Age 461: a year after Roshi’s birth, Katatz’s child meets with the God (Kami) of Earth, becoming his apprentice. 30 years later, Katatz Jr is all set to take the title of “Kami” as his own, but rival candidate Garlic (descended from Makyo stock) has his own ideas. #HistoryofEver
But Katatz Jr isn’t in the clear yet: during his 200 years on Earth, interaction with humanity has allowed a trace of evil to seep into his benign Namekian nature. To correct this defect and become worthy of the name “Kami”, he takes drastic measures. More on this next week...
Prior to the big split, Katatz Jr relies on his Namekian racial memories to have a go at making dragon balls. It’s a good idea, but poor execution: the balls have black stars (a real turn-off), scatter throughout all of U7, and destroy the planet if not reassembled within a year.
Katatz Jr tries to erase this failure from history by sealing the balls up deep within the heavenly lookout, along with...a bunch of skeletons? God alone knows where those came from. Maybe they’re all the guys who drank Karin’s death water.
This of course is the backstory to the black-star dragon balls that kick off GT. The GT Perfect File Vol.1 explains that the whole “destroy the planet” thing is a direct side-effect of the ball’s immense power, something kinda/maybe implied but never stated in the series outright
Kaio apparently knew about the black-star balls all along, but didn’t think they were still around, and also didn’t know they’d destroy Earth until doing further research. He’s right up there with the Galactic Patrol in terms of sloppy follow-through.
In DBZ Movie 1, Kami says that Garlic’s rebellion was 300 years ago, and so the Daizenshuu 7 timeline dates it to Age 461, exactly 300 years before the main events of the movie in Age 761, the same year Raditz comes to Earth.
The Daizenshuu 7 timeline also provides Age 431 as the year Katatz Jr becomes apprentice to the prior God of Earth. As far as I know, this specific date isn’t based on anything said in the series. As already noted, this puts the length of his apprenticeship at 30 years.
The exact timing of the black-star balls’ creation isn’t specified, beyond the fact that it was prior to the Kami/Piccolo split. But since they are sealed up within the lookout, it would presumably be after he arrived there and became Kami-in-training.
Tomorrow: it’s a small world after all!
• • •
Missing some Tweet in this thread? You can try to
force a refresh
Toyotaro’s postscript for DBS vol.24 details the creation process of the ch.104 one-shot: originally this was a text prologue he got from Toriyama, which he revised and put into manga form. And now the Super Hero arc is really, truly done: “Look forward to future developments!”
Toriyama also designed the Red Pharmaceutical Company air truck for the Super Hero arc epilogue:
Toyotaro’s vol.24 author’s comment explains how Toriyama’s corrections were typically about how manga ought to be, rather than simply how DB should be. He was a manga artist above all. “I will never forget the approach to manga which sensei taught me, and continue to do my best!”
Dragon Ball Daima, ep.20: it’s the end, but the moment has been prepared for. The fight with Gomah is samey but looks amazing and is over soon enough for Kuu to ascend the Iron Throne, plus other fun wrap-up stuff. Thanks for everything Toriyama, and farewell. #DAIMA #ep20
Since Daima airs at 11:40 PM in Japan, the final episode on February 28th ended right as the date ticked over into March 1st, marking the one year anniversary of Toriyama’s death. So far there’s no word on if this was intentional on the part of the production team, though.
The title ゼンカイ/Zenkai comes from 全開, meaning “full power”, hence the translation “Maximun” (see also the DBZ ending theme ZENKAI Power). I’ll give it another week, but if there’s no further clues on the red letters, I’ll assume it was just about using all 20 dakuten letters
Executive producer Akio Iyoku discusses Daima’s origin: 6 years ago during DBS: Super Hero’s production, they decided to do a new TV series. At first Toriyama’s involvement was going to be minimal, but he really got into it, creating most of it in the end. mantan-web.jp/article/202502…
Iyoku says Daima was intended as a show that parents could watch with their children, so it was made to appeal both to kids and adults in their 30s who were kids back when DBGT first aired. So yes, making Goku and co kids was specifically done to appeal to the GT generation.
While making Goku a kid was seen as making the series accessible to a wider audience, it was Toriyama’s idea to turn the entire main cast into kids too. Toriyama was also concerned many people wouldn’t know DB’s story, hence the general overview at the start of each Daima episode
It’s already November 20th in Japan, which means Dragon Ball has officially reached its 40th anniversary. In case you weren’t paying attention and/or born at the time, here are some highlights from the first 40 years of DB history… #DragonBall40th
1984: gag manga superstar Akira Toriyama concludes megahit Dr. Slump, and in November debuts its follow-up in Weekly Jump. This Journey to the West-inspired kung-fu adventure kicks off as inventor girl Bulma recruits monkey boy Goku to track down the titular dragon balls.
1985: after last year’s tail-end teaser, things begin in earnest. The initial “quest for the dragon balls” arc wraps up in May, and Toriyama shifts gears to a tournament arc (always a fan favorite in his Dr. Slump days) with the lecherous Roshi and Goku’s new cueball-esque BFF.
According to Bunshun Online, Dragon Room head honcho Akio Iyoku has stepped down from Shueisha and established his own company, Capsule Corporation Tokyo. Supposedly he wants Shueisha to keep DB’s manga publishing rights but for CC Tokyo to handle DB games/anime/etc.
As you might imagine, Shueisha is reluctant to part with DB to any extent, and negotiations are still ongoing. According to this article, anyway. Shueisha has apparently confirmed that Iyoku is stepping down, but not confirmed any of the particulars so far.
Bunshun Online reached out to Toriyama and asked if he would be working with Iyoku in future, but Toriyama said he couldn’t comment publicly, only through Shueisha. He also said the company name “Capsule Corporation Tokyo” was Iyoku’s idea, not his own.
Dragon Quest: The Adventure of Dai ep.41: Pissed Myst’s great and the logistics of Dai’s sword are interesting, while the castle’s just there to be knocked down. But it knocks down well. 4/5 #DragonQuest#ep41