Here's a few of Margaret Fay Shaw images of a traditional Hebridean Halloween, South Uist, Scotland in 1932.
Margaret was fascinated with local folklore customs and in 1932 she decided to take images, still and film, of the local children as they dressed up to celebrate Halloween or Oidhche nan Cleas (‘Night of Tricks’).
Sheepskins – including the scraped-out skull and ears – were commonly used to hide the identity of a guiser. The gìsears would carry lit peats to guide them from house to house, where they gave a song or told a fealla-dha (joke) in return for a treat, usually a scone or a bannock
And here's a clip of the footage recorded by Margaret Fay Shaw in 1932, with an original audio recording by Pèigi Macrae.
Video via NTS, full video held by Canna House Archives and Collections
Pèigi MacRae was born in Lochmaddy in 1874. Pèigi and her sister Màiri supplied Margaret with several songs for the book Folksongs and Folklore of South Uist.
Pèigi and Màiri are pictured below.
Margaret Fay Shaw was born in Pittsburgh in 1903, and after being orphaned at an early age she was sent to Scotland in 1921. She settled in South Uist in 1928, and began manually transcribing folk songs, learning the Gaelic language and documenting the island.
Here's to her ❤
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Scottish photographer @simonmurphy7 has been photographing the residents of Glasgow's Govanhill, highlighting and celebrating the diversity the area he once called home.
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I will post a few of those images in this thread, if you like what you see, please give Simon a follow. 📸
When I ask, most people say yes to having their portrait taken. My interest in them is perhaps based simply on me liking the jumper or shoes that they are wearing, but it comes from within, it’s genuine, and people read you very quickly - @simonmurphy7
Merik, a Performance Artist
If you are not open and honest, then they will not respond to you - @simonmurphy7
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Alex - Govanhill, Glasgow.
The Art of Album Covers.
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A Buck Rogers XZ-38 Disintegrator Pistol, manufactured in 1935 by Daisy.
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Used by Foo Fighters on their self titled debut studio album, released on July 4th, 1995
The Art of Album Covers
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Photographer Robert Freeman was showing the Beatles potential images for the Rubber Soul album. He was projecting a portrait against cardboard when the cardoard fell back distorting the image.
McCartney said, “we felt that image fitted perfectly.”
The Art of Album Covers
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A page from the March 1978 issue of National Geographic.
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Part of which was used by Pavement on the 1994 release, Crooked Rain, Crooked Rain
Ernest Cole was born in South Africa’s Transvaal in 1940. In his book: House of Bondage – published in 1967, he was the 1st photojournalist to highlight the daily realities, humiliations, and horrors of apartheid to the outside world.
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Here are some of those images.
On the back of todays events in George Square and the following comment yesterday from one of my followers:
'The idea that “my nationalism is better then yours” is a narcissistic fantasy I’m afraid'
I wanted to highlight a few home truths.
A Thread -
Anum Qaisar, the general secretary of the Muslim Friends of Labour, organised a mock referendum vote at the University of Strathclyde in 2014 for Muslim students. She herself went into the debate convinced she would vote to stay part of the union.
After the debate, the number in the 'No'' camp almost halved. And it also changed Qaisar's own mind - "I worry about the direction UK politics is going; as the granddaughter of immigrants I don’t want anti-immigration and xenophobic policies at the forefront of political debates"
John Claridge was born in Plaistow, London in 1944 and began taking photos of the East End as a teenager in the 1960s.
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Here are some of those images.
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Self-Portrait with Keith, E7, 1961.
Claridge was 17 in this photo.
H Goldstein butchers, 1966.
‘These two brothers owned the butcher’s shop. After I had taken the photograph I mentioned that they must have done well today as there was only one chicken left. One of the brothers replied “No! We only have one chicken!”’
Photograph: John Claridge
Corsetiere, 1961.
‘As I was photographing this shop window, a man passing by asked what I was doing. I replied that it was a beautiful window of corsets. He looked me up and down and said “No son, there’s something wrong with you!” and marched off.