This is Camille du Gast (1868-1942). She was a balloonist, parachutist, fencer, tobogganist, skier, horse trainer, concert pianist & singer. She was the second woman to compete in an international motor race & was embroiled in the scandal of La Femme au Masque.
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Camille was born in Paris in 1868 & from a young age was described as a “garçon manqué' (tomboy). She married wealthy businessman Jules Crespin in 1890. Crespin was the manager and majority shareholder of Dufayel, one of the largest department stores in France.
The couple has a daughter, but sadly Jules Crespin died young, leaving Camille heartbroken, but a very rich widow
After her husband's death she began to travel extensively, including crossing Morocco on horseback. She was active on the Parisian social scene, being known as "one of the richest and most accomplished widows in France".
She took up tobogganing, skiing, shooting, horse training, became became a concert pianist too. Gordon Bennett described her as "the greatest sportswoman of all time".
The La Femme au Masque affair dragged Camille into three court cases in Paris in 1902. The lurid details were reported around the world.
In 1885 Henri Gervex painted this; La Femme au Masque (The Masked Model). The model was 22-year-old model Marie Renard, but her identity was never publicly revealed, causing a great deal of speculation as to who the woman in the painting was.
Marie Renard also sat for Édouard Manet, Berthe Morisot and John Singer Sargent. This is her, in Paul-César Helleu’s “La Lettre”, painted in 1880.
Henri Gervex’s La femme au masque created a furore when it was first exhibited at the Salon. One man was so convinced that his wife was the sitter that he challenged the artist to a duel, and was wounded on the field of combat.
Back to Camille. In 1902, Camille took her estranged father & brother to court over an inheritance dispute. During proceedings Maître Barboux, the opposing barrister, produced a photograph of La femme au masque & accused Camille of being the nude mystery woman.
Absolute scenes.
Camille instantly brought legal action against Barboux. BUT even though both Henri Gervex and Marie Renard appeared in court to testify the woman was not Camille - she still lost the case!
After Barboux left the court he was confronted by M. de Marcilly and Hélie de Talleyrand-Périgord, the Prince de Sagan, Camille’s close friend, admirer and suitor, who punched him in the face and called him 'an insulter’.
This assault resulted in another court case. Following a guilty verdict, the Prince was fined 500 francs and de Marcilly 100 francs
The scandal was reported around the world. The press waxed lyrical about her exotic appearance, demeanour, achievements and intellect. (Front page of the newspaper La Vie Illustrée, that was published on 25 July 1902)
After the scandal, Camille devoted herself to motorcar racing and became known in the press by the sobriquets l'Amazone and la Walkyrie de la Mécanique (Valkyrie of the motor car).
In 1904 the Benz factory team offered du Gast a race seat for the Gordon Bennett Cup because of her performance in the 1903 Paris–Madrid, but by then the French government had barred women from competing in motorsport, citing 'feminine nervousness'.
Once she couldn’t race anymore, Camille took up motor boating and travelled widely.
Around 1910 her daughter attempted to have her murdered in her home in the middle of the night. Described as a “jealous and mercenary individual”, her daughter had been trying for a long time to extort money from her famous mother for a long time.
The daughter hired a gang to break into her mother’s house in the middle of the night and kill her - leaving her free to inherit the east family fortune. Things did not go to plan and Camille actually confronted her would-be assassins, who were so shocked they turned tail & fled
But her daughter’s betrayal broke Camille’s heart & she devoted herself to her beloved animals for the rest of her life. She was president of the Société protectrice des animaux (Society for the Prevention of Cruelty to Animals, SPA) & fiercely campaigned against bullfighting
Camille is buried in the Crespin family tomb at the Pere Lachaise Cemetery in Paris. In 1929 she was honoured when the French Government named the rue Crespin du Gast in the Paris district of Menilmontant, a name that is still preserved today.
Apologies for all the spelling & grammatical errors - I have had wine.
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Images from “Gonorrhea in the male - a practical guide to its treatment” by AL Wolbarst, (1911) showing treatment by injecting hot antiseptic into the urethra.
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(CW - graphic medical images)
“The most popular method of local treatment consists of irrigations with large quantities of hot antiseptic fluid. These irrigations maybe administered in three ways.”
“1) By hydrostatic pressure; (2) by the large syringe”
Agnes Blannbekin (1244-1315) was an Austrian nun & mystic who had erotic visions. In one, she felt the foreskin of Jesus in her mouth. “And behold, soon she felt with the greatest sweetness on her tongue a little piece of skin alike the skin in an egg, which she swallowed.”
Image by Milo Manara (b.1945)
Edit! Agnes was not a nun, she was a mystic & a ‘Beguine’ - a movement of lay women devoted to god, chastity, poverty & the ideals of the vita apostolica. The beguine were often conflated with nuns but never officially recognised as such.
This is 'Study of a Nude Black Man' (1838) by Théodore Chassériau (1819-1856). Chassériau was born in El Limón in the Dominican Republic. He was the son of Benoît Chassériau, a French diplomat & Maria Magdalena Couret de la Blagniére, a mixed race woman from Haiti.
From a young age, Chassériau excelled in art & was tutored by Jean-Auguste-Dominique Ingres. He made his name painting nudes and portraits. Chassériau travelled throughout Europe, but it was the people and culture of North Africa and the Middle East that really inspired him
Chassériau never married and died at the age of 37 in Paris on October 8, 1856 after contracting a serious illness. Today his work is recognized across the world.
This is a portrait of Wilhelmine, Countess of Lichtenau (1753-1820). She was s the official mistress of King Frederick William II of Prussia & was elevated by him into the ranks of the aristocracy.
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The portrait is full of highly sexually charged imagery. Apart from the nipples, kissing doves, the gushing water pipe, the splayed gun case, & the panting dog, all suggest naughtiness.
She was known as “Beautiful Wilhelmine" & was the subject & satire and faked memoirs. Including one that claimed all the rude bits have been omitted the language “was so gross and indelicate, that, out of respect to religion and morality, it was necessary to omit them.”
This is the erotic art of Michel Fingesten (1884–1943). Fingesten was born in Silesia and studied art in Vienna. He left Italy for America in 1900 where he made his living by drawing illustrations for newspapers.
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In 1907, he moved to Munich where he studied with Franz Stuck. He toured Asia and Europe before finally settling in Berlin. During this period he earned success and fame as a graphic art. He was particularly drawn to erotic subjects.
When the Nazis came to power, they declared his art as ‘degenerate’, and in 1933, Fingesten, who was of Jewish descent, moved to Milan.
Percy Jocelyn (1764-1843) was Anglican Bishop of Clogher in the Church of Ireland from 1820 to 1822. He was forced from his position after being caught have sex with a Grenadier Guardsman, John Moverley - an act which had been outlawed under the Buggery Act 1533.
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In 1811, Jocelyn's brother’s coachman, James Byrne, accused him of "taking indecent familiarities", and of "using indecent or obscene conversations with him".
Not only did Jocelyn deny this, he sued Byrne for criminal libel, which resulted in a conviction of two years in gaol and a public flogging.