Li Jin Profile picture
17 Dec, 14 tweets, 10 min read
The new American dream is to make a living from one's creativity. 1/3 of kids want to be YouTube stars.

But the inconvenient truth is few creators are actually attaining financial security today.

My new blog is about building the creator middle class 👇
li.substack.com/p/building-the…
Today's creator platforms resemble economies in which wealth and attention are concentrated at the top.

On Spotify, artists need 3.5M streams/year to achieve a minimum-wage income of $15K. The top 1.4% of artists pull in 90% of royalties.
rollingstone.com/pro/features/s…
On Roblox, the top game accounts for 20-25% of concurrent users, and concentration is growing over time.

On Patreon, only 2% of creators made the federal minimum wage of $1,160 per month in 2017.
There are parallels with US history: the strong middle class of the 20th century didn't just happen naturally, but was born of policies that created widespread prosperity.

Similarly, platforms can broaden the path to success—making the American dream not just a dream.
Why is creating a middle class of creators important?

Creator platforms flourish when they provide opportunity for anyone to grow and succeed. Less wealth concentration means less risk that a would-be competitor could poach top creators and threaten the entire business.
Here are 10 strategies to grow the middle class of creators:
A few examples:

- Facilitate collabs & opportunities for cross-promotion so creators can lift each other type (like Type House)

- Provide capital investment to up-and-coming creators

- Allow creators to monetize superfans to a greater degree, e.g. @BookCameo, @streamloots
- Create passive income for creators so they can stack various income sources, what @hunterwalk calls the "multi-SKU creator"
hunterwalk.com/2020/12/01/why…

- Productize creator education and training. Examples from China:
Obviously, there are forces pushing us in the opposite direction, too. Top creators have the most leverage and can demand lower take rates (e.g. on Twitch).

And in a world with lots of substitutes for consumers, platforms do have to compete on the basis of their best content.
"Societies and platforms flourish when there is a path for everyone to have upward mobility, achieve financial security, and learn and grow. The beautiful thing is, in the real world as well as in the digital world, it’s up to us to build this path."
This piece was also published in @HarvardBiz today 📚

Choose your own reading experience 🙃 (shoutout to my editor @tom_stackpole!)

hbr.org/2020/12/the-cr…
Related reads:

My piece "100 True Fans" is all about making a living from fewer, truer fans.

It's a riff on @kevin2kelly's classic "1,000 True Fans" kk.org/thetechnium/10…

a16z.com/2020/02/06/100…
As always, it took a village. Thanks @LilaShroff for research help & riffing on these ideas!

And to those whose thinking and feedback make me smarter: @conradwa, @hankgreen, @blakeir, @patel0phone, @samyamiam, @arampell, @DavidMcDoughnut, @dpteran, @ezracooper, @kushaanahuja.
The article mentions these companies which are doing cool things that I drew inspiration from. There are countless others!
@tiktok_us @patreon @teachable @gumroad @BookCameo @stir @twitch @loopedlive @SubstackInc @mightynetworks @CircleApp @outschool @beondeck @Kajabi @podfunding

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More from @ljin18

1 Oct
People often say that IG feels aspirational, polished, and often leads to feelings of inadequacy, while TikTok is authentic, fun, and uplifting.

Why? Creator monetization is a huge, underrated factor (in addition to content format & interest vs. social graph).

Thread👇
Instagram doesn’t pay creators directly; creators monetize by finding sponsors for their content or via affiliate links.

This means the most successful IG creators induce a desire among viewers to buy something--i.e. making them feel that what they already have is insufficient.
In contrast, on TikTok, most creators make money through live streaming & getting viewer donations, or by participating in the Creator Fund, which distributes based on # of views.

This monetization model incentivizes creators to make content that many people watch and enjoy.
Read 8 tweets
20 Aug
*chronicling my metamorphosis into a content creator*

@nbashaw and I have been referring to Means of Creation as our "pop-up talk show." Well, we're upgrading it to permanent - it's here to stay! 🎊

Here's where to find us 👇
YouTube channel:
youtube.com/channel/UCssD_…

Podcast:
pod.link/1527481453

Written summaries:
meansofcreation.substack.com

In the 1st episode, @shl discussed the horizontal vs. vertical strategy in building for creators. Watch here:
We interview guests *live* on Zoom each Friday at 2pm ET - to join and ask questions, you'll need to subscribe to the Everything bundle:
meansofcreation.substack.com/subscribe
Read 5 tweets
29 Jul
At the turn of the 20th century, in the wake of the Industrial Revolution, agrarian society and cottage industries gave way to urbanization, mass production, and corporate employment.

Now, new internet platforms are empowering a shift in work once again..
li.substack.com/p/unbundling-w…
We’re in the midst of a massive rearrangement in how work, and thus society, is organized. We’re going from the “Organization Man" Era to the “Unbundled Work" Era. Image
Digital platforms remove the gatekeeper of the company, and empower individuals to create products, reach customers, and earn income without needing an employer.

Call these independent workers whatever you want: micro-entrepreneurs, creators, free agents, or freelancers.
Read 13 tweets
2 Jul
The solution to cancel culture is the Passion Economy.

Being directly supported by 1000 or 100 true fans is far less risky than having a single employer.
After I wrote 100 True Fans, lots of folks asked, "Isn't this model risky? Losing 1 fan is a huge portion of income."

But traditional employment is like having only 1 true fan. People can lose 100% of income w/ recession, cancellation, or for any reason!
a16z.com/2020/02/06/100…
Read 4 tweets
22 Jun
The Hey vs. App Store dispute is a manifestation of Karl Marx’s ideas about the struggle between capital and labor, updated to a 21st century world in which a platform, rather than a factory owner, controls the means of production and distribution.
theverge.com/2020/6/16/2129…
If “capital vs. labor” defined politics for the last 150 years, then we are now entering the era of “platform vs. participant.”

The parallels are striking between Marx's ideas and the battles playing out today among platforms vs. developers & platforms vs. workers.
Marx’s recommendations have obviously led to catastrophic outcomes, and I’m not endorsing abolishing private ownership (I’m a VC after all).

But history rhymes, and his work serves as a useful lens for the events and powerful actors of the present.
Read 32 tweets
20 Jun
The landscape of software tools for building an online community online is exploding, with 130+ companies mapped here.

There won't be a single de-facto set of tools for running an online community. That’s because community is incredibly broad.
commsor.com/post/mapping-t…
In the offline world, community gets built in lots of different ways, across different types of venues and interactions.

Communities online will get built in different ways too, leveraging different "community stacks."
One community might use Discourse + Zoom; another one might use Telegram + Icebreaker… That’s because a community for, say, fitness lovers has really different needs than a Tik Tok cult!

There’s different types of engagement, frequency, and UGC being shared.
Read 6 tweets

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