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Sep 26, 2020 12 tweets 4 min read Read on X
Today in pulp... a rather elusive artist, the brilliant Gene Szafran! #SaturdayVibes Image
Gene Szafran was born in Michigan in 1941 and studied at The Society of Arts and Crafts in Detroit. He later became an art teacher there. Image
Szafran moved to New York City in 1967, where his work featured in Playboy and Cosmopolitan. He also worked on a number of album covers, winning the 1969 Grammy for his Rhinoceros album cover. Image
This led him into the world of book cover design, particularly science fiction where his stylized kaleidoscopic images brought him to the attention of Signet Publications. Image
Gene Szafran produced an incredible set of covers for Signet's range of Robert A Heinlein novels between 1971 and 1974. As a collection they're stunning and unique. Image
It certainly wasn't what you might expect a Heinlein book to look like: bold colours and exquisite geometry, often coming together around a central human form. Image
The Heinlein covers led to a number of contracts for other work. Szafran's amazing use of colour and symmetry seemed a perfect match for the early 1970s scene. Image
Although Szafran did more traditional cover art - notably for Daphne Du Maurier titles - it's his science fiction work that really stands out as unique. It set an esoteric, somewhat erotic note. Whether the books themselves warranted it is a moot point. Image
In 1972 Szafran won the Locus Award for best paperback cover artist; his career in the industry seemed assured... Image
And then... tragically he was diagnosed with multiple sclerosis, which severely affected his ability to paint and draw. His last covers were completed in 1977 before he returned to Detroit with his family. Image
Gene Szafran's work is a time capsule of 1970s psychedelic Americana: complex, dazzling and rich. He was an exceptionally gifted artist with a keen sense of colour and composition. Image
Sadly Gene Szafran passed away in 2011, but his legacy is a fantastic collection of artwork that's well worth collecting. Keep an eye out when you next visit your local book market.

More artists another time... Image

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More from @PulpLibrarian

Sep 1
Today in pulp, one of the most influential and outrageous illustrators of the Italian Italian fumetti scene: Emanuele Taglietti!

This will be interesting... Image
Emanuele Taglietti was born in Ferrara in 1943. His father worked as a set designer for director Michaelangelo Antonioni, often taking Emanuele with him on set. Image
In the 1960s Taglietti moved to Rome, where he studied stage design. He began a successful career as an assistant art director, working for Federico Fellini and Marco Ferreri. Image
Read 17 tweets
Aug 25
"He lay beside the gently whispering stream - murdered!"

Scales Of Justice, by Ngaio Marsh. Fontana, 1958. Image
"Sucked to death in a seething cauldron of mud!"

Colour Scheme, by Ngaio Marsh. Fontana, 1960. Image
Death amongst the darts and drinks...

Death At The Bar, by Ngaio Marsh. Fontana, 1956. Image
Read 10 tweets
Aug 18
Today in pulp... a few covers by Reginald Heade. Image
Vice Rackets Of Soho, by Roland Vane. Archer Books, 1951. Cover by Reginald Heade. Image
Sinful Sisters, by Ronald Vane. Archer Books, 1951. Cover by Reginald Heade. Image
Read 16 tweets
Aug 16
Time once again for my occasional series "Women with great hair fleeing gothic houses!"

No, I hadn't forgotten... Image
Terror On Duncan Island, by Caroline Farr. Signet Gothic, 1971. Cover by Allan Kass.

Note: this is a sea-circled island. None of your oxbow lake nonsense here... Image
The Fortune Hunters, by Joan Aiken. Pocket Books, 1972.

When fleeing a gothic castle be sure to colour co-ordinate! Image
Read 18 tweets
Aug 13
If the spacesuit is the symbol of progress, the gas mask is the sign of the apocalypse. In popular culture it signifies that science has turned against us. It's the face of dystopia.

Today in pulp I look at the culture of the mask!
Image
Image
The first chemical masks were work by Venitian plague doctors: a bird-like affair, the beak stuffed with lavender, matched with full length coat and hat. It was a terrifying sight - the grim reaper come to apply poultices to your tumours. Image
But it was poison gas, first used at the Second Battle of Ypres in 1915, that led to the modern gas mask. At first these were cotton masks treated with chemicals. However their protection was limited. Image
Read 19 tweets
Aug 10
It's now over half a century since 1970, and I'm starting to wonder if we should bring back its concept of gracious modern living... Image
You see we've grown so used to Swedish-style modernism that we've sort of forgotten that maximalism, rather than minimalism, was once the sign of a cultured abode. Image
The 1970s in many ways reached back to the rich ideas of Victorian decor: heavy, autumnal and cluttered. Home was meant to be a baroque and sensual experience, rather than a 'machine for living in.' Image
Read 10 tweets

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