Pretty sure it wasn't written by a "baying mob", but the new DCMS report on valuing heritage assets defines sculptures and plaques as — wait for it — "moveable heritage".

And, specifically, as examples of a class of heritage "that can be moved into a collection or is mobile"
A very sensible piece by Robert Hewison on the new report here artsprofessional.co.uk/magazine/artic…
Read the whole of "Valuing culture and heritage capital: a framework towards informing decision making" here gov.uk/government/pub…
one small take-away message from the new DCMS report is that it definitely misunderstands Karl Marx's account of Gebrauchswert

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More from @profdanhicks

23 Feb
The new DCMS "Rapid Evidence Assessment: Culture and Heritage Valuation" is meant to be a literature review on ideas of heritage value.

It includes the most professionally illiterate definition of "culture and heritage physical assets" I've ever read 👇

assets.publishing.service.gov.uk/government/upl…
the consultants missed a trick by not including fascist architect Albert Speer's theory of Ruinenwerttheorie (ruin value) here — could've gone down quite well with the Common Sense Group
on knowing the price of everything, the value of nothing, and nothing at all about heritage management
Read 14 tweets
19 Feb
yesterday was the 124-year anniversary of the sacking of Benin City by a British naval force
Read 21 tweets
8 Nov 20
Here is a link to my op-ed published in Thursday's Daily Telegraph — and below is the text as a THREAD (1/34)
(2/34)
I had always believed what I’d been told about the Benin Bronzes. That the British punitive expedition against Benin City (today in Edo State, Nigeria) was a necessary reprisal against a bloody massacre. That there was a grim justification to the looting of the city
(3/34) in February 1897, because the Government needed to auction African artefacts to defray the costs of the naval operation. That taking the spoils of war is a human universal, so special pleading in the case of the Kingdom of Benin would only open a Pandora’s box.
Read 36 tweets
6 Nov 20
Page 3 of today’s @Telegraph
For those who missed my op-ed in for @Telegraph, referenced in this news story, here is is >> telegraph.co.uk/art/what-to-se…
And here is the news story seen in print above in its online format >> telegraph.co.uk/news/2020/11/0…
Read 4 tweets
6 Nov 20
It's been a busy week around the publication of #TheBrutishMuseums - here's a quick summary of some of the key media coverage in case you missed some of it!

1/ On Tuesday I spoke to @AaronBastani for @novaramedia Image
2/ Yesterday I published this op-ed on returning the Benin Bronzes in the Daily Telegraph telegraph.co.uk/art/what-to-se…
3/ On Thursday there was also this write-up of #BrutishMuseums for Libération - "Diplomatie muséale britannique et restitution des objets d’art volés " libeafrica4.blogs.liberation.fr/2020/11/05/dip… Image
Read 9 tweets
28 Oct 20
All my retweets are endorsements.
How that cannot be the case for everyone is something I will never understand about what people say on this website.
(Also, pretty sure that not every "like" is something I actually like.)
Read 6 tweets

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