We're back again! @amytenbrink welcomes everyone and notes that we're in a liminal space in this very strange year of 2020, which falls between *our* years of discussing Heroes (2019) and Villains (2021).
Bradford begins the conversation by asking, when this pandemic started, was there a point where you hit the wall? And then, if you could move past it, how?
Kim finds it difficult to pin down *one moment* that was hardest -- but drew on skills from fandom! Knowing what it's like to have online friendships and being able to help people for whom that's newer.
Brissett talks about being in New York when covid began to escalate, hearing ambulances, and slowly realizing she didn't just have the flu. Hit a wall "because it just sort of dawned on me that I'd had a fatal disease without knowing that's what I'd had."
"I feel like I was lied to." Brissett speaks to the anger she's felt, to the guilt of wondering if she transmitted it before knowing what it was, to how "my whole life has just been thrown up in the air!"
Wagers: "I don't know if I'm okay or not." Like being Wile E. Coyote who's run off the cliff but hasn't looked down to drop yet. They had a release party on March 6th, and that was the last time they saw their family.
Schechter declares herself an overachiever who has hit that wall three times. A lot of day-to-day things didn't change. "The things that broke me were the things that were central to my being."
Schechter talks about WisCon and the "hopeful denial" of think-hoping the con would still happen -- then feeling broken at not being able to see her people, her family at the con.
Bradford asks about the things that have felt impossible. What's been hard to get done -- even if it's something you normally enjoy or that usually de-stresses you?
Kim answers that focus has been tough. Keeps checking out new books from the library even though she hasn't been able to finish them. Talks about holding herself less to self-imposed standards of perfection, remembering it's not permanent.
Wagers is determined to keep powering through, acknowledges privileges they enjoy, healthy and safe and in a relatively low-impact area -- but also aware that the powering through might lead to an eventual breakdown.
Brissett speaks to challenges of not being *able* to do the things that she knows she needs to do to take care of herself. Trying not to beat herself up about it. "Eventually, I'll get out of this, too."
Schechter talks about yo-yoing: "On the days that I'm good, I'm really good!" Making masks, getting the to-do list checked off. "And then... I can't do anything for a week."
Chen: "I don't think I've ever known so much about my coworkers' cats and dogs!" The one highlight of everyone working from our homes having animals as tension-breakers.
Chen speaks to burnout -- already a problem for many creatives -- and how that pressure has escalated and comes with weird tensions in the age of covid. Have to allow things to take more time to process.
Gruber connects this idea to what Diana Pho said last night, about rejuvenating spaces: being intentional about what stories to choose to engage with. She's started watching K-Dramas! New form to her; has to read subtitles so can't doomscroll while watching!
Chen likes chattery podcasts. "It has the effect of when you're re-reading something that's so familiar, you're not really reading it, but just sort of absorbing the words into your brain." Comforting background noise.
Schechter also muted a bunch of people on FB. Not that they're bad people or not friends -- but curating her lists to those she really wanted to connect with and who would cheer her up, support her.
Wagers discusses practicing minimalism and the idea of "curating your life". They've done a lot of things like turning off notifications, leaving phone in another room while reading so they don't doomscroll after three pages of a book!
Chen: A friend says that imposter syndrome means you've thought through the matter and don't really have to be as anxious as you are. Finding assuredness inside that anxiety.
Gruber: While ill, had to cancel a project with a friend. Friend's response was "Please do not ever apologize to me for taking care of yourself." Has become an inner refrain; it's okay to just say no.
Wagers speaks to the challenge of promoting books in this time -- but it's still important to take joy in the ways readers respond and to know that you've done good work.
Brissett admits she doesn't know how to answer that question. No one specific thing that's fully picked her up. Hard to hear the good things right now.
Schechter: Overarching theme was that she did not realize the impact she'd had on someone else's life. Not Imposter Syndrome, "'cause I know I'm awesome!" Didn't realize that being her had such an effect.
