"[...] 20 years later, Dangerous is gaining admirers as more people move beyond the extraneous nonsense that was so prominent in contemporaneous reviews and pay attention to its content: its prescient themes, its vast inventory of sounds, its panoramic survey of musical styles."
"The bottom line is this: If indeed it is considered a pop album, Dangerous redefined the parameters of pop. How else to explain an album that mixes R&B, funk, gospel, hip-hop, rock, industrial, and classical; an album that introduces one song ("Will You Be There") with
"Beethoven's Ninth Symphony and another ("Dangerous") with what sounds like the heart of a steel-city factory; an album that can alternately be paranoid, cryptic, sensual, vulnerable, idealistic, bleak, transcendent, and fearful?"
"Even the album cover - an acrylic painting by pop surrealist Mark Ryden featuring a circus-like mask through which Jackson gazes back at his audience "- signifies a new depth and awareness."
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I often see Twitter users commenting that Michael Jackson “stole” (or the equivalent of stealing) moves from Bob Fosse.
This goes to show those people don't know much about choreography. They also lack the ability to grasp the difference between theft, inspiration & innovation. 1
Michael Jackson was a dancer and choreographer who had the vision to distil and to coherently integrate dance moves from jazz dance, tap dance, street dance, even mime and he created his own, unique style, which still inspire dancers all over the world. 2
Those who really studied choreography know what MJ brought to the table. He was inducted in Dance Hall of Fame by them.
Whenever some Twitter commenter claims that MJ “stole” Bob Fosse’s moves, I never see Katherine Dunham, a true pioneer of jazz dance, mentioned.
Firstly, only tangential to this tweet, I’m tired of people downplaying MJ’s accomplishments, by calling him an entertainer. But I guess part of the reason why he's being considered an entertainer is that he was always too modest and called himself that.
In dance, MJ had the vision to distill different forms of movement, from jazz dance, tap dance, mime, street dance and innovated what he discovered in those dance styles, to create his own, unique, recognizable choreography style, which still influences dance communities
everywhere in the world. Beyonce’s fans always say that MJ “stole” the back slide and he copied Bob Fosse. These are two of the most intellectually dishonest things I’ve ever heard about an artist’s work.