Today in pulp... my Top 20 DAW book covers from the early years of this legendary imprint.
I'm only looking at the first 10 years of DAW (1972-82), but believe me there's plenty to choose from! #SundayThoughts
I'll choose two DAW covers from each year between 1972 & 1982, which I think set the bar for pulp sci-fi cover design. It will be quite an eclectic mix.
I'm not ranking my Top 20 DAW covers, just suggesting they're amongst the best of DAW's first 10 years in terms of capturing the feel of the 70s and early 80s. Feel free to disagree...
DAW book covers #Top20: The Return Of The Time Machine, by Egon Freidell (1972). Karel Thole's triptych is both elegant and evocative.
DAW book covers #Top20: The Wandering Variables, by Louis Trimble (1972). Frank Kelly Freas sums up the playful, curious nature of DAW #SF.
DAW book covers #Top20: The Tin Angel, by Ron Goulart (1973). Jack Gaughan nails it - funny, bizarre and effective.
DAW book covers #Top20: The Pritcher Mass, by Gordon R Dickson (1973). I just love the floating ferret head - art by Frank Kelly Freas.
DAW book covers #Top20: Flux, by Ron Goulart (1974). Jack Gaughan again, with a counterculture #hipster droid.
DAW book covers #Top20: Stress Pattern, by Neil Barrett Jr (1974). Josh Kirby with a bold and silly cover that could have been used for Dune.
DAW book covers #Top20: Swan Song, by Brian M Stableford (1975). Frank Kelly Freas drapes the stars over everything - quite lovely.
DAW book covers #Top20: The Year's Best Horror Stories: Series lll, edited by Richard Davis (1975). Michael Whelan's creepy eye-hand!
DAW book covers #Top20: Don't Bite The Sun, by Tanith Lee (1976). Brian Froud's artwork is spot-on for this book.
DAW book covers #Top20: The Sailor On The Seas Of Fate, by Michael Moorcock (1976). Michael Whelan's very buff Elric!
DAW book covers #Top20: Legends From The End Of Time, by Michael Moorcock (1977). I really like Bob Pepper's collage-style cover here.
DAW book covers #Top20: The Siege Of Wonder, by Mark S Geston (1977). H R Van Dongen brings a touch of Northern Renaissance to this cover.
DAW book covers #Top20: Calling Dr Patchwork, by Ron Goulart (1978). Josh Kirby's cover is simple, silly and very charming.
DAW book covers #Top20: To Keep The Ship, by A Bertram Chandler (1978). Another marvellous silly #SF cover, this time by H R Van Dongen.
DAW book covers #Top20: The Palace Of Love, by Jack Vance (1979). Gino D'Achille showing he doesn't know how bikini tops work!
DAW book covers #Top20: Lord Of The Spiders or Blades Of Mars, by Michael Moorcock (1979). Richard Hescox's spider is very creepy!
DAW book covers #Top20: Kill The Dead, by Tanith Lee (1980). Don Maitz's cover is well balanced with just the right hint of goth.
DAW book covers #Top20: Lin Carter Presents The Year's Best Fantasy Stories: 6 (1980). A very simple but fun cover by Josh Kirby.
DAW book covers #Top20: Marune: Alastor 933, by Jack Vance (1981). David B Mattingly has great fun with the composition here.
DAW book covers #Top20: The Robot In The Closet, by Ron Goulart (1981). I love Josh Kirby's bulging eyed robo-pirate!
DAW book covers #Top20: The Dimensioneers, by Doris Piserchia (1982). Frank Kelly Freas returns to DAW with an elegant cloud cover.
DAW book covers #Top20: Karl Edward Wagner presents The Year's Best Horror Stories: Series X (1982). Michael Whelan steals the show again...
And that's it for my #Top20 DAW book covers ('72-'82). I hope you saw something you liked!
• • •
Missing some Tweet in this thread? You can try to
force a refresh
Today in pulp: how do you write a novel in two weeks?
Pulp writing that has to work within specific constraints, which in turn shape the nature of the story. And speed is the biggest constraint of all: you have to write quickly!
But there are ways to make it work for you...
Today a prolific author may write a book every year, but in the 1950s and '60s pulp writer sometimes had as little as two weeks to complete a 50,000 word story and have it ready for print.
That’s 25 novels a year: but at least they got Christmas off!
Writing that quickly is hard, but surprisingly liberating. Pulp writers had to go with their first ideas and had to make them work. There wasn’t time to ‘kill your darlings’ - instead you had to toughen them up and send them into battle!
Today in pulp I'm taking a look back at the Regency Romance series from Signet Books!
Signet's Regency Romance series started in the late 1970s and ran until 2006. Like its rivals Harlequin and Mills & Boone, Signet Regency Romance published a number of titles each month, often to the same formula...
Most (but not all) Signet Regency Romance covers were by Allan Kass, and I can heartily recommend Rhonda Whiting's wonderful blog about this artist, featuring hundreds of scans of his work allankass.blogspot.co.uk
What are the pulp archetypes? Pulp novels are usually written quickly and rely on a formula, but do they use different archetypal characters to other fiction?
Let's take a look at a few...
The Outlaw is a classic pulp archetype: from Dick Turpin onwards lawbreakers have been a staple of the genre. Crime never pays, but it's exciting and trangressive!
Some pulp outlaws however are principled...
As Bob Dylan sang "to live outside the law you must be honest." Michel Gourdon's 1915 hero Dr Christopher Syn is a good example. A clergyman turned pirate and smuggler, he starts as a revenger but becomes the moral magistrate of the smuggling gangs of Romney Marsh.
Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?
Let's find out...
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say.
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile.