All Sadhana's end at 'Nama'. This Sadhana is equivalent to a vehicle, in which you skip the scenery and noise that you might hear during your travel. It directly takes you to the God. Although it may feel that other sadhana are quick, they are temporary
'Nama' is slow, but what you will achieve is permanent. The supreme path towards god, is "Namajapa".
There were four men, all had the same disease but were economically different. The doctor told the poorest to take the medicine along with Tulsi (Basil) .
To the poor to take it in honey, to the rich in keshar (saffron) , and to the richest in Kasturi (musk) .
The same way, one can take nama accordingly, "just take it", "take it with faith", "take it with maintaining the attitude", "take it with the thought, that there is no truth other than nama". All will receive its fruits.
The Story of the seventh and the current Manu Vaiwaswata was indeed outstanding and eventful. Surya Deva who was also called Viwaswan married Vishwakarma’s daughter Sanjna Devi.
2/ But since Surya was too powerful and radiant, Sanjna was unable to withstand his heat and light and was so afraid of him that she could glance him with wobbly and unsteady eyes. The couple gave birth to Viwasvata Manu and Yama Dharma Raja.
3/ Yet, Sanjna Devi could not adjust and continued to suffer Surya’s heat; Surya got annoyed and cursed her that she would give birth to a River named Yamuna whose course was uneven and unsteady.
Trying a thread on indian temple architecture. Please do give your honest feedbacks
Introduction
Most of the architectural remains that survive from Ancient and Medieval India are
religious in nature.
In different parts of the country, distinct architectural style of temples was result of
geographical, ethnic and historical diversities.
Two broad orders of temples in the country are known as Nagara in the north and
Dravida in the south.
At times, the Vesara style of temples is also found as an independent style, created
through the selective mixing of the Nagara and Dravida orders.