"Zanybros was founded in 2001, by director Hong Wonki and videographer Kim Junhong. This company is now one of the most distinguished MV production companies in Korea."
"They have collaborated with a plethora of artists including BTS, GG, TVXQ & etc. for video production & attained international fame with their quality creations. So far, the pair has filmed nearly 1,500 videos."
"People these days watch the very 1st part of a video & skip the rest. We are living in that era. People will widely react to MVs for about a day or 2 after the album release. So we try to create a 1-2 memorable scenes for each clip."
"The Zanybros team consists of different teams including filming, directing, editing, CG, color grading, planning & producing. We have a system of specialization."
"Unlike movies, MVs don't have lines, so we give room for interpretation...fans have a knack at interpreting our MVs. If we use metaphors, the fans make sense of them (in their ways). Sometimes their analysis is better than what we intended..."
"[The planning of a 📽️ from] a Korean perspective are a bit different from those of international fans. Catching such difference is the key to the project's success..."
"Staying up all night for consecutive days is hard. I once stayed awake 15 consecutive days...I have to hide that I'm tired when working w/the next singer...We have to 📽️ countless scenes w/a limited amount of time, & on top of that I have high standards."
"The entire process requires endurance....But after it's all done, when we get positive feedback from fans or see artists we've worked with become successful, all the stress from work suddenly disappears."
"I assume we have received the most # of malicious comments from prod. companies since our label is old/ worked w/many singers over the yrs...The achievement could be small/big depending on how you see it, but w/o a sense of accomplishment we can't work."
This thread is not only educational within the insights of making an MV in the K-Ent. industry but also a reminder to all of us to always be grateful for everyone who is part of an artists journey.
Thank you ZanyBros for your hard work in working w/@BTS_twt all these years!💜
• • •
Missing some Tweet in this thread? You can try to
force a refresh
An educational thread about “Microaggressions: What are they? How can we respond?”
We hope this thread is an incentive for everyone to read more about the topics of microaggressions. As always, we encourage you all to do your own research and always seek further insights surrounding these discussions.
Some scholars argue that racism, sexism, homophobia, & other forms of discrimination are no longer as obvious as in the past. Instead, people may demonstrate their biases & prejudices in more subtle ways, otherwise known as 'microaggressions'.
"...the more impact one makes in the public eye, the more critics come out...to challenge that impact. However, regardless of what naysayers think, BTS have proven their importance on a 🌍 scale, & dismissing the Korean band will not change that." @BTS_twt bit.ly/33ZUmEW
"Despite these accomplishments showing how BTS have pushed through western gatekeepers, the group still faces xenophobia and microaggressions outside of South Korea."
"On a macro-level, @bts_twt have shown their importance. They broke into the 🌍 music industry, repeated their success, & are sought after to speak about 🌍 issues. Refusing to acknowledge that does not make the band any less important, +"
“Revenues from @BTS_twt activities account for just half our total revenues...We will help them grow as iconic artists, such as Rolling Stones or Metallica, who make 💵 from performing just once every couple of years.” -Han Park, Big Hit’s Investment & Strategy Head. #BTSResearch
"Big Hit has been building a business model to maximize profits even without its artists’ activities...The indirect participation events made up almost half of Big Hit’s revenue in the 1st quarter of this year, up from 31% in 2018."
"Big Hit believes it can generate a steady stream of revenue from BTS in many ways: through solo & smaller group performances; indirect participation through online concerts, mobile games & video content; as well as merchandise sales."
"I don't think artists lose mkt. value because of their age. U2 isn't young anymore, but it's not lost its value, has is it? When @BTS_twt reaches their 30s, it will be possible to deliver age-appropriate msgs. & provide inspiration. Even when you're in your 50s [&] after that."