It might be useful for folks to see other #MusicTheory traditions have contemporary performers and ensembles--i.e. living practitioners of the music--in existence even in the US. Here's a thread featuring on large US Arabic Ensembles and Orchestras.

1/

The New York Arabic Orchestra of New York City.

established in 2007.

Website: nyarabicorchestra.org
Facebook: facebook.com/NYarabicorches…

2/ Image
Middle East Ensemble (MEE) of UC Santa Barbara.

Formed in 1989.

Website: music.ucsb.edu/mee/aboutmee.h…

3/ Image
The National Arab Orchestra of Detroit/Dearborn, Michigan.

Founded in 2009.

Website: araborchestra.org
Facebook: facebook.com/NationalArabOr…

4/ Image
The Middle East Music Ensemble of University of Chicago.

Formed in 1997.

Website: meme.uchicago.edu
Facebook: facebook.com/memechicago/

5/ Image
The Multi-Ethnic Star Orchestra (MESTO) of Los Angeles.

Founded in 2001

Website: mesto.org

6/ Image
The Near East Ensemble of UCLA.

Established 1979.

Website: ethnomusic.ucla.edu/near-east-ense…

7/ Image
Bowdoin Middle Eastern Ensemble of Bowdoin College.

Founded in 2006.

Website: bowdoin.edu/music/performi…
Facebook: facebook.com/Bowdoin-Colleg…

8/ Image
Middle Eastern Music Ensemble at NIU.

Founded:

Website: niu.edu/worldmusic/ens…
Facebook: facebook.com/groups/1015239…

9/ Image
Bereket Middle Eastern Ensemble of University of Texas.

Founded in 2006

Website: musethno.music.utexas.edu/ensembles/bere…
Facebook: facebook.com/University-of-…

10/ Image
Los Angeles Arab Orchestra - أوركسترا عرب لوس انجلوس للموسيقا العربية.

Founded in

Website:
Facebook: facebook.com/losangelesarab…

11/ Image
The William & Mary Middle Eastern Music Ensemble in Williamsburg, Virginia.

Founded in 1994.

Website: wm.edu/as/music/ensem…
Facebook: facebook.com/William-Mary-M…

12/ Image
Stanford Middle East Ensemble

Founded in 2014.

Website:
Facebook: facebook.com/StanfordMEE/

13/ Image
University of Tennessee Middle East Ensemble - UTK MEE.

Founded in

Website:
Facebook: facebook.com/University-of-…

14/ Image
Cornell University Middle Eastern Music Ensemble

Founded in Summer 2002.

Website: arts.cornell.edu/cmeme/
Facebook: facebook.com/Cornellmideast/

15/ Image
The New York Andalus Ensemble

Founded in 2011

Website: newyorkandalusensemble.com
Facebook: facebook.com/NYandalus/

16/ Image
Astaza - Middle Eastern Ensemble of Boston College

Founded in

Website: bc.edu/bc-web/schools…

17/ Image
Berklee Middle Eastern Fusion Ensemble

Founded in 2006

Website: berklee.edu/courses/engb-4…
Facebook: facebook.com/BerkleeMiddleE…

18/ Image
Cal Poly Arab Music Ensemble

Founded in 2006

Website: ame.calpoly.edu

19/ Image
Aswat San Francisco Bay Area Arabic Music Ensemble

Founded in 2003

Website: zawaya.org
Facebook: facebook.com/ASWAT-Bay-Area…

20/ Image
Itraab Arabic Music Ensemble based in Blackburg, Virginia

Founded in September 2014

Website:
Facebook: facebook.com/Itraab/

21/ Image
Three points

1) These are from one of my many databases of non Euro-ensembles/orchestras - a small subset of the music ecosystem of US Arabic Music - there are literally hundreds, if not thousands of small ensembles and solo performers (I've played with dozens myself).

22/
2) There's a whole music ecosystem within which these groups exist. In some cases, you can see there are several University based ensembles. In other cases, these are centered around large pop. of Arab-Americans which entails a music ed system.

23/

silpayamanant.wordpress.com/2020/06/08/div…
3) The Arabic #MusicTheory and Arabic #MusicEd is a living tradition & has become part of the US (indeed, the global) music landscape. It's not a dead tradition. Ditto the Arabic Pop. Hence my comment about Western Pop Mus as an alt for curricula...

24/

...since that would just replicate many (though not all) of the problems that having a Western Classical Music curricula and music ecosystem has.

25/

I could have just as easily have created a thread from a dozen other US based non-Eruopean Orchestra cultures. Alos, I didn't even touch on music of ethnic/religious groups adjacent to Arab music groups (e.g. Turkish, Sephardic, Orthodox) also found in the US.

26/
Then there's repertoire. Who do you think is composing for these ensembles and performers? Have you heard of any of these composers? Played any of their works?

27/
Is it even understood that there are living composition traditions with BIPOC composers that have never composed for a European Orchestra or European/Western instruments?

28/
Do we understand that there is already diversity out there? And that by focusing on *colorizing* white European based ensembles/traditions we're just centering whiteness again while erasing BIPOC?

29/
So we shouldn't be surprised about Steve Reich being a symptom of an orientalism/exoticism impulse; or racial funding gaps in performing arts orgs; or yt supremacists saying classical music makes you whiter; or by slave orchestras. It's always been.

end/

P.S. I haven't update that Arabic Orchestras/Ensembles list since 2018 so it's a bit out of date. MESTO no longer exists from what I see and the LA Arab Orchestra used to be called the LA Arabic Orchestra. I don't have founding/formation dates or websites for everything...
...and I'm sure I've missed some groups.

