Thread: This is truly incredible object. Composite #Lion and Bull, bronze, Iran, 1500-1000 BC. clevelandart.org/art/1969.122 The meaning of this object is unknown. It is presumed that it has served as an object of worship in a temple or shrine...Worship of who? Who else. The beast. 🙂
The beast in this case is the hot, dry season, which in Mesopotamia starts at the beginning of May, beginning of summer and ends at the end of October.
It spans summer (symbolised by bull) and autumn (symbolised by lion). I talked about the animal symbols of the seasons in this article:
The dry season in Mesopotamia is the season of drought and death...Completely dominated by the blazing summer and autumn sun....The god of death: Nergal...
And the hottest and driest part of the dry at the moment when bull meets lion. At the end of summer, beginning of autumn. This moment is "marked" by all those "lion killing bull" images, like this one from Persepolis...Lion (autumn) killing (ending) Bull (summer)...
This Iranian two headed figurine is showing us that Bull (summer) and Lion (autumn) are just two phases of the dry season which follow each other...They are just calendar markers...
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Thread: Have you ever heard of shepherd's stick calendars? Here's one from Bulgaria...
In the mountains of the Balkans, up until the end of the 20th century, shepherds carried with them calendar sticks...
It was a stick with a notch cut into it for every day of the year and a cross or some other symbol for major holy days, which in Serbia are all linked to major agricultural events and major solar cycle events...
At the end of every day a piece of the stick up to the first notch, representing the previous day, was cut off from the stick. When the last piece was cut, the year was over...
Thread (a quite long one, sorry, but I think worth reading to the end): A while back @another_barbara posted this 1865 beehive panel image with this description: An interesting Shrovetide tradition from Slovenija "babo žagajo" (sawing of an old woman)...
The other day wanted to write an article about this custom, and while looking around the net for more info on the subject, I came across 1960 paper by Niko Kuret "BABO ŽAGAJO, Slovenske oblike pozabljenega obredja in njegove Evropske paralele" etno-muzej.si/sl/etnolog/slo…
In which he presents all the different versions (he knew of) of the "SAWING OF THE OLD WOMAN" ritual found in Slovenian lands, and its European parallels...
Here I will translate the most interesting bits from this paper, and will then give my interpretation of the ritual...
Thread: The žirgeliai (little horses), are common motifs on Lithuanian rooftops, placed there for protection of the house...
They are a symbolic depiction of the Ašvieniai (), Baltic counterparts of Vedic Ashvins, who are said to pull the chariot of Saulė (the Sun Goddess) through the sky. As depicted on this rooftop of a house in Nida... en.wikipedia.org/wiki/A%C5%A1vi…
Both names, Lithuanian ašva and Sanskrit ashva, mean "horse" and are derive from the same Proto-Indo-European root for the horse – *ek'w-...
Maruts came (to earth) along with Agni (fire) from above...
The other day I read a very interesting paper "Comets and meteoritic showers in the Rigveda and their significance" by R.N. Iyengar () academia.edu/7324390/COMETS…
Most Vedas interpreters agree that Maruts are deified moisture laden monsoon storm winds, turned into rain bringing deities armed with thunder and lightning. Even I agree with that and I even wrote a thread talking about this:
But, the Mysore Palace edition of the Rigveda, which gives in 36 volumes an exhaustive introduction, the text, traditional meaning, ritual application, grammatical explanation, and the Sanskrit commentary of Sâyan says that: Vâyu (winds) and Maruts are distinctly different...
Thread: A lyre player from "The Standard of Ur" (), a Sumerian artefact found in one of the largest royal tombs in the Royal Cemetery at Ur, associated with Ur-Pabilsag, a king who died around 2550 BC. Now in the British Museum... en.wikipedia.org/wiki/Standard_…
These instruments were not ordinary instruments. They were ceremonial instruments. This is obvious from the fact that the Sumerian sign for lyre also means "to praise." But praise who?
Thread: Marble Throne of Apollo, Roman, late 1st c. AD. Currently in the Los Angeles County Museum of Art
Whoever made this, knew who Apollo really was and wanted to show Apollo in his true shape (serpent, dragon), sitting on his throne. Let me explain: collections.lacma.org/node/230211
Official description of the throne: "Despite its elaborate decoration, the artfully decorated legs terminating in lion's paw feet...[this throne] could hardly have been sat upon..."
Of course. Apollo is already depicted sitting on it. In a shape of a serpent/dragon...
"...A snake weaves its way in and out of an archer's bow, below which is a quiver full of arrows...The bow and quiver are associated with the god Apollo and the snake might refer to the fearful serpent Python, guardian of the oracle at Delphi, which Apollo slew in his youth..."