Another blow from the Year That Won't Stop Sucking. The great Ron Cobb has left us, dead at age 83.
Cobb is one of the greatest political cartoonists of the late 20th century and on the short list for greatest ever. he worked exclusively in the underground press of the 60s and 70s. His cartoons were devastating, gut-wrenching and cut to the bone.
There were no gags-of-the-day with Cobb. When he took aim, the blow landed full force, right between the eyes.
His artistic abilities were surpassed by none. Each meticulously inked cartoon is a small masterpiece of composition and rendering. Stylistically, he was a complete original, in a genre that was rife with clones and hacks. Cobb stood head and shoulders above them all.
I first discovered Cobb in 1980, when I was at Ohio State. I had just arrived on campus, an art-school dropout fresh off the back of the garbage truck, and decided, on a whim, that political cartoons could be a fun thing to try. But how to make them?
perused the political cartoon section at Monkey’s Retreat, the legendary comics shop just north of campus. It was mostly dull, mainstream cartoonists on the shelves: Herblock, Oliphant and the like.
But there was one Cobb collection, published in Australia, as were most of his books (too hot for US publishers, I guess).
I pored over that book. I kept it next to my board throughout college until the pages fell out, although that was probably the cheap Aussie glue as much as repeated thumbing. Cobb was the biggest influence during my early career. I never came within light years of his brilliance.
In the mid-70s, Cobb, based in LA, started working more and more in the film industry as a concept artist. Had to pay the bills, and the early alt-press was infamous for stiffing contributors. He had a particular talent for conjuring up interesting machinery and sci-fi creatures.
It’s for this that you ALL know Cobb.
He designed the Catina scene in Star Wars. The Nostromo, the doomed space ship in Alien. All of the first Conan the Barbarian, a film he art directed. The space ship in Close Encounters. And the time-traveling DeLorean in Back to the Future. Just to name a few.
While working on his first film, he befriended young Steven Spielberg, a frequent lunch buddy in the studio cafeteria. Spielberg recognized his talent and recruited him to direct a sci-fi project he had in development. earth.
It was about a horror pic about an alien that became stranded on earth. But when the screenplay was reworked, Spielberg liked it so much, he decided to direct it himself. Feeling guilty, he gave Cobb a cut of the future profits.
That film was ET!
Now rich beyond his wildest dreams as a cartoonist, Cobb worked in film for a few more years, then moved to Australia. He vanished from sight. If he drew at all, he did so privately. Spielberg’s generosity cost us the greatest political cartoonist of his generation!
Cobb died of dementia. Just like another cartoon hero of mine, the great Bill Mauldin. What kind of cruel God would strip giants like these of their wonderful minds?
I have all his books. Here’s to Ron Cobb, a cartoonist who should be far, FAR better known.
From 1966. A visionary. This could run today. It's lost not an ounce of its power.
My copy! Like I said, I read it until the pages fell out.
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The only self-destruction comparable to the Dilbert guy in comics history was Al Capp. In the 1950s, L'il Abner was the biggest strip in the land. Film, broadway, wildly popular, adding phrases to the national lexicon. Capp was a celebrity w/ regular spots on the Tonight Show.
10 years later he's overcome with hatred for the Sixties counterculture and went full Nixonian rightwing. No Youtube, of course, so he destroyed himself live on stage, going from campus to campus ranting at 20somethings to a cascade of boos.
Concurrently, it turns out he's serial sex predator, and attacked dozens of young co-eds on the lecture circuit. It all came out in court in 1971, and his career & rep were destroyed.
Abner limped along in a handful of papers & ended pathetically in 1977.
46 years ago, in Jan. 1976, the first big comics ”event” hit, “Superman & Spider-man: the Battle of the Century.”
It spawned nearly 50 years of similar attention-grabbing events, which have been the bane of both Marvel & DC.
But it's an interesting book.
By 1976, traditional comic books were in big trouble. Readership was plummeting, the biz was a mess, popular young creators were abandoning the field rather than be underpaid and exploited, and old guard giants like Kirby were past their prime. The “magic” was lost.
It was a Hollywood agent who pitched Supe vs. Spidey… as a film!
But the first Supe film was in the works, as was the wretched Spidey live-action tv show, so the companies weren’t interested. But as a comic book event? Publishers Carmine Infantino & Stan Lee dug that.
Drawing bare trees takes a lot of patience. And you can't do it fast or you'll screw it up. I had to redraw quite a few of them in KENT STATE because I wanted to move on to other things, and they looked like hell.
Done beautifully here. This is how you do it, kids.
The trick is to stick to the proper sequence. You start with the main trunk and major branches, which gives you the basic shape of the tree. Ash, Oak, maple etc all have different shapes. Then you draw the smaller branches, then smaller still
But too many branches, especially for trees in the distance, and the visual gets clogged up. I'm right on the edge of that here, especially those trees dead center.
I used a .05 pen for the big branches, then a .o3, and finally the .01. Can't get any finer than that!
I guess this is what Marvel bigshots wanted, but every cover is a crowded fight scene, usually with a superdude flopping over backwards with one of Kane's signature limp-wristed poses.
Kane drew like 75% of Marvels covers in 1972, 73, 74 and 75 and one is pretty much the same as the other. Sweet gig for Gil, but I would've MUCH rather had him drawing stories.
"(Roger Stone) protege Jacob Engels appeared at a School Board meeting, blending in with concerned parents, to discuss sex education books. When Engels took the mic, he read aloud an explicit passage from (the graphic novel) “Gender Queer: A Memoir.”"
This is exactly what I've been tweeting about. And again here's Maia Kobabe's graphic novel GENDER QUEER being used as scare tactic in school board meetings.
This is the book outraged zealots and professional rightwing plants wave around at school board meetings.
This exact same performance is happening all around the country. The playbook was written by Christian Nationalist "think" tanks & creeps like Steve Bannon, & is bankrolled by dark money.
Since everyone is talking about the crisis at the @usps and the Trumper creep #DeJoy, the Postmaster General. These are mail sorting machines at the main Cleveland postal facility last August.
DeJoy ordered them torn out and they were left to rot in the parking lot.
Not removed and reused at another facility. TORN THE FUCK OUT, and purposely left outside to get rained on and ruined so they could NEVER be used again.
And no effort was made to mask what they were doing! You could see (and photograph) these things from the street!
When called on this, DeJoy insisted they were torn out "months" ago. Postal workers revealed it was just days.