I vaguely recall being contacted by the production team a while ago. I declined to participate. I don't like tv appearances. I'm not comfortable on tv, and frankly, I don't like being at the mercy of a film editor. I don't want my words turned into sound bites.
Yeah yeah, insert Dahmer joke here. Go ahead. I've heard them all.
Anyways, so I turn down almost all tv interviews, and always have.
When Dahmer was caught, it seemed as if the entire news media was after me. Reporters called day and night, beat on my front door, called my parents to get to me. It was something.
I remember one day there were THREE tv news trucks parked in front of my house, waiting for me. Guess they hoped they could do a gotcha interview if I tried to leave in my car. But I took the train to work, so I snuck out the back door and hopped the backyard fence to catch it!
I just didn't want any part of a viral story like that. And I was working in the news media at that time! For weekly newspapers. Thankfully, none of them were interested in the story either, since they were alt papers and didn't bother with big mainstream stories.
And no story was bigger in summer 1991 than Dahmer.
The story I always recount is this. Dahmer's house in my hometown is on a hilly country road. The story broke and police descended on his boyhood home when they realized it was a crime scene...
...where Dahmer had killed (and obliterated) his first victim, Stephen Hicks, a young hitchhiker he picked up near the local mall in nearby suburban Akron. The scene is in the book. So cops are combing the grounds, gathering evidence...
... and the entire national news media followed them to the house. They were lined up and down the country road outside the police tape, cars, camera trucks, etc.... for FIVE MILES in either direction! It was quite a sight. I drove past to check it out.
If they had known it was me, they would have swarmed my car! I remember that really drove home what I was now dealing with. It's truly terrifying to be swept up in a viral story like that. Trust me, it's no fun. The lack of control is particularly unnerving.
I knew this was a great story, one that had fallen from the sky and dropped in my lap. I was a storyteller. There was never a moment's doubt that I would tell MY story, but it would be MY way and on my terms. I wanted complete control of my story.
Thankfully, I was experienced enough at that point to make that decision. I had been a pro for 8 years in 1991. I knew how to say "no." Of course, it wound up taking longer than expected to tell my story, but that's another tale.
Some bash me for telling it all. Oh yeah, I still get that. It's a small minority, since, after all, the book speaks for itself. It's gotten enough awards and accolades that's it's self-defending at this point.
Besides, it's MY story. I was a part of it. It happened to me. And I have every right to tell it. I think I told it pretty well. I certainly wasn't going to trust a media pack to do the same.
I'm not a fan of these tv crime documentaries either. These things are all identical, the same spooky music, the same quick edits jumping from image to image. I don't like watching them and I won't participate in them. Pop culture documentaries. No thanks.
I foolishly did a handful very early on. Maybe twice. This was when my first Dahmer stories were self-published and I was trying to find a publisher for the larger work. They were awful. So this would have been, geez, late 1990s, early 2000s.
When I saw the finished pieces, I kicked myself for participating.
Then I agreed to be in one when the book came out in 2012. I was doing the whole media blitz to promote the book, mostly radio and print, and I'm happy to do those media. My publicist at the time really wanted me to do it. Again, I was very unhappy with it. More self kicking.
I told my publisher, no more tv. Especially since the book was already a hit on its own.
My view is, all I know, everything I wanted to say, is in the book. I have no interest in just parroting that information for a camera.
I know this sounds weird, since I ok-ed a film adaption, but that's an altogether different animal. I trusted #marcmeyers would do a great job with it, based on his previous films & many long discussions with him. And he did. It's a worthy companion to the book.
My friend, Mike, is in the Discovery piece. He always agrees. I usually send tv requests his way. That's Mike, my partner on the garbage truck in Trashed btw! We've been friends since we were 12 years old, growing up in the same small town. He's a prof now.
I also have little interest in Dahmer's crimes, which is what these pieces are about. My book ends the moment he starts to kill. After that, he's just another monster. The spiral down is what fascinated me, because I was a witness to that.
