One of the most exhaustive accounts of the description of Bharatavarsha & Jambudwipa comes from the Markandeya purnam. Markandeya describes to sage Kraustuki the geographical features including mountain, river & forest systems of Bharat.
To the question posed by sage Kraustuki on the size of the earth, its continents, oceans, mountains & rivers of Bharat, Markandeya answers. He says the earth is 50 times 10 million yojanas in every direction. Markandeya also lists 7 continents including Jambudweepa.
Markandeya lists the 7 continents (dweepa) in increasing order of their size starting with Jambudweepa followed by Plaksa, Salmala, Kusa, Krauncha, Saka & finally the Pushkara dvipa, the biggest of all.
He says all these 7 continents are surrounded by salt water ocean.
In the following shlokas, Markandeya lists out the 9 division of Bharat. He demarcates the eastern & western borders by describing the people who dwell beyond the borders of Bharat. To the east are the Kiratas & the west the Yavanas.
Markandeya lists 7 mountain ranges of Bharat.
1)Mahendra(eastern Odisha/AP ghats)
2)Malaya(Kerala/TN/Karnataka portion of western ghats)
3)Sahya(MH portion of western ghats)
4)Suktimat(chain of mountains in MP)
5)Rksa(central India)
6)Vindhya
7)Paripatra(western Vindhya range)
Regarding the Himalayas, Markandeya mentions it while describing the geography of Jambudweepa. Himalaya is mentioned as a continental mountain range (हिमवान्हेमकूच निषधो मेरुरेव च), perhaps suggesting its massive size compared to the other mountain ranges.
Apart from the 7 mountain ranges, Markandeya identifies individual peaks in them. For example this verse mentions mount Mandara of the Samudra mantan fame, identified as a peak near modern day Bhagalpur in Bihar. Bihar tourism site mentions it bihartourism.gov.in/districts/bank…
Next Markandeya classifies rivers based on their origin (of the mountain range). 1st set of rivers are those originating from the Himalayas. Ganga, Saraswati & Sindhu being the foremost of the rivers.
Also mentioned are other holy rivers like Yamuna, Satadru, Iravati, Gomati etc
Next set of rivers are those originating from the Paripatra mountain range(western Vindhyas).
The names of some of these rivers are so sweet sounding. Vedasmrti, Vedavati, Anandini, Sadanira, Avarni etc are some of the central Indian rivers originating from the Vindhyas.
Narmada, Mahanadi, Mandakini(different from the one at Rudraprayag) too are mentioned as rivers originating from the Vindhyas. Other rivers include Suratha, Chitrakuta, Citrotpala, Tamasa, Vanjula, Sumeruja, Suktimati, Vega vahini etc
Markandeya next lists out rivers originating from the Sahyadri range(this includes even portion of the western ghats as far as present day Kodagu where Kaveri is born). Rivers listed are Godavari, Bhima, Krishna, Venya, Tungabhadra, Suprayoga(tributary of Krishna) & Kaveri.
In this shloka Markandeya mentions the names of the southernmost rivers originating from the Malaya mountain range (Kerala part of western ghat). Rivers mentioned are Krtamala(Vedamali) a river flowing through Cochin, Tamaparani(the most well known of all), Pushpaja, Utpalavati.
Rivers with their origins in the Mahendra mountains (eastern ghats)
Pitr-soma, Rsi-kulya, Iksukha, Tridiva,Laangulini, Vamshakaara. These rivers flow through Odisha & northern Andhra & into the bay of bengal.
Markandeya ends his description of rivers by saying
All rivers possess holy merit,all r rivers flowing into the ocean,all r mothers of the world,they r well known to cleanse from all sin.
In the following shlokas, Markandeya goes on to describe the people dwelling within the realms of Bharatavarsha in very great detail.
Markandeya concludes with these two verses.
The second verse describes Bharatavarsha as a peninsula which is surrounded by the great ocean on its south, west & east. With Himalayas to the north stretching like the string of a bow.
