Last April, I began a serialzed weekly reading of my 2006 novel "Someone Comes to Town, Someone Leaves Town, which Gene Wolfe called "a glorious book unlike any book you’ve ever read."
Sennett Devermont is a police accountability activist whose streams police encounters to his Instagram followers. When he visited the @BeverlyHillsPD last Fri to obtain a form, BHPD Sergeant Billy Fair began blasting music from of his phone.
Fair was following the example of other BHPD officers who have made a habit of playing copyrighted music during encounters with the public, apparently to trigger automated copyright takedowns on the major social media platforms.
As @dexdigi writes for @VICENews, this form of copyfraud has a failsafe: if the filter doesn't block the livestream, the archived footage might be easily removed through copyright complaints.
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Inside: Snowden's young adult memoir; Favicons as undeletable tracking beacons; The ECB should forgive the debt it owes itself; Fleet Street calls out schtum Tories; and more!
Tonight, I'm helping Ed Snowden launch the young readers' version of his spectacular memoir "Permanent Record." Join us for a livestream event with Copperfield Books on Feb mamot.fr/@pluralistic/1… at 19h Pacific.
If you think hyperpartisan media is unique to the internet age and yearn for the balance and sobriety of the golden age of newspapers, you have an unduly rosy picture of both the past AND the present, as the British press ably demonstrates.
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Maybe you've noticed the odd North American paper with titles that reveal their partisan history, like the Whig Standard and the Press Democrat, or you've heard of old-timey papers like the National Republican. You might think of the WSJ as Republican and the NYT as Dem.
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But in the UK, there's never really been the pretense of independence from political parties. The Daily Mail, Telegraph, Sun and Times are Tory; the Guardian, Observer and Mirror are Labour. The Independent is called that because it's notionally independent.
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For people and businesses, money is scarce; for currency-issuing governments, it's not. The story that governments "spend our taxes" is obviously wrong: since governments are the SOURCE of money, it can't be right that governments have to get money from us before they spend.
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Governments spend first, spending money into existence. Then they tax, which annihilates some of that money. If governments run "balanced budgets" (where they tax as much as they spend), they leave no money left over for us to use.
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And if they run a surplus (taxing more than they spend), then they reduce the supply of money that's available for the private sector to spend. The government's deficit is the public's credit, and vice-versa.
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When you think of online tracking, chances are you think about third-party cookies that follow you from site to site. Third-party cookie handling has been a hot-button issue among the major browser vendors of late, with Google announcing that Chrome would deprecate them.
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But third-party cookies are just the most obvious way that your online activity gets tracked. Far more insidious is "browser fingerprinting," in which the unique characteristics of your browser and computer are linked to your identity and tracked.
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Browser fingerprinting and other de-anonymizing attacks are a reminder that the technical problems of anonymity are subtle and complex, which is generally true of all privacy questions.
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"Permanent Record," Edward @Snowden's 2019 memoir, was just what I'd hoped for: a record of a personal journey, recounted in service to a thoughtful, nuanced argument for civil disobedience and acts of conscience.
Whistleblowers are often complicated figures. Often, a whistleblower acts out of mixed motivations - personal grievance, trauma, anger. Sometimes they're incoherent and struggle to frame their deeds.
Not Snowden.
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As Permanent Record makes clear, he acted out of principle, after lengthy soul-searching, because he believed in his country and was both elated at the liberatory power of tech and terrified by its power to oppress.
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