bond parody... ImageImage
Swinging pulp spy no 4: The Baroness! Fun fact: her preferred weapon is the Bernadelli VB .25 caliber. ImageImage
Before I reveal the top 3 swinging pulp spies, a few that didn't quite make the top 10... ImageImageImageImage
Swinging pulp spy no 3: Steve Victor - The Man From ORGY! Fifteen books in the series... ImageImage
Swinging pulp spy no 2: Eve Drum - The Lady From LUST! Her codename is Oh-Oh-Sex. Not much of a code there... ImageImage
And our No 1 swinging pulp spy is... Philip McAlpine! Now whatever happened to Adam Diment: theguardian.com/books/booksblo… ImageImage
More silly superspies another time... Image

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More from @PulpLibrarian

Pulp Librarian Profile picture
Sep 1
Today in pulp, one of the most influential and outrageous illustrators of the Italian Italian fumetti scene: Emanuele Taglietti!

This will be interesting... Image
Emanuele Taglietti was born in Ferrara in 1943. His father worked as a set designer for director Michaelangelo Antonioni, often taking Emanuele with him on set. Image
In the 1960s Taglietti moved to Rome, where he studied stage design. He began a successful career as an assistant art director, working for Federico Fellini and Marco Ferreri. Image
Read 17 tweets
Pulp Librarian Profile picture
Aug 25
"He lay beside the gently whispering stream - murdered!"

Scales Of Justice, by Ngaio Marsh. Fontana, 1958. Image
"Sucked to death in a seething cauldron of mud!"

Colour Scheme, by Ngaio Marsh. Fontana, 1960. Image
Death amongst the darts and drinks...

Death At The Bar, by Ngaio Marsh. Fontana, 1956. Image
Read 10 tweets
Pulp Librarian Profile picture
Aug 18
Today in pulp... a few covers by Reginald Heade. Image
Vice Rackets Of Soho, by Roland Vane. Archer Books, 1951. Cover by Reginald Heade. Image
Sinful Sisters, by Ronald Vane. Archer Books, 1951. Cover by Reginald Heade. Image
Read 16 tweets
Pulp Librarian Profile picture
Aug 16
Time once again for my occasional series "Women with great hair fleeing gothic houses!"

No, I hadn't forgotten... Image
Terror On Duncan Island, by Caroline Farr. Signet Gothic, 1971. Cover by Allan Kass.

Note: this is a sea-circled island. None of your oxbow lake nonsense here... Image
The Fortune Hunters, by Joan Aiken. Pocket Books, 1972.

When fleeing a gothic castle be sure to colour co-ordinate! Image
Read 18 tweets
Pulp Librarian Profile picture
Aug 13
If the spacesuit is the symbol of progress, the gas mask is the sign of the apocalypse. In popular culture it signifies that science has turned against us. It's the face of dystopia.

Today in pulp I look at the culture of the mask!
Image
Image
The first chemical masks were work by Venitian plague doctors: a bird-like affair, the beak stuffed with lavender, matched with full length coat and hat. It was a terrifying sight - the grim reaper come to apply poultices to your tumours. Image
But it was poison gas, first used at the Second Battle of Ypres in 1915, that led to the modern gas mask. At first these were cotton masks treated with chemicals. However their protection was limited. Image
Read 19 tweets
Pulp Librarian Profile picture
Aug 10
It's now over half a century since 1970, and I'm starting to wonder if we should bring back its concept of gracious modern living... Image
You see we've grown so used to Swedish-style modernism that we've sort of forgotten that maximalism, rather than minimalism, was once the sign of a cultured abode. Image
The 1970s in many ways reached back to the rich ideas of Victorian decor: heavy, autumnal and cluttered. Home was meant to be a baroque and sensual experience, rather than a 'machine for living in.' Image
Read 10 tweets

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