Also, this doesn't touch on what's sometimes referred to as the classic "Amarabic" (American-Arabic) era (60s-70s) of big bands like George Abdo and his Flames of Araby Orchestra, Artie Barsamian and his Orchestra, and others.
Arab America published a series called "America's Other Orchestras: Arab American Ensemble Series" a few years ago. Until we can acknowledge multiple ethnic groups as part of American (USian) culture and experience we'll continue to treat their musics...

arabamerica.com/americas-orche…
...perpetually foreign. That trope is essentialist, colonialist, and ultimately white supremacist since it implies the only "real" American (USian) musics are those that "originated" here. There's some Irony given #ClassicalMusic's European origin.

Understanding the greater music ecosystem of Islam and Arabic speaking world can also help us understand the ties between Islam and the Blues.

Sylviane A. Diouf, a researcher studying and widely published on the African Diaspora:

That kind of knowledge can be instrumental for composers, such as in Rhiannon Giddens and Michael Abels's Opera, "Omar," based on the Arabic autobiographical account of the Muslim African slave Omar Ibn Said.

But if our frameworks and tools for understanding musics are based on Western Eurocentric Art and Popular Music genres then we’re simply going to erase a more nuanced understanding of what musics are will replicate a white racial/Western Colonialist view of the world.

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More from @Silpayamanant

Jan 13, 2023
Apparently there were organs on planes.

"An organ was installed on a Northwest Stratocruiser in the 1950s through an arrangement with local musician Swanee Swanson. The organists received free flights to New York and other East Coast destinations."

content.govdelivery.com/accounts/MNORG…
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Page 43 of "Northwest Airlines: The First Eighty Years"

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"Anne Kerr (center) explained the location of the organ installed on one of the Stratocruisers to Dave and Wendy McCarthy."

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Aug 5, 2022
Welsh Harp tablature from the *Robert ap Huw manuscript* (1613). The manuscript is the oldest extant source of primarily Late Medieval eisteddfod repertory that dates to 1340-1500 and was compiled by Robert ap Huw (c.1580-1665).

pbm.com/~lindahl/ap_hu…
Short segment on the *Robert ap Huw manuscript* in Rhodri McDonagh's wonderful "Welsh Trad Music | A Beginner's Guide" video (cued up to that segment below). The whole vid is worth a watch and is only 24 minutes.

Bangor University's "Music of the Robert ap Huw Manuscript" page with other resources for Cerdd Dant and other British Isles harp traditions.

bangor.ac.uk/music-and-medi…
Read 4 tweets
Aug 3, 2022
One of the things I love about Georgian Harmony is that it's based on what's essentially close to a functionally 7TET/EDO collection of pitches. Many global harmonic systems are built on different tuning systems than those in what's typically referred to as Western harmony.
The above image from Malkhaz Erkvanidze's "On Georgian Scale System" pg. 181

citeseerx.ist.psu.edu/viewdoc/downlo…
See also:
"Tonal Organization of the Erkomaishvili Dataset: Pitches, Scales, Melodies and Harmonies"

publishup.uni-potsdam.de/frontdoor/inde…
Read 7 tweets
Aug 3, 2022
Just looking the bi/polymusical course offerings at Thai Universities (sample below) in a Dissertation from 1998.

"Undergraduate Piano Pedagogy Course Offerings in Thai Universities" Chindarat Charoenwongse. University of Oklahoma.
shareok.org/handle/11244/5… Image
Bi/polymusical education ecosystems are far more common outside of Europe and North America.

H/T to @FergusonGuitar for this.

"Bi-musicality in modern Japanese culture"
Alison Tokita
doi.org/10.1177%2F1367…
Read 10 tweets
Aug 2, 2022
Latest update to the <Solo Keyboard Repertoire - Southeast Asian Composers> resource. Added about another 50 or so pieces by (primarily) Vietnamese/Vietnamese diasporan composers.

I'm barely scratching the surface of solo keyboard rep here, folks.
doi.org/10.6084/m9.fig…
I think it's easy to underestimate the size and diversity of SE Asia (hence why I added a new second paragraph to the doc). For example, Indonesia alone has a population of nearly 275 million: the 4th most populous country in the World. About 231 million Indonesians are Muslim. Image
And just hearing all those different composers that've created wonderfully expressive uses of the piano for native tunes, or how they've incorporated that into their compositional style or, in some cases, incorporated the piano into SEA folk and art musics, is just so refreshing!
Read 4 tweets
May 12, 2022
Finally getting a chance to read this and the intro piece "American Music and Racial Fantasy, Past and Present" is so excellent & lays out the backdrop for what I call the <Perpetually Foreign Music> idea & how Raceface Minstrelsy shapes current Anglo/American popular musics.
This, especially: "Dismantling the Black-white binary requires us to locate our discussion of music and race in the period prior to 1900" (pg. 573) though I'd argue we should extend this into discussion of race/music today & how the Black-white binaries create other...
...exclusions. Especially as this carries over into music education & how this "In every part of the globe that was touched by minstrelsy, fantasies served to advance white male status" plays into ehtno-nationalist views of what counts as "American Music."
Read 12 tweets

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