Mihaela Cristian Profile picture
Sep 27, 2020 9 tweets 4 min read Read on X
I often see Twitter users commenting that Michael Jackson “stole” (or the equivalent of stealing) moves from Bob Fosse.
This goes to show those people don't know much about choreography. They also lack the ability to grasp the difference between theft, inspiration & innovation. 1
Michael Jackson was a dancer and choreographer who had the vision to distil and to coherently integrate dance moves from jazz dance, tap dance, street dance, even mime and he created his own, unique style, which still inspire dancers all over the world. 2
Those who really studied choreography know what MJ brought to the table. He was inducted in Dance Hall of Fame by them.
Whenever some Twitter commenter claims that MJ “stole” Bob Fosse’s moves, I never see Katherine Dunham, a true pioneer of jazz dance, mentioned.
I never see Jack Cole, who was the father of modern jazz dance and one of Bob Fosse's greatest inspirations, mentioned. Unfortunately, as revolutionary as they were, I don’t see neither of them, along with other great choreographers who inspired Fosse, mentioned.
When it comes to Bob Fosse, I also don't see Gwen Verdon, an exquisite artists and a huge artistic force in Fosse's life, getting the recognition she deserves, at least for the choreographies Fosse created while she was his main star.
There are no new moves, only new ways to interpret them and to combine them, to be able to tell a story through dance. This is how all the greats created and still create.
Are we now supposed to think that Jack Cole “stole” the plie from classical ballet?
Of course not, that would be as preposterous as the ignorant intervention about Michael Jackson and Bob Fosse.
Jack Cole, as revolutionary as he was, he was inspired by classical ballet and used its moves and its tools.
For anyone who still believes that Michael Jackson “stole” the Moonwalk from whoever did it first, let’s be clear that even in his only approved biography MJ informs everyone how he learned the move & that he wasn’t the first to do it. Here is the excerpt from his book, Moonwalk:
Many thanks to @lois_laniee for the excerpt from Moonwalk. 🙏

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More from @MihaelaCristia8

Aug 13, 2020
Great article by Joe Vogel, about the turning point in Pop music at the beginning of the '90s and #MichaelJackson's Dangerous album.
popmatters.com/michael-jackso…
"[...] 20 years later, Dangerous is gaining admirers as more people move beyond the extraneous nonsense that was so prominent in contemporaneous reviews and pay attention to its content: its prescient themes, its vast inventory of sounds, its panoramic survey of musical styles."
"The bottom line is this: If indeed it is considered a pop album, Dangerous redefined the parameters of pop. How else to explain an album that mixes R&B, funk, gospel, hip-hop, rock, industrial, and classical; an album that introduces one song ("Will You Be There") with
Read 5 tweets
Aug 2, 2020
Firstly, only tangential to this tweet, I’m tired of people downplaying MJ’s accomplishments, by calling him an entertainer. But I guess part of the reason why he's being considered an entertainer is that he was always too modest and called himself that.
In dance, MJ had the vision to distill different forms of movement, from jazz dance, tap dance, mime, street dance and innovated what he discovered in those dance styles, to create his own, unique, recognizable choreography style, which still influences dance communities
everywhere in the world. Beyonce’s fans always say that MJ “stole” the back slide and he copied Bob Fosse. These are two of the most intellectually dishonest things I’ve ever heard about an artist’s work.
Read 10 tweets

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