Just had someone assert that the heart of sci-fi was white English-speaking men while boasting about a project to cover “all” of SF “from H.G. Wells to the MCU,” and my dude, do not confuse the contours of the ass your head is up with the horizons of the world.
Advice for literally all media critics: if you start from the premise that the stuff you grew up liking is representative of the world you will end up with work that supports white supremacism.
This is, obviously, not to knock writing about the media of your childhood/adolescence. That’s an amazingly fruitful patch of ground to work. But much of why it’s interesting is what you didn’t see at the time, and all the people you could have been instead.
Looking at this a few hours later it’s the amazing paucity of breadth involved in the phrase “from H.G. Wells to the MCU” that gets me.
Like, even if I want to stick to SF by white people that’s a narrow fucking range of vision.
“From J.G. Ballard to Star Trek: Discovery,” like, now you’re onto something.
“From H.P. Lovecraft to Justice League.”
“From Isaac Asimov to Melancholia.“
But all of this is nothing to what you get if you just break the white male frame.
“From Borges to Janelle Monae.”
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I’m quoted in this, which does about as good a job overviewing the topic as a New York Times profile can be expected to. nytimes.com/2021/02/13/tec…
Major oversights in it as I see.
First, It does not acknowledge the fact that Yudkowsky is, at heart, a complete crank. This remains, to my mind, crucial to understanding the rationalist community’s influence on the world: they’re sci-fi writers being mistaken for scientists.
You can’t really understand the harmful effects of SSC until you realize that it’s part of a larger movement of bullshit artists serving as cult leaders to the techbros.
Just had a really good meeting with my editors for the mysterious Project Hecate, and man am I glad sometimes for my ability to treat writing as a technical problem that can be engineered.
(I had a really interesting conversation with Penn along these lines a bit ago. I'd implied that I was treating a piece a particular way because I had a rhetorical need, and he asked for my real take about it.)
(I explained that I didn't have one; I had about a half dozen interesting essays about it that I could imagine writing or reading, and they all had worthwhile and irreconcilable points.)
I greatly love the fact that I transitioned and was immediately like "and now I will get a bunch of tattoos."
(Huh. I don't actually have a photo of my finished leg piece. Will have to get one of those later along with the one I'll be getting in about ten minutes.)
My wrist piece, however. Designed by @jpennwiggins, executed by Carol Oddy at Medusa Tattoo in Ithaca, added scratches by the Norns.
We’re going to have to be careful, in the short term, to actually be precise in our use of the word “fascist,” a word that describes specific approaches and aesthetics and is not coextensive with “conservative” or even “extreme conservative.” Trump absolutely was one.
But most of the GOP was only opportunistically so. Rubio, McConnell, Graham, and their ilk are not fascists. Cruz wasn’t before but might have become one. Hawley 100% is. The House GOP generally skews more fash than the Senate.
Obviously “opportunistically fascist” is still fucking terrible, and should hang around their necks forever. But fascism should remain a clear boundary that changes how leftist action unfolds—a marker of a specific kind of crisis that supercedes a lot of other concerns.
“Odin wants us to make a milquetoast press release to No True Scotsman racists acting in his name.”
Yeah, Hel Blinder, God of the Hanged, Glad of War, Battle Wolf, Screamer, Father of Victory, Inciter, the Terrible one, definitely big on fucking press releases. Dipshits.
A thing I legitimately don’t think I made clear enough in NAB but that is crucial to understanding the current moment: Trumpism is an upper middle class movement.
While working poor Trump supporters exist, they are mostly a useful smokescreen to pretend that Trumpism is about the white working class. It is not.
The archetypal Trump supporters are property managers, small business owners, dentists—people who have risen far enough to enjoy a life of privilege and luxury and who will happily see people die to maintain it.