1 I've spent an insane amount of time digging deep into the Sinatra discography, but after all these years, I keep discovering gems that had somehow eluded me. Here's a late-period ballad from 1974 worth savoring.
2 Sinatra was inconsistent in this period, still getting his voice back together after his 1971 retirement. Here, however, he's in command of his instrument.
3 The phrases aren't as long as when he first recorded this beautiful song (at a brighter tempo) 32 years earlier with Tommy Dorsey. But the storytelling is as rich as a novel, and the feeling of loss is almost overwhelming.
4 Listen to how he stretches out the word "cling" in the second A section at 1:22, with melismatic sigh into the next word; it's a brief erotic quiver.
5 He wrings maximum emotion and nuance from dynamics. In the last two bars of the bridge ("the deeper the doubts in my heart"), the slight drop in volume draws you further into the growing melancholy of the song.
6 Even more effective are the last four bars of the tune starting at 2:26 that fade slowly into a hush of longing that's all the more intense for being sung at a whisper. ("Then I'll kiss you my dear/Just as though you were here").
7 The song was written by John Benson Brooks (music) and Eddie DeLange (lyrics) and the arrangement is by Gordon Jenkins. It wasn't released until 1990 as part of a box set, and I discovered it via the digital release this month of a collection called "Reprise Rarities."
1 A Twitter discussion yesterday led me to pull 5/29/69 issue of Downbeat off my shelf. A random issue, 51 yrs ago, & you cannot believe the picture it paints of the scene. Cover interviews w/Sonny Rollins (Ira Gitler), Dexter Gordon (Gitler) & Louis Jordan (Leonard Feather)
2 Here's the Dexter interview:
3 Here's the first page of the interview with Sonny.
In honor of Beethoven's 250th birthday & with a nod to Peanuts historian & Charles Schulz expert @LukeEpplin, here are some relevant strips starring, of course, Schroeder. Beethoven's birthday was an idée fixe in the strip. Let's start with my favorite:
An early example -- maybe the first? -- from 1953 (I think).
Happy 91st birthday to Barry Harris, born 12/15/29 in Detroit. May this heroic pianist & professor of bebop go forever. Here’s an annotated playlist of 20 tracks & videos. It's in chronological order, except for a special closer.
2 “Hopper Topper,” 1950. Barry’s debut record. “Cherokee” changes with no theme. Striking confidence for a 20-year-old. The even attack, precise beat & jabbing left hand remind me of Horace Silver. The young Frank Foster comes directly out of Sonny Stitt.
3 “All The Things You Are" (1958). Will Austin/Frank Gant. Barry’s first LP as a leader opens with a ballad at a walking tempo. Improvised curtains of lovely double-time melody. All-Detroit trio, produced for Argo in Chicago by Detroiter Dave Usher
"Coltrane had a black following while most of the avant-garde didn’t because Elvin Jones had orchestrated the triplet blues beat into a sophisticated style that pivoted on the boody-butt sway of black dance.
2 "In tandem, Coltrane and Jones created a saxophone and drum team that reached way back to the saxophone of the sanctified church shouting over the clicking of those sisters’ heels on the floor and the jingling, slapping pulsation of tambourines.
3 "The sound was lifted even higher by the antiphonal chants of the piano and bass played by McCoy Tyner and Jimmy Garrison, whose percussive phrasing helped extend Jones’s drumming into tonal areas.
Happy 90th birthday to the greatest of them all -- @sonnyrollins. I have no bigger hero in or out of jazz. In his honor here's a playlist of 25 brilliant live performances that span nearly 50 years, from 1957-2006.
2. Caveat: Some of my absolute favorite performances --"Remember" from Newport in '63; an epic 48-minute version of "Four" & 32-minute "Three Little Words" captured in Copenhagen in '68 -- are not on YouTube. But what's here is choice. Like Bird, the best Sonny is live Sonny .
3 “Bye, Bye Blackbird” w/Miles Davis 5qt, Café Bohemia, NY, 7/27/57. Fun to hear Miles in this era with Sonny rather than Trane. Sonny sounds a bit sassy here, and he's seriously swinging. Red, PC. Art Taylor. (Note: Tape is running 1/2 step fast.)
Before there was "Mozart in the Jungle," there was, apparently, "Philharmonic," a 1971 novel I stumbled over at John F. King Books in Detroit yesterday. This is completely new to me. The authors are a husband-and-wife team, Herbert Russcol and Margalit Banai.
2. Russcol is described as a former French horn player who had worked with the Pittsburgh Symphony and Boston Pops and the author of a guide to classical records. The cover copy promises: "A great symphony orchestra -- its men, its women, it's passions."
3. Here's the extended flap description:
The violent clash of temper, the discord of conflicting passions, the subtle variations of romance in counterpoint to the fiery sexual encounters resound through the pages of this stunning, multifaceted novel of a great symphony orchestra