At the side of an unclassified road deep in the Golden Valley is a building that for all the world looks like an old barn. In actual fact, it’s a 12th century chapel. Built by Urri de la Hay, it’s the earliest purpose-built chapel to a castle in Herefordshire.
The area, and the chapel, is called Urishay – after Urri. Beyond the Chapel, barely visible, are the remains of a motte and bailey mound where the castle it served once stood.
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The chapel itself is devoid of any architectural decoration. A medieval altar table with five consecration crosses is the only adornment.
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Sometime after the 17th century, the chapel fell into disuse and was subsequently home to a blacksmith’s forge, a carpenter’s workshop and even a dog kennels. Just over 100 years ago, the chapel was ruinous.
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In 1914, the de la Hay family – the descendants of the family that originally built the chapel and castle – set about restoring the church for public worship.
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But 1914 brought the Great War, and by the early 1920s the chapel had closed again. By 1949, it was almost entirely derelict with leaning walls and gaping holes in the roof.
When we took it on in 1978, we had to rebuild substantial sections of the chapel to prevent collapse. 6/7
In the 1980s, during our repairs, archaeologists found several infant burials before the altar. In the 800-year history of this chapel, not a single adult was buried on the site. What unknown pain must lie in this roadside chapel overlooking the Black Mountains of Wales.
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A heavily Victorianised small church, St Anno's, Llananno in Powys is, from the outside, a humble and largely forgettable building.
However, inside visitors can feast their eyes upon one of the finest pieces of medieval carpentry in Wales.
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The rood screen and loft inside St Anno's, Llananno is a medieval gem that no visitor will forget in a hurry. Spanning the entire width of the building, this magnificent piece of medieval craftsmanship dates from the 15th century.
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The term for these pieces of church furnishings (rood screen and rood loft) relates to the fact that, in the medieval period, above these magnificent wooden structures there would have been a rood - a carving of the crucified Christ on the Cross.
St Mary's, Temple, Corsley is a stunning example of Arts and Crafts Gothic architecture.
This charming church was built in the early 20th century, when the Arts and Crafts architectural style had reached its acme.
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The chapel was constructed in memory of the husband and son of Mary Barton of Corsley House. When Mary died in 1899, she left £10,000 to establish a trust to build and then care for the chapel.
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The chapel was designed by W. H. Stanley of Trowbridge – his only known building – and built by Buyers Brothers of Westbury.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.
With a 15th-century rood loft hovering over rows of 18th-century box pews, the interior of St David’s, Llangeview in Monmouthshire offers a glimpse into the forms of worship from two bygone ages.
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Spanning the entire width of the nave, the rood loft is a relic from the late medieval past. Before the Reformation, the rood loft would have carried the rood, a carving of Christ on the cross.
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Alongside Christ, there would have been carved depictions of the Virgin Mary and John the Apostle. Sadly, none of the medieval roods survived the Reformation.