Today in pulp... I look back at the 1930s magazine that was a trailblazer for modern photo-led journalism: VU. #SundayThoughts
First published in Paris in 1928 VU was a magazine that put the photograph first. Over 3,000 photos were used in its first year of publication alone.
The timing was auspicious: the Leica 1 camera had been released in 1925 and the Rolleiflex would launch in 1929. High quality portable photography was making its breakthrough and VU magazine would pioneer it's journalistic use.
Lucien Vogel had worked on a range of illustrated magazines before he founded VU in 1928. He also had an interest in Constructivism. VU would use this approach to pioneer the use of photo-essays as a way of understanding world events.
The range of photographers Vogel assembled for VU is breathtaking: Man Ray, Henri Cartier-Bresson, André Kertész and Gyula Halász (Brassaï) all produced work for the magazine at some point.
However VU would rise to fame for its political coverage. Special issues on Soviet Russia, Fascist Italy and Nazi Germany brought home the rise of dictatorships through photography.
Double page photo spreads were use extensively by VU to construct a narrative of what was happening in in the world, reflecting Lucien Vogel's belief in constructionist composition to tell stories.
In particular VU brought home the events of the Spanish civil war to French readers. A number of issues were dedicated to the conflict.
Gerda Taro was one of the early women pioneers of #photojournalism, and her images published in VU magazine showed the real life struggles of the Republican army. Taro died in 1937 during the army's retreat from Brunete.
Taro's partner Robert Capa took one of the defining images of the Spanish civil war during the 1937 Battle of Brunete: "The Falling Soldier." VU magazine was the first outlet to publish it.
VU wasn't all politics however; it looked at how life was changing in the 1930s, from mass consumerism to mass unemployment. It's an invaluable record for historians.
The last issue of VU was published on 29 May 1940. Two weeks later Paris was occupied by German troops. The magazine that had charted the rise of European dictatorships finally succumbed to one.
If you'd like to learn more about VU magazine and the birth of photojournalism MOMA has done a recent retrospective here: moma.org/interactives/o…
More stories another time...
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It was the biggest manhunt in Britain: police, the press, aeroplanes, psychics all tried to solve the disappearance. In the end nobody really knew what happened. It was a mystery without a solution.
This is the story of Agatha Christie's 11 lost days...
By 1926 Agatha Christie's reputation as a writer was starting to grow. Her sixth novel - The Murder of Roger Ackroyd - had been well-received and she and her husband Archie had recently concluded a world tour. But all was not well with the marriage.
In April 1926 Agatha Christie’s mother died. Christie was very close to her: she had been home-schooled and believed her mother was clairvoyant. The shock of her sudden death hit the author hard.
Many readers have asked me over the years what my definition of pulp is. I've thought about it a lot, and the definition I keep coming back to... well it may surprise you.
Let me try and set it out.
There are lots of definitions of pulp out there: in books, in academic papers and on the web. And most circle back to the same three points: the medium, the story type and the method of writing.
Pulp is of course a type of cheap, coarse paper stock. Its use in magazine production from the 1890s onwards led to it becoming a shorthand term for the kind of fiction found in low cost story magazines.
let's take a look at the extraordinary work of Victorian illustrator and cat lover Louis Wain!
Louis Wain was born in London in 1860. Although he is best known for his drawings of cats he started out as a Victorian press illustrator. His work is highly collectable.
Wain had a very difficult life; born with a cleft lip he was not allowed to attend school. His freelance drawing work supported his mother and sisters after his father died. Aged 23 he married his sisters' governess, Emily Richardson, 10 years his senior.
Over the years a number of people have asked me if I have a favourite pulp film. Well I do. It's this one.
This is the story of Alphaville...
Alphaville: une étrange aventure de Lemmy Caution (1965) was Jean-Luc Godard’s ninth feature film. A heady mix of spy noir, science fiction and the Nouvelle Vague at its heart is a poetic conflict between a hard-boiled secret agent and a supercomputer’s brave new world.
British writer Peter Cheyney had created the fictitious American investigator Lemmy Caution in 1936. As well as appearing in 10 novels Caution featured in over a dozen post-war French films, mostly played by singer Eddie Constantine whom Godard was keen to work with.
Al Hartley may have been famous for his work on Archie Comics, but in the 1970s he was drawn to a very different scene: God.
Today in pulp I look back at Hartley's work for Spire Christian Comics - a publisher that set out to spread the groovy gospel...
Spire Christian Comics was an offshoot of Spire Books, a mass-market religious paperback line launched in 1963 by the Fleming H. Revell company. The point of Spire Books was to get religious novels into secular stores, so a move into comic books in 1972 seemed a logical choice.
The idea was to create comic book versions of popular Spire Books like The Cross and the Switchblade; David Wilkinson's autobiographical tale of being a pastor in 1960s New York. It had already been turned into a film, but who could make it into a comic?