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History THREAD. When Tirupathi was invaded by the forces of turushka barbarian abdullah qutub shah around the year 1660, a brahmin poet documented the horrors committed by the invader in a series of 100 verses in Telugu. It was called "Sri Venkatachala Vihara Satakamu" (1)
Majority of the verses were a desperate plea to Venkateshwara
Verse 5:
When turks penetrated temples & broke idols into pieces & annoyed acharyas & licked the namams & pulled small tuft of hair of their heads,is it not possible for you to slay them? In my weakness I implore you.
The Kamkhana-ganamu (the men under the commanders) and the superior force under the Vajirs of Golkonda dash the shaven heads of sanyasis against each other like the dashing of rams in a fight; split the Brahma-sutramulu (sacred threads) of Somayajis (3)
THREAD on the history, architecture & sculpture at the Vira Narasimhaswamy temple at Ahobilam, Andhra Pradesh (also known as lower Ahobilam) .Known for its inscriptions, sculptures and a very unique layout, it offers a deep insight into Vijayanagara style temple architecture (1)
The earliest inscription naming the place as Ahobala is from 1124 CE. According to the Sthalapurana, "Ahobilam" comes from 'Ahobala' exclaimed by the devatas upon seeing Narasimha's fierce avatar as he emerged from this Ugra sthamba to slay Hiranyakashipu (2)
The sthalapurana mentions Garuda's penance at Nallamala forest hills, where after years of devotion, Narasimha appeared in a cave, which led to the name Ahobilam signifying strength. Vobula,was the earliest name, & appears in an 8th century Chalukyan inscription (3)
Namaste friends🙏 Had the good fortune of having a darshana at one of the most iconic temples of Bharat last week, the ancient Pallava era Kailasanatha Temple at Kanchi.
This is a thread on the temple's history, architecture & sculptures. There is so much to share. Do read. 🕉️
Firstly, brief history of the temple. It was built during the 8th century by Pallava emperor Rajasimha. The temple also goes by the name Rajasimheshwara. This temple served as the architectural blueprint for the Chalukyas & later Rashtrakutas for their temples at Vatapi & Ellora.
There is a Pallava-Granta inscription in the temple that praises Rajasimha as a great ruler. He is praised as having mastered the vedas and shaiva siddhantha. He is compared to Indra & Kubera
Some of the titles used by Rajasimha were Ishanacharana, Sivachudamani, Kalasamudra.
A detailed THREAD on the history, architecture & sculpture of the Hoysala built Chennakeshava Temple at Somanathapura, Karnataka.
This is going to be a long one & it took me a while to piece all the information together. Do continue reading till the end. Lets's start 🕉️ (1)
The Keshava temple was constructed by Somanatha Dandanayaka on receiving funds from reigning King Narasimha III. This temple was consecrated in 1238 CE & is considered the last major temple building activity undertaken by the Hoysalas. (2)
In front of the entrance of the temple is a 10mt high Dipasthambha. The Temple is enclosed in a prakara wall & is entered through a mantapa on the east. To the left of this mantapa is a 3mt high slab with inscription in both Kannada & Sanskrit dating to the reign of Narasimha (3)
A Thread on the history, architecture, paintings and sculpture at The Veerabhadra swamy temple in Lepakshi, Andhra. The temple represents the awe inspiring architectural brilliance of the Vijayanagara Empire. (1)
Hanumalinga shrine is located at the southwest corner of the pradaksina path that surrounds the garbhagrha & antarala (vestibule) of the Veerabhadra shrine. The entrance to this shrine is situated in the southwest corner of the pradaksina wall. (57)
Facing the east, the shrine consists solely of the garbhagriha, which houses a linga placed on a vedi (pedestal). Above the roof is a four faced Nagara Shikhara. (58)
Da Vinci was undoubtedly a great innovator. But 500 years before him was Paramara Bhoja. He authored the Samarangana Sutradhara, a multi disciplinary text, where he describes building advanced warfare machines including mechanized soliders! This is 500 years before Da Vinci! (1)
Bhoja's legendary work, the Samarangana Sutradhara has no parallel for its time. In this particular chapter called Yantra vidhanam, he describes the method of building advanced mechanical devices like Golakabhramana, Jalayantra & many others. (2)
Bhoja talks about a number of advanced mechanical devices which he calls as "Yantras"
He defines a Yantra as " The device by which the mahabhutas like earth, water, fire, air & ether are controlled. When the free & natural activities of these mahabhutas...cont...(3)