we are rewatching BATMAN RETURNS tonight, a “superhero” movie which begins with paul reubens and diane salinger tossing a child into a river, followed by penguins adopting that child as their own.
you know, Cinema.
not bizarre at all! the influence is there in batman 89 and it is only natural that burton goes all in with the sequel. this movie is packed with direct references to CALIGARI, NOSFERATU, etc.
i love that when we meet bruce wayne again he is just brooding in his living room, cloaked in total darkness. it’s one of those direct references to NOSFERATU and it presents wayne as, like count orlock, a monster who lies waiting in the dark.
i also love the sequence with selina kyle reawakens as catwoman. michelle pfieffer does incredible physical work in the scene where she destroys her apartment, and her make-up and movement makes her strongly resemble the character of cesare in dr. caligari
hard to understate how insane it is that burton and the screenwriters took the penguin — a character whose name was metaphorical — and decided that, instead, he is actually a man-penguin raised by penguins
i saw it for the first time when i was 6 or 7 and the image burned itself onto my brain
michael keaton’s bruce wayne and michelle pfeiffer’s selina kyle dancing and whispering seductively? *chef’s kiss*
that scene might be my favorite in this movie in fact
worth mentioning how many shots in this movie directly reference METROPOLIS
also just occurred to me that the shape and look of the penguin in this is very reminiscent of the antagonist of DR.CALIGARI
on second thought, my favorite scene in this movie is of six penguin pallbearers casting the penguin’s body into cold sewer in a sorrowful send off to their...son?
metropolis/batman returns
folks, this movie still whips. there’s almost nothing else like it in the superhero genre (sam raimi’s spider-man 2 comes close). weird, disturbing, intensely idiosyncratic. amazing that it got made.
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This gets people tripped up so it is worth clarifying. "Abolition" in this context refers to the political movement to *immediately end slavery* everywhere it existed. This was indeed a "fringe" position.
There were a variety of antislavery positions as well as the Anti-Slavery political movement that wanted to restrict slavery through legislation. The end of slavery in the North, beginning after the Revolution, was a gradual process, not one of immediate emancipation.
Part of the reason abolition was unpopular is it because it presumed the full civic inclusion of black Americans, which was pretty unpopular throughout the country!
Whether this is a slight of hand or just poor reasoning, the problem is that this argument fails to distinguish between “compromises that ameliorate injustice” and “compromises that entrench injustice.” slowboring.com/p/the-two-kind…
Clear that he is inviting readers to think about this in the context of LGBT rights, but there are no justice-facing compromises on the table. There is, instead, an effort to push LGBT people out of public life entirely. That is the context for the “no compromise” position.
To use his analogy, I am reasonably confident that A. Philip Randolph would not have accepted a compromise on the integration of war industries that left black workers substantially worse off than the status quo.
beyond the obvious logical issue with Thomas’ assertion here, the basic problem here is that Congress passed the Civil Rights Act of 1866 specifically to deal with the “badge of servitude” that undermined the equal status of freed AND free blacks.
the fourteenth amendment was written, in fact, to provide a firm constitutional foundation for precisely the kind of ameliorative work congress tried to do in the 1866 CRA
as evidenced by the fact that the civil rights act of 1875 was passed using the authority granted by the 14th!
a fun thing about the zoning in my neighborhood is that you can build a monstrous, hideously expensive single-family home by right, but if you wanted to build 2 or 3 smaller units on the same lot you would have to go through approval hell.
this, even though the monster single family home is wildly out of scale with the neighborhood, while a set of smaller attached homes (or even a small apartment building) fits the “character” of the area
anyway, this is apropos of watching a contractor put up what will almost certainly be a home valued at three times (at least) the price of everything around it (including my place)
i think LINCOLN is one of spielberg’s late-career triumphs and it is a personal favorite movie of mine but the one thing that takes me out of it is at the very beginning when dane dehaan shows up as a union soldier. he doesn’t belong! he looks too much like he’s seen an iphone.
on the other hand, bruce mcgill looks like he came straight out of 1865
i love this scene and i wish there were more of them. a lot of people, even his allies, thought lincoln was kind of aggravating! like, stop talking in frontier stories and dirty jokes my dude!