Another production team contacted me a couple weeks ago. Think it was CNN, but I could be wrong on that. They must've been working on a piece for the Discovery thing. Are they owned by the same conglomerate? I said no.
I'm very proud of the book. It changed my career. I'm humbled and very gratified it resonates with so many readers. It's my best-known work and it likely always will be.
It's also 3 books ago.
My focus now is on Kent State, another very important story to me personally, which should be out now but has been delayed until Sept because of the pandemic & lockdowns. And on future work.
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The only self-destruction comparable to the Dilbert guy in comics history was Al Capp. In the 1950s, L'il Abner was the biggest strip in the land. Film, broadway, wildly popular, adding phrases to the national lexicon. Capp was a celebrity w/ regular spots on the Tonight Show.
10 years later he's overcome with hatred for the Sixties counterculture and went full Nixonian rightwing. No Youtube, of course, so he destroyed himself live on stage, going from campus to campus ranting at 20somethings to a cascade of boos.
Concurrently, it turns out he's serial sex predator, and attacked dozens of young co-eds on the lecture circuit. It all came out in court in 1971, and his career & rep were destroyed.
Abner limped along in a handful of papers & ended pathetically in 1977.
46 years ago, in Jan. 1976, the first big comics ”event” hit, “Superman & Spider-man: the Battle of the Century.”
It spawned nearly 50 years of similar attention-grabbing events, which have been the bane of both Marvel & DC.
But it's an interesting book.
By 1976, traditional comic books were in big trouble. Readership was plummeting, the biz was a mess, popular young creators were abandoning the field rather than be underpaid and exploited, and old guard giants like Kirby were past their prime. The “magic” was lost.
It was a Hollywood agent who pitched Supe vs. Spidey… as a film!
But the first Supe film was in the works, as was the wretched Spidey live-action tv show, so the companies weren’t interested. But as a comic book event? Publishers Carmine Infantino & Stan Lee dug that.
Drawing bare trees takes a lot of patience. And you can't do it fast or you'll screw it up. I had to redraw quite a few of them in KENT STATE because I wanted to move on to other things, and they looked like hell.
Done beautifully here. This is how you do it, kids.
The trick is to stick to the proper sequence. You start with the main trunk and major branches, which gives you the basic shape of the tree. Ash, Oak, maple etc all have different shapes. Then you draw the smaller branches, then smaller still
But too many branches, especially for trees in the distance, and the visual gets clogged up. I'm right on the edge of that here, especially those trees dead center.
I used a .05 pen for the big branches, then a .o3, and finally the .01. Can't get any finer than that!
I guess this is what Marvel bigshots wanted, but every cover is a crowded fight scene, usually with a superdude flopping over backwards with one of Kane's signature limp-wristed poses.
Kane drew like 75% of Marvels covers in 1972, 73, 74 and 75 and one is pretty much the same as the other. Sweet gig for Gil, but I would've MUCH rather had him drawing stories.
"(Roger Stone) protege Jacob Engels appeared at a School Board meeting, blending in with concerned parents, to discuss sex education books. When Engels took the mic, he read aloud an explicit passage from (the graphic novel) “Gender Queer: A Memoir.”"
This is exactly what I've been tweeting about. And again here's Maia Kobabe's graphic novel GENDER QUEER being used as scare tactic in school board meetings.
This is the book outraged zealots and professional rightwing plants wave around at school board meetings.
This exact same performance is happening all around the country. The playbook was written by Christian Nationalist "think" tanks & creeps like Steve Bannon, & is bankrolled by dark money.
Since everyone is talking about the crisis at the @usps and the Trumper creep #DeJoy, the Postmaster General. These are mail sorting machines at the main Cleveland postal facility last August.
DeJoy ordered them torn out and they were left to rot in the parking lot.
Not removed and reused at another facility. TORN THE FUCK OUT, and purposely left outside to get rained on and ruined so they could NEVER be used again.
And no effort was made to mask what they were doing! You could see (and photograph) these things from the street!
When called on this, DeJoy insisted they were torn out "months" ago. Postal workers revealed it was just days.