“I’d worn and worried that cross back and forth on its chain for some two decades,” he writes. latimes.com/lifestyle/imag…
“Only when the cross went missing did I even realize I’d held on to it. I hadn’t been careful, or clinging, or conscious of the value and meaning I’d bestowed. I simply never took it off.” latimes.com/lifestyle/imag…
It’s not unusual, though, for Justin Torres to lose things. He’s a chronic loser.
“A chronic loser constantly misplaces everything... Sometimes they are recovered, mostly they are not,” he writes. latimes.com/lifestyle/imag…
"I once left a laptop on a train, which contained the only copy of a manuscript I’d been working on for years," writes Justin Torres. "But never in all that time did I lose any of my chains, or my gold cross. Until one day, I did." latimes.com/lifestyle/imag…
But why, for a chronic loser, was this chain different?
“I came to feel the cross helped me to think...I realized, too, how ridiculous this was; I’d never considered myself a fetishist, but as it turns out, I’ve got a thing for chains.” latimes.com/lifestyle/imag…
“How do we survive our own ambivalence?” Torres asks.
“One way is to fetishize. Perhaps the chains, and especially the crucifix, became totems, able to neutrally absorb both hatred and desire.” latimes.com/lifestyle/imag…
Read Justin Torres’s essay on the gold chain that got away.
This story is part of our issue on Remembrance, a time-traveling journey through the L.A. experience — past, present and future. latimes.com/lifestyle/stor…
Ladera Ranch is an exclusive “lifestyle” community. It is overwhelmingly white — the U.S. Census estimates less than 1% of Ladera Ranch’s 28,000 residents are Black.
It’s also home to Russ Taylor, who was part of a crowd that swarmed the U.S. Capitol.
Taylor created a private Facebook group, The Patriots of Ladera Ranch, that he used to summon other residents to monitor a George Floyd vigil for “bad actors.”
The vigil was quiet, but one participant called the "Patriot dads" who watched a chilling presence.
Ladera Ranch resident Shereen Rahming and her husband said they believe the actions of Russ Taylor and his neighborhood watch supporters created a hostile environment in a community struggling with racist incidents.
The day before a mob stormed the U.S. Capitol, a band of radicals from Orange County shared a Washington, D.C. stage with the architects of the “Stop the Steal” campaign.
It marked the culmination of a year of right-wing protests.
At a rally, one radical invoked “biblical war,” another the “shedding of blood.” A third called on those preparing to march on the Capitol the next day to let “the vipers” in Congress hear the “rage of the American people.” A fourth advocated violence.
Ten women allege that a popular, members-only goth venue’s leadership ignored sexual misconduct among members at the club and its festivals latimes.com/entertainment-…
Among multiple women who have come forward, Hannah Harding claims “Silicon Valley” actor Thomas Middleditch groped her at the club in front of her friends and several employees latimes.com/entertainment-…
Hollywood goth club “Cloak & Dagger” is known for being a haven for underground DJs, actors, rockers and adventurous partygoers to revel in safety and secrecy latimes.com/entertainment-…
Among those who said yes to the two questions, many felt they had to keep proving their loyalty as Americans to gain acceptance in their fight for equality, despite the indignity of the questions.
In March 2020, the Trump administration put into place one of the most controversial and restrictive immigration policies ever implemented at the U.S. border — and in January, President Biden quietly continued it. latimes.com/politics/story…
The Biden administration says the Trump-era policy known as Title 42, which relies on a 1944 public health statute to indefinitely close the border to “non-essential” travel, remains necessary to limit the spread of COVID-19. latimes.com/politics/story…
Since March 2020, U.S. border officials have claimed unchecked authority to summarily expel from the U.S. hundreds of thousands of immigrants who didn’t have prior permission to enter, without due process or access to asylum — let alone COVID-19 testing. latimes.com/politics/story…
“Singleton knew that to be Black in America is to live at the end of a sharp reality: the proximity of our dreaming and our death were ever entwined,” writes @nonlinearnotes
“The great misconception about Singleton’s singular body of work...was that his movies were hard and unflinching in their portrayal of Black Los Angeles, which they were, but really, in their marrow, what they are about is our fundamental human enterprise: the grace of feeling.”
Before ‘Boyz n the Hood,’ “I didn’t yet understand how sorrow and loss and rage open the soul, how those sensations, pinballing off one another, give way to something transcendent, something essential to our survival, to our becoming.” - @nonlinearnotes latimes.com/lifestyle/imag…