One of the great delights of this decade is @Scarfolk, @richard_littler's long-running art-project about a English horror-town trapped in an endless, looping Thatcherite decade, whose artifacts are pitch-perfect comments on our own daily lives.
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The period Littler focuses on - the dawn of neoliberalism - is a turning point in our collective timeline, the ascendant moment of selfishness, the elevation of sociopathy to a virtue, the moment in which corporate personhood was elevated at the expense of human personhood.
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As such, the parallels he is able to draw are incredible, savage and brilliant, augmented by his biting prose and his superb draftsmanship and outstanding design.
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The US election news has largely overshadowed a seismic moment in global finance: Ant, a fintech company that spun out of Alibaba/Alipay, was scheduled to have the world's largest IPO, topping even Aramco, the Saudi sovereign wealth fund.
Then Chinese regulators canceled it.
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As @yvessmith writes in her excellent @nakedcapitalism breakdown, the consensus narrative on this is capricious Chinese regulators changed their minds and jerked the rug out from under Ali's billionaire owner Jack Ma.
To understand it, you need to understand the difference between the Chinese and American "money story." In the US, there is widespread, unquestioning faith in the fairytale that money predates the state and is separate from it.
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Inside: Deep Reckonings; Past Performance is Not Indicative of Future Results; How Audible robs indie audiobook creators; Get an extra vote; A hopeful future; and more!
I've been talking to @polygon's @TashaRobinson about my books for nearly two decades. She was one of the reviewers to dig into Down and Out in the Magic Kingdom, my debut novel, all the way back in 2003 when she was at @theonion's @TheAVClub.
She's always had smart things to say about my books (and is never shy about criticizing them) so I was delighted to talk with her about my latest, ATTACK SURFACE, for an interview: "Cory Doctorow on his drive to inspire positive futures."
As the title suggests, the interview digs into the relationship between our narratives about the future and the future itself when it arrives - the delights and perils of dystopianism, a philosophy that I find seductive even as I reject it.
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