#mythologymonday Thread: In 2007 two stelae, each bearing figures of the Storm-god leading a ruler and a duplicate Hieroglyphic Luwian text, were discovered at Uluçinar (formerly Arsuz), on the Turkish coast south of İskenderun...
The inscription is the work of a Suppiluliuma, son of Manana, king of the land of Walastin, now understood as the Luwian designation of the Amuq plain with its capital at the Iron Age site of Tell Tayinat...
The stelae, probably dating to the later tenth century BC, record the successful reign of the ruler who "achieved things his father or grandfather could not" like conquer the city of Adana and the land of Hiyawa (most likely Ahhiyawa, the Hittite designation of Greeks)
All his military victories and the abundance of grain and wine in his kingdom, the king attributes to the mighty Storm god. On both stelae, the king is depicted holding grapes in his right hand and grain in his left, while being led by the hand by the Storm god, his patron deity
Storm god, who stands on the bull under the winded sun disc? Why?
Well here is why: This is a chart showing yearly temperature and precipitation in Eastern Anatolia...
The late April early May (Taurus) is the time of maximum precipitation and maximum thunderstorms. The time when Thunder god arrives to the land of the Hittites...Hence the bull...This is also start of summer...Hence the winded sun disc...
The inscriptions are from the article "Two new inscribed Storm-god stelae from Arsuz (İskenderun): ARSUZ 1 and 2" by Belkis Dinçol, Ali Dinçol, J.D. Hawkins, Hasan Peker and Aliye Öztan
One more thing: In Eastern Anatolian plateau, grain and grape harvest started late jul early Aug. In Leo which marks the end of summer, season symbolised by a bull, and beginning of Autumn, season symbolised by a lion. Lion kills Bull. Killing of the bull = Beginning of Harvest
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Thread: The other day I posted this article and it went completely unnoticed??? In this thread I want to present the full analysis of all 4 sides of this sarcophagus. Honestly this is as cool an example of symbolic religious calendar art as they come.
First, I definitely don't think that these panels depict funerary rituals, which is the most common interpretation of the scene ancientworldmagazine.com/articles/agia-…
I think that they could be depicting religious rituals related to Proto Demeter, Persephone and Poseidon. The "two queens and the king" mentioned In the Mycenean Greek tablets dated 1400–1200 BC.
They are also a religious calendar closely linked to the climatic calendar.
Thread: Years ago, anthropologist Margaret Mead was asked by a student what she considered to be the first sign of civilisation in a culture. The student expected Mead to talk about fishhooks or clay pots or grinding stones.
But no...
...Mead said that the first sign of civilisation in an ancient culture was a femur (thighbone) that had been broken and then healed. Mead explained that in the animal kingdom, if you break your leg, you die...
...You cannot run from danger, get to the river for a drink or hunt for food. You are meat for prowling beasts. No animal survives a broken leg long enough for the bone to heal...
Thread: Have you ever heard of shepherd's stick calendars? Here's one from Bulgaria...
In the mountains of the Balkans, up until the end of the 20th century, shepherds carried with them calendar sticks...
It was a stick with a notch cut into it for every day of the year and a cross or some other symbol for major holy days, which in Serbia are all linked to major agricultural events and major solar cycle events...
At the end of every day a piece of the stick up to the first notch, representing the previous day, was cut off from the stick. When the last piece was cut, the year was over...
Thread (a quite long one, sorry, but I think worth reading to the end): A while back @another_barbara posted this 1865 beehive panel image with this description: An interesting Shrovetide tradition from Slovenija "babo žagajo" (sawing of an old woman)...
The other day wanted to write an article about this custom, and while looking around the net for more info on the subject, I came across 1960 paper by Niko Kuret "BABO ŽAGAJO, Slovenske oblike pozabljenega obredja in njegove Evropske paralele" etno-muzej.si/sl/etnolog/slo…
In which he presents all the different versions (he knew of) of the "SAWING OF THE OLD WOMAN" ritual found in Slovenian lands, and its European parallels...
Here I will translate the most interesting bits from this paper, and will then give my interpretation of the ritual...
Thread: The žirgeliai (little horses), are common motifs on Lithuanian rooftops, placed there for protection of the house...
They are a symbolic depiction of the Ašvieniai (), Baltic counterparts of Vedic Ashvins, who are said to pull the chariot of Saulė (the Sun Goddess) through the sky. As depicted on this rooftop of a house in Nida... en.wikipedia.org/wiki/A%C5%A1vi…
Both names, Lithuanian ašva and Sanskrit ashva, mean "horse" and are derive from the same Proto-Indo-European root for the horse – *ek'w-...
Maruts came (to earth) along with Agni (fire) from above...
The other day I read a very interesting paper "Comets and meteoritic showers in the Rigveda and their significance" by R.N. Iyengar () academia.edu/7324390/COMETS…
Most Vedas interpreters agree that Maruts are deified moisture laden monsoon storm winds, turned into rain bringing deities armed with thunder and lightning. Even I agree with that and I even wrote a thread talking about this:
But, the Mysore Palace edition of the Rigveda, which gives in 36 volumes an exhaustive introduction, the text, traditional meaning, ritual application, grammatical explanation, and the Sanskrit commentary of Sâyan says that: Vâyu (winds) and Maruts are distinctly different...