Hear me out: an interdisciplinary superhero class that blends ELA, science, engineering, and art.
ELA: Well, this is easy. Comics/films as texts, analyzing and comparing essays about superheroes and culture, creating their own stories, crafting their own essays/podcasts/etc. about superheroes.
Science ideas (from a non-science teacher): Genes and genetics, environments (new worlds), physics, etc.
Engineering ideas (from a non-engineering teacher): physics (force of Spiderman's swing), hydraulics (is that even a thing we teach...but Iron Man's armor), etc.
Art: duh.
History (thanks to @ewrightson33 for the reminder): analyze cultural connections, look at the development of characters (BIPOC, women, etc.) and how it reflects cultural changes, general history (Captain America, etc.)
I want to hear other ideas. What else?
PS. This is 100% something that just popped in my head, never been thought through, but I'm just super excited about the idea.
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Today I surveyed a group of students (couldn't be my own because they already know how much I hate grades) and asked them three questions.
A thread...
1/
The first question was simple.
Do grades help you learn? Why or why not?
Here are some of the responses:
2/
The most concerning ones started with a yes. For example:
"Yes because I feel pressured to do better."
"Yes because if i have bad grades it makes me do work to keep them up."
"To me yes because I feel that I'm doing good in all my classes when I get good grades."
3/
Alternatives to grade penalties for deadlines in what is sure to be a long thread because our enforcement of deadlines is woven into our foundational understanding of assessment, pedagogy, and school in general.
I'll try because I want to help, if I can.
Thread...
1/
First, separate your assignments into essential (think big, important projects) and non-essential (the smaller checks for a standard). This is crucial in managing your workload. Let's start with the smaller, non-essential pieces.
2/
I don't let my students turn in these smaller non-essential pieces late, but it doesn't hurt their grade in the end. I give a minimum of three of these non-essential checks for each standard. If a student misses one, I don't care, but I collect data on it.
3/
I start conversations about text structure with short films, and the three that have really worked well are "Connect" by Samuel Abrahams, "Room 8" by James Griffiths, and "Reflection" by Anthony Khaseria.
I'm always looking for more. Anyone have recommendations?
Here's "Connect" (I always launch this with a notice about gun violence):