Thread by @doctorow

When you and your friends put your fingers on the ouija board planchette and it starts moving around, there's a chance your friends are just yanking your chain - but just as possible is that your friends are experiencing the ideomotor response.

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That's when your unconscious mind directs your muscles without your conscious knowledge. The movement of the planchette doesn't tell you what's going on in the spirit world, but it does tell you something about the internal weather of your friend's psyche, fears and hopes.

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Our narratives are social-scale planchettes, directed by mass ideomotor response. When a fake news story takes hold, it reveals a true fact: namely, the shared, internal models of how the world really works.

Fake news is an oracle, in other words.

locusmag.com/2019/07/cory-d…

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There's no spirit-realm directing planchettes. Supernatural phenomena are nonsense, in all their guises. Mediums are fraudsters or deluded - and so are soothsayers who claim to be able to predict the future. That goes for fortune-tellers and futurists alike.

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A shocking number of self-described "rational" science fiction writers share the delusional view that they can predict the future. These pulp Nostradamii point to "predictions" of sf that have "come true" and claim to have an inside line on the world of tomorrow.

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Sf HAS an important relationship to the future, though! It can be a planchette: all the futures imagined by all the sf writers are a kind of mutation-space, and the fitness factor that determines whether a story thrives or sinks is whether it captures public imagination.

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Sf writers and readers are a means for society to reflect back, amplify and examine our unarticulated hopes and fears about our PRESENT technology. Sf doesn't predict the future, but sf readers and writers do an excellent job of predicting the present.

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And since the present is the standing wave where the past is being transformed into the future, knowing about the present can be a source of insights into what's coming - and not just because sf reveals what's going on in the present, but also because it INFLUENCES it.

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People who are captured by imaginative, futuristic parables about the problems and possibilities of technology acquire a set of intuition-pumps for coping with the future when it arrives, reflexive views and actions about what the future demands of us.

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Gene Rodenberry didn't predict the Motorola flip-phone. Rather, when a generation of Motorola designers and engineers were asked to make a mobile communications device their minds immediately flew to the Star Trek communicators they grew up with.

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Thinking of fantastic fiction as measurement device and influence machine is a productive way to pick apart the meaning of literary trends.

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As I wrote in my intro to the bicentennial re-release of FRANKENSTEIN, the rise and fall of Shelley's book tracks to the rise and fall of fears related to the book's various themes:

muse.jhu.edu/chapter/1974387

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So what are we to make of K-zombies? Korean pop culture is experiencing a golden age of zombie movies, games, comics and other media.

latimes.com/world-nation/s…

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Zombies have a lot of different themes, of course, and some are easy to map to the current situation: the fear of contagion and the need to distance yourself from loved ones who have become infected. The parallels to covid hardly need explaining.

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But the K-zombie phenomenon predates the pandemic, and zombie stories aren't merely contagion stories - they're often stories about the lurking bestiality of nearly everyone around us.

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That's behind stories like The Walking Dead, about the propensity of all our "normal" friends and neighbors to transform into an insensate, rampaging mob. These zombie stories are a throwback to the "cozy catastrophes" of John Wyndham and co:

pluralistic.net/2020/03/29/gri…

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These are stories of racial and class anxiety, of xenophobia and the literal othering of someone who SEEMS to be just like you but is actually a secret monster. Again, on a divided peninsula, it's not hard to see how stories of lurking otherness would catch hold.

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Zombie stories are also stories about the fragility of social cohesion: stories about how we're never "all in this together" and how, when the chips are down, it'll be "the war of all against all." That, too, feels very zeitgeisty given recent South Korean politics.

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South Korea has an ugly, authoritarian past that is at odds with its founding myth as the "good Korea," the "democratic Korea." But the post-war reconstruction of the country by the US elevated an elite to a position of near-total authority and impunity.

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They abused this power in ghastly ways, running forced-labor camps for poor people and people with disabilities, with rampant physical and sexual abuse. Families who lost their loved ones were traumatized to learn that they'd ended up in the camps.

web.archive.org/web/2016042313…

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These forced-labor camps (which continue in a slightly modified form to this day) supplied slaves to chaebols, the conglomerates that represent the country on a world stage. Unsurprisingly, the leadership of these companies is also grossly corrupt:

bangkokpost.com/business/20528…

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Korea is also riven by messianic cults, and the leaders of these cults have close ties to the Korean political class, an incredibly politically destabilizing fact that has caused recent Korean governments to collapse:

bbc.com/news/world-asi…

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South Korea, in other words, isn't just haunted by the spectre of aggression from the north - but also by the possibility of internal rupture. It has a huge, authoritarian secret police force that has been caught secretly meddling in electoral politics.

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Far from reining in this spookocracy, the South Korean political class has tried to hand them even MORE powers, with LESS oversight. Today is the fifth anniversary of the Korean opposition's filibuster to stop the worst of these.

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(Seo Ki-Ho, a politician with the affectionate nickname "Milhouse" for his resemblance to the Simpsons character read the Korean edition of my novel LITTLE BROTHER into the record during the filibuster!)

memex.craphound.com/2016/02/26/sou…

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This othering is also sharply illustrated in the country's culture of misogynistic voyeurism, which goes beyond "upskirt" videos and includes a roaring trade in videos captured with hidden cameras in toilets, changing rooms and hotel rooms.

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It's hard to overstate the reach of this practice, and its political salience: it has provoked a vast mass-movement of women and allies demanding an end to the practice and a reckoning with institutional sexism:

khaosodenglish.com/culture/net/20…

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Zombies aren't ever just about contagion - they're also always an expression of a deep anxiety that your neighbors aren't what they seem, that in a pinch, they'll turn on you, and not just because they've been infected, but also to protect themselves and their comfort.

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US zombie booms always have an element of this: 1950s (reds under the bed); 1980s (red menace redux); 2000s (immigration "crisis"), etc. It'd be amazing if the only thing driving K-zombies' popularity was the pandemic, or even less plausibly, a mere aesthetic coincidence.

eof/

ETA - If you'd like an unrolled version of this thread to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:
pluralistic.net/2021/02/26/mea…