My latest novel is Attack Surface, a sequel to my bestselling Little Brother books. @washingtonpost called it "a political cyberthriller, vigorous, bold and savvy about the limits of revolution and resistance."
My book "How to Destroy Surveillance Capitalism" is a critique of Big Tech connecting conspiratorial thinking to the rise of tech monopolies (proposing a way to deal with both) is now out in paperback:
My ebooks and audiobooks (from @torbooks, @HoZ_Books, @mcsweeneys, and others) are for sale all over the net, but I sell 'em too, and when you buy 'em from me, I earn twice as much and you get books with no DRM and no license "agreements."
My first picture book is out! It's called Poesy the Monster Slayer and it's an epic tale of bedtime-refusal, toy-hacking and monster-hunting, illustrated by Matt Rockefeller. It's the monster book I dreamt of reading to my own daughter.
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When it comes to broadband, America is the original shithole country: a land of copper wires wrapped in newspaper, then dipped in tar and draped over shrubs and sold to suckers with no other choice at some of the highest prices in the western world.
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America's broadband barons are farcically dirty, and while president after president has given them a free ride to one degree or another, it was during the Trump years that they really got SAVAGE, fucking over the entire nation under the idiotic grin of FCC Chair @AjitPai.
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Now Pai is out of office - and blocking me on Twitter (oh, *diddums*) - and America has a chance to fix things. REALLY fix things: not just showering telco monopolists in money for their shareholders in exchange for bored frauds purporting to show broadband investment.
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Over the years, @imaginationASU has been merging science, engineering, the humanities and science fiction, building collaborations between sf storytellers and scholars and technologist (I've been lucky enough to be involved in several of these).
The Center has launched a fellowship: a $10,000 grant for "projects that advance visions of inclusive futures and address our greatest collective failures of imagination, including climate change, systemic inequality, and global conflict."
On Wednesday night, I'm participating in a Clarion Writing Workshop panel called "Balancing Worldbuilding and Narrative," with Karen Osborne and Kali Wallace
I was 12 years into my @locusmag column when I published the piece I'm most proud of, "IP," from September 2020. It came after an epiphany, one that has profoundly shaped the way I talk and think about the issues I campaign on.
That revelation was about the meaning of the term "IP," which had been the center of this tedious linguistic cold war for decades. People who advocate for free and open technology and culture hate the term "IP" because of its ideological loading and imprecision.
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Ideology first: Before "IP" came into wide parlance - when lobbyists for multinational corporations convinced the UN to turn their World Intellectual Property Organization into a specialized agency, we used other terms like "author's monopolies" and "regulatory monopolies."
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