Pulp Librarian Profile picture
Jul 21, 2020 18 tweets 8 min read Read on X
Today in pulp I look back at the world of Soviet women's fashion!

It's not all berets, but it mostly is... #TuesdayThoughts Image
Now you may think that fashion and the Soviet Union go together like Groucho Marks and Friedrich Engels. However that is to misunderstand the nature of the Commad Economy: if she commands it, you'd better buy it for her. Image
So there is a rich history of fashion and fun (along with the tractor factories and endless ballet performances) in the old USSR. Let's take a sashay along it... Image
At the start of the Soviet years women's fashion, let's face it, tended towards the functional. Red was popular, as were headscarves, sensible boots and the ability to field strip a 3-line rifle.

But all that was about to change... Image
...because Russia had a new fashionista in charge: Stalin! He hated the peasant look of War Communism because it made socialism seem synonymous with poverty. He ordered Soviet Woman to spruce herself up. Image
And what Stalin wants, Stalin gets. Sort of. Certainly the apparatchiks of the 1930s were given a taste of graceful modernism: tailored jackets in fetching colours etc.... Image
...but for the lumpenproletariat it was still all headscarves and hobnail boots. Uncle Jo's five year plan of fashion was strictly for the aristocracy of labour. Image
Khrushchev was having none of it. The socialist republic would hold it's head high, and compete on equal terms with the Western divisions of Dior and Chanel. A floaty skirt, a cigarette pant and a working refrigerator would be the inalienable right of every Soviet woman. ImageImage
But there would be rules: chasing fashion trends was out, timeless classics were in. A well cut dress should last a lifetime, and would probably have to. Image
So what was the 'Soviet Look'? Well it wasn't headscarves: they were relics of the bad old years, suitable only for children and babushkas. You could wear a headband at a pinch, but only if you had the cheekbones to carry it off. ImageImage
No, what Soviet Woman really wanted was a beret! French style or Basque style, it didn't matter. What mattered was paring it with a well cut blazer and a knee length skirt. ImageImage
A good coat was obligatory in the USSR: in patriotic colours or simple herringbone, belted and buttoned to the neck. Hoods were good, but collars were never popped. ImageImage
The ladies of Leningrad would also need a rollneck sweater or two. It was the quintessential knitwear statement of the modern Soviet woman. Image
And speaking of knitwear... big funky knits became a Warsaw Pact classic in the 1980s: the brighter the yarn the more fashion forward the wearer. ImageImage
The Russian cut was generous. Lots of material demonstrated the plentitude that collective planning bestowed upon the people. Plus it can get windy round the Urals so plenty of heavy wool was a godsend. Image
As the years rolled by, as detente came and went, the practical nature of Soviet womenswear adopted to the times... ImageImage
...and by the end of the Cold War Soviet fashion had fully collided with its Western counterparts. In its own way. Image
So here's to the fabulous fashionable ladies of the late CCCP. Whatever the weather - and it was mostly cold - they would strut their collective stuff as boldly as they could!

More #fashion history another time... Image

• • •

Missing some Tweet in this thread? You can try to force a refresh
 

Keep Current with Pulp Librarian

Pulp Librarian Profile picture

Stay in touch and get notified when new unrolls are available from this author!

Read all threads

This Thread may be Removed Anytime!

PDF

Twitter may remove this content at anytime! Save it as PDF for later use!

Try unrolling a thread yourself!

how to unroll video
  1. Follow @ThreadReaderApp to mention us!

  2. From a Twitter thread mention us with a keyword "unroll"
@threadreaderapp unroll

Practice here first or read more on our help page!

More from @PulpLibrarian

Dec 27, 2025
Today in pulp: how do you write a novel in two weeks?

Pulp writing that has to work within specific constraints, which in turn shape the nature of the story. And speed is the biggest constraint of all: you have to write quickly!

But there are ways to make it work for you... Image
Today a prolific author may write a book every year, but in the 1950s and '60s pulp writer sometimes had as little as two weeks to complete a 50,000 word story and have it ready for print.

That’s 25 novels a year: but at least they got Christmas off! Image
Writing that quickly is hard, but surprisingly liberating. Pulp writers had to go with their first ideas and had to make them work. There wasn’t time to ‘kill your darlings’ - instead you had to toughen them up and send them into battle! Image
Read 23 tweets
Sep 26, 2025
Today in pulp I'm taking a look back at the Regency Romance series from Signet Books! Image
Signet's Regency Romance series started in the late 1970s and ran until 2006. Like its rivals Harlequin and Mills & Boone, Signet Regency Romance published a number of titles each month, often to the same formula... Image
Most (but not all) Signet Regency Romance covers were by Allan Kass, and I can heartily recommend Rhonda Whiting's wonderful blog about this artist, featuring hundreds of scans of his work allankass.blogspot.co.ukImage
Read 11 tweets
Sep 14, 2025
Do you enjoy:
- rally driving?
- quizzes?
- touching stuff?

Then I have the magazine for you... Image
Electronic bagpipes. Everyday Electronics, May 1974. Image
Laugh simulator. Everyday Electronics, January 1972. Image
Read 9 tweets
Jul 26, 2025
What are the pulp archetypes? Pulp novels are usually written quickly and rely on a formula, but do they use different archetypal characters to other fiction?

Let's take a look at a few... Image
The Outlaw is a classic pulp archetype: from Dick Turpin onwards lawbreakers have been a staple of the genre. Crime never pays, but it's exciting and trangressive!

Some pulp outlaws however are principled... Image
As Bob Dylan sang "to live outside the law you must be honest." Michel Gourdon's 1915 hero Dr Christopher Syn is a good example. A clergyman turned pirate and smuggler, he starts as a revenger but becomes the moral magistrate of the smuggling gangs of Romney Marsh. Image
Read 28 tweets
Jun 30, 2025
Given the current heatwave, I feel obliged to ask my favourite question: is it time to bring back the leisure suit?

Let's find out... Image
Now we all know what a man's lounge suit is, but if we're honest it can be a bit... stuffy. Formal. Businesslike. Not what you'd wear 'in da club' as the young folks say. Image
So for many years tailors have been experimenting with less formal, but still upmarket gents attire. The sort of garb you could wear for both a high level business meeting AND for listening to the Moody Blues in an espresso bar. Something versatile. Image
Read 16 tweets
Jun 29, 2025
Time once again for my occasional series "Women with great hair fleeing gothic houses!"

Let's see what's in the library... Image
The Voice of the House, by Margaret Erskine (an Inspector Finch Gothic Mystery). Ace Gothic, 1973.

She'll fall over if she leans like that. Image
The Three Sisters of No End House, by Mona Farnsworth. Ace Gothic, 1972.

I said she'll fall over if she leans like that! Image
Read 10 tweets

Did Thread Reader help you today?

Support us! We are indie developers!


This site is made by just two indie developers on a laptop doing marketing, support and development! Read more about the story.

Become a Premium Member ($3/month or $30/year) and get exclusive features!

Become Premium

Don't want to be a Premium member but still want to support us?

Make a small donation by buying us coffee ($5) or help with server cost ($10)

Donate via Paypal

Or Donate anonymously using crypto!

Ethereum

0xfe58350B80634f60Fa6Dc149a72b4DFbc17D341E copy

Bitcoin

3ATGMxNzCUFzxpMCHL5sWSt4DVtS8UqXpi copy

Thank you for your support!

Follow Us!

:(