आंगिकम भुवनम यस्य
वाचिकं सर्व वाङ्ग्मयम
आहार्यं चन्द्र ताराधि
तं नुमः सात्विकं शिवम्
We bow to Lord Shiva, whose body is the whole universe, whose speech is the entire world’s languages and whose ornaments are the moon and stars.
Thread
The term 'Nataraja' means 'King of Dancers' (Sanskrit Nata=dance and Raja=king). Nataraja, the dancing form of lord Shiva, is a beautiful symbol of the union of nature and divine.(1)
Nataraja holds fire in one hand, representing the fire element. A damaru in his other depicting the space element. Many entities in the universe are represented by a shape similar to that of a damaru, like chromosomes, shapes of galaxies and so on.(2)
Time is also is said to have a conical representation. ∞ is the symbol (shape of damru) representing infinity.(3)
Shiva’s hair is open and flying representing the air element. One foot on ground symbolizes prithvi (earth element), another in the air. One hand is the symbolic "abhaya hasta" offering protection and the other points to his feet symbolizing surrender.(4)
Underneath his feet, there is Apasmaar (the demon symbolizing desires). He is standing with his foot on top of desires. Only when we rise above desires and we are dancing on it, then it is a dance of bliss.(5)
A snake uncoils from his lower right forearm, signifying a victory over ego while the Abhaya mudra (fearlessness) suggests not to fear evil as one follows the path of dharma.(6)
The lower left hand is bent downwards at the wrist with the palm facing inward. Also this arm crosses lord's chest, concealing his heart from view. It represents tirodhana, which means concealment. He is concealed but everywhere.(7)
The face shows 2 eyes plus a slightly open third on the forehead. The eyes represent the sun, the moon and the third has been interpreted as the inner eye, or symbol of knowledge (jnana), urging devotees to seek self realization.(8)
The 3 eyes also symbolize an equilibrium of the 3 gunas of life namely Sattva, Rajas and Tamas. That is purity, activity and darkness.(9)
His headress depicts a skull meaning mortality and maa ganga is seated in his keshas.(10)
The oval ring around the figure of Nataraja represents the cosmic fire he uses to destroy the universe as part of the cycle of destruction and creation. Each flame has 3 points.(11)
This cosmic dance of Shiva is called 'Anandatandava,' meaning the dance of bliss symbolizing the cosmic cycles of creation and destruction, as well as the daily rhythm of birth and death.(12)
The dance of Shiva also represents his 5 roles of 'Srishti' (creation, evolution), 'Stithi' (preservation, support), 'Samhaar' (destruction, evolution), 'Tirobhaav' (illusion) and 'Anugraha' (release, emancipation, grace).(13)
Physicist Fritzof Capra in his article "The Dance of Shiva: The Hindu View of Matter in the Light of Modern Physics," and later in his book "The Tao of Physics" relates Nataraj's dance with modern physics.(14)
He says that every subatomic particle not only performs an energy dance but also is an energy dance. A pulsating process of endless creation and destruction.(15)
In modern physics, Shiva's dance is the dance of subatomic matter. As in Hindu religion, it is a continuous dance of creation and destruction involving the whole cosmos. The basis of all existence and natural phenomena.(16)
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Chhatrapati Shivaji Maharaj's impeccable military genius and matchless courage humbled the Adil Shahi Sultanate.
The beginning of what was to come later for the M0ghuls from one of the most indefatigable defenders of Dharma!
(Thread)
Shivaji’s growing influence in Maval region, made him a threat to the Adil Shahi ruler of Bijapur who sought to restrain him. The man who was given the responsibility of this mission, was their commander, Afzal Khan. Afzal was a formidable warrior known for his ruthlessness.(1)
His strategy was to bring Shivaji out into the plains, where he held an advantage, compared to the rocky Deccan terrain. Afzal attacked the holy town of Pandharpur, and later demolished the temple of Bhavani at Tuljapur to instigate Shivaji in a bid to bring him out.(2)
The battle of Saraighat was a naval engagement fought on the Brahmaputra river near Saraighat between the M0ghul empire and Ahom kingdom in 1671.
Guts, resolve and glory!
(Elaborate thread)
Koch was a state situated between the dominions of M0ghuls and Ahoms. For Ahoms, it was a buffer state for keeping M0ghul territorial expansions at bay.(1)
Times changed when the ruler of the Koch kingdom, Nara Narayana passed away in 1587 resulting in Koch being divided into 2. Western Koch was ruled by his son Lakshmi Narayan and the eastern Koch by his nephew, Raghudev.(2)
THE SIEGE of MEENAKSHI AMMAN TEMPLE, Madurai (1311 AD)
During the dark phase of Delhi Sultanate's invasion of Madurai, a Pandyan king stood up to defend the honor of Meenakshi Amman temple in face of a relentless enemy.
Grit, devotion and bravery!
Alauddin Khilji sent his general Malik Kafur on an expedition to the southern kingdoms of India, leading to the capture of Warangal, overthrowing of Hoysalas on the south of river Krishna, and invasion of Madurai.(1)
Malik Kafur was not seeking to expand the borders of the Delhi Sultanate. He was on a military treasure hunt on Khilji’s behalf. Malik's victory over Hoysala king Veera Ballala and loot of Hindu temples at Halebidu sent alarm bells ringing through the Pandyan Kingdom.(2)
This shrine, dating back to early Gupta period (4th century AD), is one of the important monuments for understanding the evolution of architectural styles which followed it in later day temples.
(A brief thread)
This temple consists a small sanctum and a mandapa in front. It is built on a low basement and the sanctum is almost a square measuring 3.85 m x 3.72 m and 3.9 m high.(1)
The sanctum has a flat roof which is characteristic of early Hindu shrines. The mandapa, 3 m X 1.8 m, is supported on four pillars. These pillars have a square shaft in lower part, changing into eight and sixteen sides in middle.(2)
THE 3 LESSER KNOWN FORMS OF LORD SHIVA
ॐ नमः शिवाय
Ekapada also called Ekapada murti is one of the lesser known forms of lord Shiva who in this form is seen standing in an erect position on single leg. This form signifies that Shiva is the supreme god and pillar of the universe.
Among the 64 forms of lord Shiva, 3 forms that is Ekapada, Ekapada trimurti and Tripada trimurti are closely related to each other with some differences.(1)
Ekapada murti is the form which represents only lord Shiva standing on a single foot signifying that he is the cosmic pillar of universe.(2)
Maharana Pratap's brilliant counter strike leading to M0ghul army's abject surrender.
A battle which was erased from public memory by left historians to keep Hindu pride in check.
(Thread)
When we talk about the bravado of Maharana Pratap, the only battle which comes to our mind is battle of Haldighati (18 June 1576), fought between Rana's and Akbar’s armies led by Maan Singh of Amber.(1)
The Battle of Dewair (1582) is sort of shadowbanned from our mainstream history books and public discourses because of certain vested agendas.(2)