I've seen a few threads lately on favourite music for writing. Mine will always be Ronnie James Dio. He was a clasically trained musician who fronted Rainbow and Black Sabbath before he went solo.
It's not because of his lyrics, which were frankly bollocks 1/
I mean, from the seminal Holy Diver:
"Holy diver
You've been down too long in the midnight sea
Oh what's becoming of me
Ride the tiger
You can see his stripes but you know he's clean
Oh, don't you see what I mean"
No mate, I don't. Not a clue what you mean.
2/
But that doesn't matter. It's the rhythm of the delivery that matters. He was a *phenominal* singer, whatever he was singing. It's the tone, the pacing, the pitch of the delivery that made Dio a genius. That's what I'm aiming for. 3/3
If you don't know it, here. Like I say, rhythm and delivery over content. It's a masterclass
Anyway, RIP Ronnie James Dio, and thank you forever for the inspiration. You and Frank Zappa are my two biggest "had the.chance to see you live and didn't" regrets.
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Ok, I think it's time for some industry real-talk. It's not the 80s, 90s, or even 2000s anymore. It's 2021 in the middle of a global pandemic, and the publishing midlist barely exists anymore. Sometimes it feels like you're either a runaway success, or you're buried.
1/
Priest of Bones and Priest of Lies did pretty well. They sold to Penguin Random House in the US, Hachette in the UK, and Klett Kotta in Germany (if you haven't heard of them, they publish Tolkien in German), and also to Russia and Italy so far.
2/
We sold a TV option to the producer of the Harry Potter movies.
And do you know what? The series got renewed by the skin its teeth, and then only by Hachette. After some contract wrangling there now will be a US editon, under the JFB imprint of Quercus, but again, only just. 3