This Ezra Klein column about California has some really weird framing; "California is so progressive, yet doesn't do progressive things!" is much less of a contradiction if you just start with the fact that the state is not that progressive
Why write a whole column about how the state isn't actually very progressive and then end with "If progressivism cannot work here, why should the country believe it can work anywhere else?"
And not to be like "everything is great!" but stuff like this is happening; if Klein were less interested in the SF school board renaming controversy, it might be worth looking at! berkeleyside.com/2021/02/11/opi…
That California is VERY PROGRESSIVE and Texas is VERY CONSERVATIVE feels like an extension of electoral fallacy where a 54% win is a gigantic victory and a 46% loss is a crushing defeat. California and Texas are the same state, don't @ me
Ezra Klein: "it's time to talk about California! San Francisco, San Francisco, San Francisco, San Francisco, San Francisco, San Francisco. Also: San Francisco! In conclusion: San Francisco? San Francisco. SAN. FRANCISCO."
(A random California fact: from 1983-1999 the governor was a Republican and from 2003-2011, the governor was a Republican. Jerry Brown and Gavin Newsom have been democratic governors of the state for 9 years after a 30 year GOP statehouse hegemony.)
(in the first 20 years of young Ezra "OC4EVAH" Klein's life, Texas had had a Democratic governor for a total of 7 years; California had had a Democratic governor for a total of 3.)
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So much cultural criticism boils down to chewing on the strange result of popular genre chum--guilty pleasure stuff--being taken more seriously than it was really designed for or capable of sustaining.
Im thinking about the furors around American Dirt, Bridgerton, and WW84, which, in different ways, are all objects meant to be consumed for pleasure without thinking too much about why and how. And then you think about them and you're like "wow, this sucks."
Scads of thrillers as bad or worse than American Dirt are published constantly, and no one but their readers notices, but THIS one got lots of "serious" attention, so it was held to real literary standards and eviscerated.
I regret to announce that I've started playing chess online. however I'm very bad at it, so that's some comfort
My opponents like to triumph over me by utilizing the fiendishly clever tactic of "me making a stupid move"
More bad news: this website makes it really easy to learn chess openings without having to set up a board and move the pieces yourself, am now learning even more chess chessstrategyonline.com/content/tutori…
In a way, Searching for Bobby Fischer has it both ways because Josh does win his last game with The Evil Chess Kid, BUT: I love how sweet and gentle and kind that movie ultimately is and the actor that plays Josh is incredible
"Can I tell you a secret? You're a much stronger player than I was at your age" is an all-time great joke
I think what makes the movie work is that Josh is mostly too young (and too sweet) to articulate what HE wants with any real clarity--allowing each adult to project their own egos onto him--but, crucially, he *does* act, and eventually clarifies his own preference for kindness
"And that’s what I can’t stop thinking about: this accident of visual storytelling, this convergence. It’s one thing to say that things like this just happen; it’s another to ask what’s really happening when they do." lareviewofbooks.org/article/dance-…
Phil, on The Crown:
"There’s an eleven-minute dance sequence in Steve McQueen’s Lovers Rock that made me feel the way those early film spectators must have felt when the Lumière brothers showed them leaves rustling or dancers dancing."
I'm sort of fascinated by how The Discourse on Lovers Rock doesn't exactly know what to do with [the incident sexual violence that occurs in it]; it's hard to incorporate into a celebratory story about community, which I suspect is exactly why McQueen included it
A lot of the talk about LR--in many ways following SM's lead--emphasizes the *safety* of the community formed by the blues party, but the most interesting thing about LR, I think, is that it doesn't sit comfortably in that celebration of celebration
"Safe" is such an interesting word to use about a 70 minute movie that includes an act of sexual assault!