the way the Ishgard is handled is such a beautiful little snow globe of what a colonialism-driven Forever War does to a society's behavior even among those inclined towards goodwill and charity. the Holy See is obviously corrupt FROM THE OUTSIDE, but nobody inside sees it
they don't have a reason to question it, even as it turns the apparatus of the state's defense against actual attack on anyone it deems inconvenient; their promotion of isolationism and xenophobia is a calculated choice on the part of the government
more than that it alienates individuals from their own compassion. there's an early quest near Falcon's Nest where a guy has you bring a knight food, and she comments the man doesn't eat enough as is... but when you press her to give it back, she just goes 'but he's a commoner'
it's not that she lacks empathy; she clearly sees the way in which the poor suffer to elevate her position, and it pains her. but the rules of society say 'nobility does not deign to show favor to the serfs' and if she breaks that rule, her fellows will drag her from her perch
anyway this is all just LEAPS AND BOUNDS ahead of ARR in terms of depth and nuance and I'm so, so, SO glad I'm finally to the part of FF14 where it seriously ramps up the quality of writing both for the MSQ and just for the ambient questing
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oh hey it's time for everybody's favorite infrequent feature, "Bea Talks About Weird Historical Weapons"
today's feature: GUNBLADES. no, really.
yeah, so it turns out Final Fantasy 8 wasn't actually barking up the wrong tree, as melee weapons with integrated firearms aren't a particularly novel or even new idea. around the 16th and 17th centuries, sword-pistols got really, really popular among those who could afford them.
take this example, a naval cutlass with an integrated double-barreled flintlock, wielded by no less than Lord Horatio Nelson himself at the Battle of Trafalgar
seeing a lot of people trying to go 'you were overreacting about that Heroforge thing, lol, nobody is gonna steal your OC' and that is not what that was about. it's about the fact that companies increasingly try to set legal precedent to claim access to your personal information.
right now, in the world we live in, if I punch 'hamburger recipe' into Google, my PS4 will try to sell me buns. twitter has, multiple times, tried to push through TOS changes that require disclosure of increasingly large amounts of personal data, including your phone number.
and those are just the ones EVERYBODY uses, the ones we scrutinize MOST. so when a TOS says shit like 'you irrevocably assign, transfer, and convey all right to your produced content to our company to the extent it does not automatically vest into us,' you damn right I'm sus.
latest Regular Car Reviews had a line like "a gesture made in bad taste is not necessarily the same as one made in bad faith" and I'm actually CHEWING on that one because it was made as an explicit point about 'can you enjoy good things made by genuinely terrible people'
as someone who is a Car Liker one of the thorniest things to unpack is the extremely complicated and shitty legacy of car manufacturers. there's a lot of bad behavior even outside of the obvious smokescreening of environmental issues; most of them were, and are, run by racists
I mean sure that's always true insofar as all american corporate institutions over a certain size are run by racists structurally, but run by racists INDIVIDUALLY. Henry Ford was an out-and-out Nazi, and not in a figurative sense, he backed fascist politics in America during WW2.
one thing I really like about Heavensward so far is that everything feels like it has room to BREATHE; ARR had this issue where it was simultaneously very busy, but also very compressed, it was just wall-to-wall 'OH NO A BIG DISASTER IS HAPPENING!' with no real pauses
story arcs didn't really ever develop past 'stop them from summoning a Primal! oops they did it anyway, kill the Primal! yay, you killed the Primal, until it comes back for Hard Mode and you have to do it again!' and doing that same beat over and over got tiresome.
Heavensward meanwhile is telling a much more intimate story of politics and corruption that the supernatural elements are exploiting rather than the sole focus, which allows the sinister elements to feel ACTUALLY sinister instead of a constant wave of out-of-left-field threats.
okay though but after having rewatched both Avatar and Legend of Korra recently, here is my actual issue with the former and why I like the latter so much more: I don't like that both structurally and spiritually, Aang is constantly rewarded for coasting on unearned power.
Aang... never really has to confront anything about his behavior, his lack of discipline, his approach to life, or... fuckin' anything, actually. Whenever someone tries to tell him to stop goofing off, or is jealous of his inborn talent, it always turns out THEY'RE wrong.
"But he feels guilty about abandoning his duties a hundred years ago and the deaths of the Air Nomads!"
Yeah, but does he change as a result of it? Does he actually, appreciably, become a more disciplined individual? Does he ever reconcile his idealism with reality?