TIL:

- first Western detective stories translated & published in Japan in *1863*--that's pre-Meiji, even!

- first Chinese-written detective stories featuring Western-style detectives starred women as both detectives and criminals were published in 1907--author Lü Simian (!).
Quote: “This case is so complicated that even Sherlock Holmes would feel helpless if it fell into his hands. [Now] it is solved by a woman who returned from abroad for a brief
visit to her hometown. Who is to say that the wisdom of Chinese cannot compete with the Westerners?”
The lead female detective in these stories, Chu Yi, is a fan of Doyle's Holmes stories and asks herself "What would Sherlock Holmes do?" while crime-solving, but succeeds through her use of martial arts and more "Chinese" attributes--China, not the West, solves the crimes.
Author Lü Simian, btw, is this guy: en.wikipedia.org/wiki/L%C3%BC_S… . One of the "four greatest modern Chinese historians," also wrote a landmark work of literary theory, and helped cohere Chinese detective fiction with his stories. Bit of a badass.
Holmes was the dominant influence on Chinese detective fiction of the late-Qing & early Republic years, and the biggest star of Chinese detective fiction of those years, Cheng Xiaoqing's Huo Sang, was a spin on Holmes.
I've got some info on Huo Sang here: jessnevins.com/pulp/pulph/huo… . He was a (mostly successful) attempt to meld Western scientific methods & mindset with Chinese ethics & moral principles--a New Man, but accepting Chinese traditions in good faith.
The Huo Sang stories are fun--there's a good translation of several of them here: amazon.com/Sherlock-Shang…

But when things get really interesting (for me, anyhow) is when Huo Sang--Holmes--meets Sun Liaohong's gentleman thief Lu Pin ("the Oriental Arsene Lupin").
Arsene Lupin, of course, being this guy: en.wikipedia.org/wiki/Ars%C3%A8… . Lupin was the greatest gentleman thief of them all, and someone who matched wits with Holmes ( crimereads.com/that-time-sher… )
Sun Liaohong's Lu Ping is obviously influenced by Arsene Lupin (the similarity in names is a dead giveaway), but Lu Ping (dozens of stories, 1923-1949) differs from Lupin in that Lu Ping is much more hardboiled. Lu Ping is a gentleman thief who seeks justice outside the law. But!
Lu Ping seems almost lifted from the pulps--he talks in a hardboiled patter, mutters wisecracks, whistles while he burgles, and makes asides to the reader. He's almost like Robert Leslie Bellem's Dan Turner (thrillingdetective.com/turner.html), if not so pronounced.
Huo Sang, like Holmes, values justice more than the law but generally seeks to work inside the law, not outside it, and within the Chinese traditions, not outside them.

Lu Ping, much more than Lupin, becomes an instrument of justice and flouts the law.
So the clashes between Huo Sang & Lu Ping aren't just for entertainment, the way the Holmes/Lupin crossovers were. Huo Sang & Lu Ping embodied differing ideas of what justice meant, and were attempts to influence Chinese writers to step outside tradition in their crime stories.
Even more interesting (to me, at least) is that Huo Sang remained Holmesian for a long time, while Lu Ping is heavily influenced by USian hardboiled fiction.

So Huo Sang-v-Lu Ping becomes a commentary on classical British detective fiction versus 1920s/1930s USian det. fiction.
Arthur Conan Doyle chose to stop the Holmes stories in 1914--Holmes never had to confront the War, or the post-War environment, or the massive changes in detective fiction in the 1920s.

Huo Sang-v-Lu Ping shows us what that confrontation is like --not so great for Huo Sang.
Now, if we turn to Burmese & Thai iterations of Holmes, we find (is showered with rotten eggs, hook drags me off-stage).

I'll talk about those another day, shall I?

(as always, thanks for reading!)

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More from @jessnevins

1 Jan
Thread!

It's #PublicDomainDay, and as requested by @doctorcomics I am providing a list of the best of the pulp heroes who are now in the public domain. * means the character or text they appear in are prime pulp.

