#SatishDhawanCentenary

When Dr. Kalam was the Project Director of the SLV mission and Prof.Satish Dhawan was Chairman of ISRO, the first experimental launch of SLV-3 took place on August 10, 1979. However, despite efforts of the SLV team, the mission was a failure...

1/n Image
and worried about it Dr. Kalam was frightened to face the media. Prof.Satish Dhawan then took Dr.Kalam to the press meet and made him sit aside and he took the blame for the team's failure and said, "We failed!

2/n
But I have a very good trust in my team that next time we will be succeeding for sure". Notably, he allowed Dr Kalam to conduct the press-conference next time when the mission succeeded. Prof. Satish Dhawan, the father of Experimental Fluid Dynamics Research in India,

3/n
along with being a demanding research guide and a pragmatic engineer was a successful leader who ensured that the project director had an ultimate say over the project which ensured the independent efforts of the team and work towards a common goal.

4/n
Dr. APJ Abdul Kalam and Roddam Narasimha in their book, “Developments in Fluid Mechanics and Space Technology” write, “Professor Dhawan in his professional career has been engineer, teacher, research scientist, technologist, manager, leader and adviser —

5/n
often all at the same time. His great human qualities, a deep commitment to social values and extraordinary objectivity in management have led several generations of students, colleagues and administrators to efforts that they would otherwise not have taken.”

6/n
Today i.e. 25th September 2020, marks the centenary year of his birth anniversary, we remember the multi-faceted son of India!

Image Reference: IndiaToday

#SatishDhawan

• • •

Missing some Tweet in this thread? You can try to force a refresh
 

Keep Current with The Awakened Indian

The Awakened Indian Profile picture

Stay in touch and get notified when new unrolls are available from this author!

Read all threads

This Thread may be Removed Anytime!

PDF

Twitter may remove this content at anytime! Save it as PDF for later use!

Try unrolling a thread yourself!

how to unroll video
  1. Follow @ThreadReaderApp to mention us!

  2. From a Twitter thread mention us with a keyword "unroll"
@threadreaderapp unroll

Practice here first or read more on our help page!

More from @Awakened_Ind

25 Oct
A ten-armed Durga stands triumphant as she grabs the hair of the buffalo demon’s true form, one foot on his neck, about to plunge spear into his heart. Interestingly, demon wears European buckled shoes; this painting was made in the British enclave then known as Calcutta.

1/n Image
Made by artists who sold their works in a goddess temple bazaar, this painting was made with rapid brush strokes and thin paint layers on inexpensive paper. Exuberant in their devotional vitality and visceral color sensibilities,

2/n
Kalighat paintings achieved acclaim among modern artists of the 20th century.

Believed to be a manifestation of the Great Goddess, the goddess Durga is portrayed here killing Mahisha, a demon in buffalo form.

3/n
Read 6 tweets
25 Oct
Durga is the name of the Goddess who personifies the sum total of the powers of all the male gods combined. When she vanquishes the fierce buffalo demon named Mahisha, she is described as having many arms, each holding a different weapon: bow and arrow, trident, discus,

1/n Image
shield, sword, mace, and the conch shell that sounds the start of battle. The horizontal lines on her arms are sectarian markings. At the moment depicted in this painting, she has succeeded in beheading the buffalo demon and

2/n
shooting arrows into his true form that climbs from its neck. Artists in foothills of the western Himalayas, where this work was made, depicted Durga’s mount as a tiger—lions and tigers had synonymous meaning throughout India as emblems of shakti, or divine creative energy.

3/n
Read 4 tweets
18 Oct
Raja Prithvinarayan Shah inscribed a stone slab, marking the building of his new palace in which he praises Devi Tuljabhavani as Mahishasurmardini, and marks himself as her humble servant.' writes Charudatta, where he tries to establish unity of Rashtra through Tuljabhavani.

1/n
“"On the Panchami tithi of Shukla Paksha of the Vaishakh month, in the Shaka year of 1691 (10th May 1769), Saturday, the king Prithvinarayan completed the building of his palace and arranged a great utsava to mark it. This Prithvinarayan is a mere bee drinking the nectar,

2/n
from the lotus feet of Devi Durga, with whose blessing he is ruling the kingdom of Nepal. Many scholars have praised this generous king and many kings have accepted him as their overlord. May he always scale new heights of prosperity."

3/n
Read 5 tweets
18 Oct
One of the special things about the Goddess worshipping in Hinduism is about the worship of the goddess collective in different forms. The collective can take forms from Goddess pair like Chamumda-Chotila of Gujarat,

1/n
to Tri-Ambika like in Vaishnodevi to Saptamatrikas in South Indian temples to Nava Durga of the Deccan region and 64 Yoginis like that in Morena District of Madhya Pradesh. There is one more collective known as –Dasham Mahavidyas of the Goddess. Kali is the first maha vidya.

2/n
The second Mahavidya is the Tara – the sparkling one. Tara in her form is indistinguishable from the Kali, but with one difference – Tara holds a lotus flower in her hand. Kali is the nature in its primal form. Unapologetic, fierce which can never be tamed by humanity.

3/n
Read 11 tweets
17 Oct
The Goddess worship in India is eons old, sometimes pre-dating to the oldest Vedic hymns. In Indian scriptures, we find a division of the world into 2 parts – Prakriti – that which is material, can be perceived via senses,

1/n
and Purush – the which is immaterial, non-perishable and cannot be perceived through senses but has to be connected with via different means such as Ashtanga-yoga.

The Goddess is Prakriti or Nature. Nature in its primal form is wild, unapologetic about its manifestations.

2/n
There are no moral rules in Nature. No animal feels embarrassed about being naked neither do they have a concept of justice. It is all driven by the fear of survival. And thus, we come across the Goddess in her primal form – Kali (काली).

3/n
Read 12 tweets
16 Oct
"Of the three masterpieces (Of Pallava School) in the Mahabalipuram, which reach the highest watermark of plasticity and vividness, the first is Mahishasura Mardini relief. The Goddess Durga is out to destroy Mahishasura.

1/n Image
The crafty, powerful buffalo-demon, is on the defensive. He is fighting with determination, though he has grown feeble, for he supports the mace with both hands, waiting eagerly for the moment when he can strike down the Goddess.

2/n
His demons are fleeing, falling, or seeking to escape.

The ganas, short and fat-bellied and armed with bow or sword, and the different Shaktis who form the army of Durga, are bold and aggressive. Some of them hold the royal umbrella over her head as she joins the fray.

3/n
Read 8 tweets

Did Thread Reader help you today?

Support us! We are indie developers!


This site is made by just two indie developers on a laptop doing marketing, support and development! Read more about the story.

Become a Premium Member ($3/month or $30/year) and get exclusive features!

Become Premium

Too expensive? Make a small donation by buying us coffee ($5) or help with server cost ($10)

Donate via Paypal Become our Patreon

Thank you for your support!

Follow Us on Twitter!