2021: Sirens will challenge what it means to be a villain—and especially of what it means for people of marginalized genders and other identities to so easily be cast as villainous. Here are 10 wicked works (with more books/info here: sirensconference.org/news/2020/10/s…): 1/
1. A FEAST OF SORROWS by Angela Slatter: “My father did not know that my mother knew about his other wives, but she did. It didn’t seem to bother her, perhaps because, of them all, she had the greater independence and a measure of prosperity that was all her own.” #SirensAtHome
2. AMERICAN HIPPO by Sarah Gailey: “Winslow Remington Houndstooth was not a hero. There was nothing within him that cried out for justice or fame. He did not wear a white hat—he preferred his grey one, which didn’t show the bloodstains.” #SirensAtHome
2019: Sirens considered heroes in all their forms, and explicitly rejected the hypermasculine notions of heroism—and discussed a pantheon of more revolutionary heroes. Here are 10 magnificent heroes works (with more books/info here: sirensconference.org/news/2020/10/s…): 1/
1. A PALE LIGHT IN THE BLACK by K.B. Wagers: “Commander Rosa Martín Rivas pasted another smile onto her face as she wove through the crowds and headed for her ship at the far end of the hangar. She and the rest of the members of Zuma’s Ghost...” #SirensAtHome
2. A SONG BELOW WATER by Bethany C. Morrow: “It feels redundant to be at the pool on a rainy Saturday, even though it’s spring, and even though it’s Portland, but maybe I’m just more of a California snob than I want to be.” #SirensAtHome
2017: Sirens deconstructed magic and those of marginalized genders who want it or wield it—and how magic is so often an analog for power. Here are 10 magical books of witches, sorcerers, enchanters and more (with more books/info here: sirensconference.org/news/2020/10/s…): 1/
1. A DARKER SHADE OF MAGIC by V.E. Schwab: “Kell wore a very peculiar coat. It had neither one side, which would be conventional, nor two, which would be unexpected, but several, which was, of course, impossible.” #SirensAtHome
2. LABYRINTH LOST by Zoraida Córdova: “The second time I saw my dead aunt Rosaria, she was dancing. Earlier that day, my mom had warned me, pressing a long, red fingernail on the tip of my nose, ‘Alejandra, don’t go downstairs when the Circle arrives.’” #SirensAtHome
2016: Sirens examined lovers and representations of romantic and erotic ideas in speculative spaces, including the notion of taking those things—or not—on your terms. Here are 10 beautiful stories of love (with more books/info here: sirensconference.org/news/2020/10/s…): 1/
1. ANCIENT, ANCIENT by Kiini Ibura Salaam: “Sené. Pregnant Sené. Sené of the tired skin. Sené whose face held a million wrinkles, each one etched deeply as if carved over the course of forty years. Sené whose blood was only twenty-four years young.” #SirensAtHome
2. EMPIRE OF SAND by Tasha Shuri: “Mehr woke up to a soft voice calling her name. Without thought, she reached a hand beneath her pillow and closed her fingers carefully around the hilt of her dagger. She could feel the smoothness of the large opal...” #SirensAtHome
2015: Sirens analyzed stories of rebels and revolutionaries—and cast a wide net, seeking both traditional fantasy uprisings and more revolutionary rebellions as well. Here are 10 world-shattering tales (with more books/info here: sirensconference.org/news/2020/10/s…): 1/
1. ALIF THE UNSEEN by G. Willow Wilson: “The thing always appeared in the hour between sunset and full dark. When the light began to wane in the afternoon, casting shadows of gray and violet across the stable yard below the tower where he worked...” #SirensAtHome
2. AN ACCIDENT OF STARS by Foz Meadows: “Sarcasm is armour, Saffron thought, and imagined she was donning a suit of it, plate by gleaming, snark-laden plate...’” #SirensAtHome
2014: Sirens interrogated the history of hauntings books and what it means to be haunted—and the vital impact that hauntings stories have had on gender studies. Here are 10 ghostly tales (with more books/info here: sirensconference.org/news/2020/10/s…): 1/
1. A DASH OF TROUBLE by Anna Meriano: “Leo sprinted to the hallway bathroom, slammed the door, and locked herself in, just in time. An angry knock followed, ‘Hey, hurry up in there!’ Leo let out a cackle to match her Halloween witch costume.” #SirensAtHome
2. ANNA DRESSED IN BLOOD by Kendare Blake: “The grease-slicked hair is a dead giveaway—no pun intended. So is the loose and faded leather coat, though not as much that as the sideburns. And the way he keeps nodding and flicking his Zippo open and closed...” #SirensAtHome