Carlo Aldini: jessnevins.com/pulp/aldini.ht…

1/
Fresquinho: jessnevins.com/pulp/pulpf/fre…
Jerzy Hartman: jessnevins.com/pulp/pulph/har…

Valentin Katayev's Stanley Holmes, Sherlock Holmes' nephew (son of Mycroft), who goes to India to stop a revolutionary movement from using a Russian scientist's super-magnet to create world peace.

3/
Read 17 tweets
23 Dec 20
Okay, starting a thread now on family values on the American homefront during WW2. It goes some unhappy places, sorry, and got away from me a bit at the end, sorry again. But ugly truths are better than pretty lies, and pretty lies are what we're fed about the homefront.

0/
WW2: a time of great upheaval in the US. More than 15 million civilians moved to new counties over the course of the war. Wartime spending meant formerly poor people in suddenly available jobs were often flush with money. Psychological pressures due to the war were immense.

1/
So many civilians acted in ways that seemed entirely alien to how “real Americans” behaved. The result was a homefront whose strangeness seemed to match the strangeness that soldiers & sailors were experiencing at sea & in foreign countries. Everything became different.

2/
Read 40 tweets
18 Dec 20
Last week I mentioned my thesis on cyberpunk. Yesterday it arrived in the e-mail. Today I’m going to tweet some information from it.

This is about old-school cyberpunk (CP hereafter), CP as of 1995, so some of my points are out of date now. But others are still relevant.

1/
CP is frontier literature. Frontier lit was traditionally used to justify the creation/establishment of the US; later, to justify our economic growth, our emergence as a nation-state & our approach to modernization. It addressed issues of space, racial purity & gender roles.

2/
Hardboiled (HB) detective fiction made the city the frontier. HB addressed corruption, the downfall of the city, the US’ future, changing gender roles & gender performance. HB “generalized petty-bourgeois resentment against the collapse of the Southern California dream.”

3/
Read 29 tweets
28 Nov 20
Not to repeat yesterday's thread, but--I think I was wrong about something. The editorial comment about the Hollow Tree's diverse readerships--"Hindus, a Kongo African, etc" which I said yesterday was about Americans...I'm thinking the readers must have been international. 1/
Western Story Magazine didn't have international distribution per se, but it did have Australian, British, and UK editions, and those editions would have been distributed to the British colonies like any other British magazine was pre-WW2.
2/
And of course Hawai'i, mentioned in the Hollow Tree editorial as one of the nationalities represented, wasn't a state in the early/mid-1920s, it was a Territory, and Hawai'ians weren't considered "Americans."
3/
Read 9 tweets
27 Nov 20
Anyone interested in a thread about where modern fandom came from, and who created it?

[only 18 tweets long this time! I may be learning brevity.
The accepted wisdom is that Hugo Gernsback invented sf fandom in the Science Fiction League & in the pages of AMAZING STORIES, and that (per Wikipedia) “a wide variety of Western modern organized fannish subcultures originated with science fiction fandom.” LIES! ALL LIES! 1/
The reality is that sf fandom was one point in a continuum, not the starting place. Modern fandom got its start in the late 19th century dime novels, but what we think of as fandom now, in the 21st century, is really the product of a few Western pulps and their women readers. 2/
Read 19 tweets
26 Nov 20
So who wants to hear about the first queer woman sheriff of the pulps?

(Or has everyone bugged out of Twitter to start the gorging process?)
Thread Ho!

After 1924 the western pulps fractured & became gendered--western pulps for male readers, western pulps for female readers. There was significant overlap in readership between the two, of course, but the publishers thought that gendered pulps were the way to go. 1/
Eventually, in 1935, the trend toward western pulps for female readers produced ROMANCE (later ROMANTIC) RANGE. Laugh at it if you like, but RR was in the top 3 of the best-selling pulps, and had heavyweights writing for it and a devoted readership of men *and* women.
2/
Read 18 tweets

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