This post is from DOOM’s wife’s Jasmine. If Jas wrote it it’s legit.
I’ll tell some DOOM stories a bit later, for now I need to process... Dude made me laugh and made me furious, almost got me fired and I STILL loved him. Rest in Power to one of the greatest to ever do it.
Okay here’s a DOOM story or two. Daniel Dumile aka MF DOOM was someone I first worked with on the DangerDOOM project. During the making of the album, I would sometimes pick him up to take him to the studio to lay vocals.
Before picking him up I was told “bring him beer when you come.” I was picking him up at 9am. I brought beer and the second I entered his apartment, he started drinking and in fact by 10am *I too* was drinking, sitting around with him as he read some rhymes from his notebook.
DOOM had a chaotic energy, but he was always a sweet goofball who just wanted to hang around and tell stories. When you were with him you really felt like you were a part of his family.
Because of that, he got me to do shot for him I NEVER would’ve done for anyone else. For instance. After DangerDOOM came out and did so well, I got Adult Swim to sign DOOM to a record deal for another album. We have him a 45k advance. And then... nothing. He dipped.
I heard nothing from him and didn’t get my phone calls returned for like 3 years. After which, he would call me and I wouldn’t return HIS phone calls. I got in a lot of trouble for wasting 45k of the company’s money. But I weathered it. It hurt though.
I don’t care about the money but making me look and and fucking with my livelihood was a bridge too far. Somewhere in the time frame where I wasn’t speaking to him, DOOM sent me two huge paintings he had made (they are still hanging at work). We had bonded over loving cartoons.
And he had wanted to honor that and, I guess, say “I’m sorry.” I later found out that during the time where he split, he had a child who was in the hospital and was deathly ill. That softened my heart somewhat.
Flash forward to like a decade later and I hear DOOM really wants to work with me again. After several talks with his management we came up with the idea of the Missing Notebook Rhymes. Of course, once we start releasing them, we find two things out:
A) DOOM hadn’t paid the producers who made these songs or cleared the other vocalists or samples (of course he told us he had it all cleared).
B) DOOM owed music to a record label. Literally anything he released he owed to them. He didn’t tell us this. So the label came after us
It was, in short, a total boondoggle and of course we had to shut it down and apologize to a lot of people and pay a ton of money to a bunch of others. All because DOOM was... DOOM, lol. I again got yelled at by my bosses, who asked “why would you go BACK to this guy???”
Which is a valid question. All I could say was, “it’s DOOM. He’s one of the greatest to ever do it. And I was just hoping we could make it work.” Ive been thinking about what happened a lot, every before hearing about his death.
And you know what? I’m not sorry I gave him another shot, even if it didn’t work out for me. DOOM was a mess, and a genius, and a goofball who loved cartoons, and I loved him even after he fucked us over because he was just that special. Pour one our for the super villain. RIP.

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More from @Clarknova1

1 Jan
Here’s a condensed version of a video we made for Chrome Children, our Stones Throw/AS comp. We filmed a live show at SXSW where Madvillain played. I was on stage filming the performance along with my friends.
DOOM was late for the show. I was super stressed because we hadn’t heard from him and Madvillain were about to go on. He arrived, no joke, five minutes before they needed to play. I handed him his check, he rolled onstage, and killed the show. Legend.
The full vireo was 40 mins long and only available as a DVD extra disc that came with the deluxe edition of the Chrome Children CD.
Read 4 tweets
29 Dec 20
lol guess we won’t be getting Caribou to play the Adult Swim Fest any time soon. I respect his stance though. It’s a slippery slope, for sure. My feeling has always been to take the money from the rich and give it to the artists who need it, personally. But that’s just me.
As someone who is in the position to pay artists for their work, I will occasionally run into someone who just flies get feel comfortable taking corporate money for any reason. And I respect that courage and commitment.
For my part, I feel like part of my life’s work has been supporting art by exposing and promoting the work of artists whose work means so much to me, and of course by paying them what they deserve, so that they can keep creating.
Read 6 tweets
13 Jun 20
THE BEST TV DRAMAS OF THE LAST 20 YEARS THREAD, BECAUSE I’M BORED:

Tier One (God Tier): Perfect shows.

The Sopranos
Deadwood
Twin Peaks S3
Rectify
The Terror
Mad Men
Better Call Saul
OJ: Made in America
The Young Pope/The New Pope
Channel Zero
Mr Robot
Chernobyl
Patriot
Tier Two: Excellent shows. Shaky moments, but greatness is evident.

Breaking Bad
Fargo
True Detective
Hannibal
Fri Night Lights
GoT
The Ppl Vs OJ Simpson
The Shield
The Americans
The Wire
The Assassination of Gianni Versace
BSG
Leftovers
Halt & Catch Fire
Watchmen
Billions
Tier Three: Good shows. Almost always worth watching, but some definite flaws.

Too Old To Die Young
Justified
Homecoming
Peaky Blinders
Downton Abbey
Fringe
Girls
The Affair
The Sinner
Rome
The Boys
The Expanse
Mindhunter
Lodge 49
Lost
Black Mirror
The Act
Escape at Dannemora
Read 6 tweets
10 Feb 20
In honor of PARASITE taking the ultimate filmmaking prize (hooray!), here's a thread of some of my favorite Korean films for those of you who asked, and are looking to delve a little deeper into Korean cinema:
Gotta start with one of my favorite movies of all time, Kim Jee-woon's I SAW THE DEVIL. A brutally tense/weird cat & mouse between a cop and a killer. One of the few revenge tales that truly attempts to show just how hollow "an eye for eye" leaves us.
2018's BURNING. A sensual, disquieting, and ultimately shattering portrayal of class warfare and societal ennui that explodes into violence. (sound familiar?)
Read 14 tweets
24 Jan 20
Something I love about my job that I don’t talk about much is the letters we get from inmates. You’d be surprised how many letters we get from folks that are locked up, telling us that Toonami is one of the only things that gets them through their week.
One of the reasons I wanted a job in media was to be able to provide people a respite/escape, however fleeting, from the problems we all face in this dark, cold world.
It’s nice to know that even those who are truly behind the 8-Ball can get something out of what we do, and it reminds me how lucky and privileged I am to be able to do what I do for a living. Knowing it helps some people gives even the “meaningless” work, meaning.
Read 4 tweets

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