I always thought it would be romantic. For hands to touch on the worn spine of a favourite book. Eyes would meet. Shy smiles. A hesitant laugh. A shared love of a favourite text... and then a slow burn stroll off into the sunset. 1/
Of course, in reality there was only one copy. A first edition. Jacket intact. When our hands touched there was no spark. Fingers became hooked claws, staking a claim. When our eyes met, hearts didn't soften. There was a feral gleam in her eyes and I knew that I was glaring. 2/
I pulled my lips back, a smile or a snarl, she could take it how she wanted. Her mouth pursed, lips pulled tight. Her claws pulled on the book. Mine refused to release it.
Words would have been a polite fiction. 'Oh, this is my favourite, would you mind...''Ever so sorry but...'
Neither of us were the type to waste our time in platitudes.

But she wasted hers in indecision.

My blade was swift and cut through flesh like butter, shearing through fabric, worming between ribs, striking home. 4/
It's not that I didn't notice the way the dusty light caught her hair and made it burn with autumn's colours. Not that I didn't see the way the watered silk hugged her ample frame. Not that I didn't feel it. Whatever *it* is said to be.

But it couldn't distract me. 5/
The second-hand book game is serious business. And if you're holding that much power in your hand, hidden in the creases and folds of a well-worn hardback... Well, let's say, it doesn't pay to be indecisive. 6/
My arm around her, I lowered to the floor. I suppose that was the all the moment we were bound to have. I think she felt it too. I do not think she minded that I held her to the end. The last soft sigh of breath.

I had leisure to be kind then. Weakness perhaps. 7/
But don't worry. I will not be so kind tomorrow. 8/8

A little tweetfic inspired by @JohannesTEvans tweetfic workshop yesterday with #RomancingTheGothic
Oh, tips always welcome.

ko-fi.com/samhirst
A little bonus for patreons here. An audio recording

patreon.com/posts/bookshop…

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More from @RomGothSam

29 Mar
Another thing to briefly brighten your morning. A little ode to how much I loved the @NationalTheatre version of Twelfth Night with Tamsin Grief (Marvolia), Oliver Chris (Orsino), Tamara Lawrence (Viola), Daniel Rigby (Andrew Aguecheek) and Adam Best (Antonio) Viola and Olivia talkingViola and her servants all ...Sir Andrew Aguecheek and To...Viola as Cesario and Orsino...
The set work by Soutra Gilmour was inspired with a revolving staircase opening out into different scenarios. It led to a final scene where the stage revolves to show the different character endings. Gorgeous work. The Elephant Bar setIn Olivia's garden - a duel...A shot from further back wh...A pool open up in the floor...
I can't find separate information on the costume designer so if somehow knows, please tell. Because the costumes were *chef's kiss*

Andrew Aguecheek in pink and a manbun. Impeccable. Sir Toby (Tim McMullan) as a cool uncle in purple... inspired Festes, Aguecheek and Toby
Read 9 tweets
28 Mar
Johannes often says the things the voice in the back of my head is crying.

When people talk about books being 'cancelled', they are often eliding the fact that by their standards (apparently inclusion on university courses or continuous publication) most books are 'cancelled' 1/
Most books aren't taught. Most books aren't in continuous publication. Most books aren't on high school curricula. That's...millions of books.

So to suggest that not being published/on curricula/taught at university means a book is 'cancelled' is nonsensical 2/
The material that we choose to teach is a selection of what we consider important. And the question is who gets to decide what's important and how we define it.

The problem with the 'canon' is precisely that is a selection of texts which have been considered important 3/
Read 25 tweets
27 Mar
In Satan's telling, God becomes the petty tyrant resisting all challenges to his absolute power. Satan resists that power and will not be cowed by defeat or vengeance but stands with his fellows.

'Courage never to submit or yield:
And what else is not to be overcome?' And to the fierce contentio...A mind not to be chang'd by...
Those verses make me tremble. They are so powerful and so beautiful. And it's no wonder that it is this image of Satan which was taken up in the 18th century and made Blake famously suggest that Milton was 'of the devil's party without knowing it' John Martin's Paradise Lost...
Milton's Satan became in the 18th century an image of the sublime. For Edmund Burke, we do not 'meet anywhere a more sublime description' than that of Satan 'with a dignity so suitable to the subject'. But what was the appeal of this Satan and what did he mean? 9/ Copy of Burke's A philosoph...
Read 30 tweets
27 Mar
There's a good couple of centuries at least of using Demonic imagery as a form of resistance, subversion and disruption and people are still coming for Lil Nas X with the most basic of takes. Using Satanic imagery isn't 'Satan worship' and it isn't evil. Some history. 1/ Lil Nas X in Montero. Havin...
First up, lovely religious followers, if the imagery and content sits uncomfortably with your faith, that's ok. Just step away from it. I'll be giving a little history of demonic imagery and associated meanings but it might have a set theological meaning to you. 2/
Second up, I am a white woman and scholar of 18th century literature and theology so please (PLEASE) don't take this as me trying to be authoritative about the meaning of Lil Nas X's work. Just providing some background within my field of expertise. 3/
Read 7 tweets
15 Mar
If I ever get to design a course at a university, I swear this to you: I will write a course with not one single sodding text that includes sexual abuse, assault, rape or coercion.

NOT. ONE.
It'll be a little oasis module. Come in, come in and be safe, my lovelies. Will we still talk about big themes? Will we still have complex conversations? Sure. Will I ask you to read or watch sexual assault? No. No, I will not.
This message brought to you by my never having taught on a module that didn't have one or more texts featuring sexual assault.
Read 18 tweets
14 Mar
Horror and the Gothic are richly layered with complex meanings. But one thing that has been true from the beginning is that they've been used by women to explore their own position in the world. The realities of women's lives have often been translated into horror on the page.
Women were some of the most prolific and popular producers of the Gothic in the late 18th century. All of those heroines, running through all of those claustrophobic spaces away from all those men who threatened their bodies and their autonomy. 2/
The fantasy of so many early Gothics was safety. Very few early Gothic heroes did much rescuing. They weren't manly defenders stepping in in the nick of time. Valancourt, Mortimer, Vivaldi couldn't rescue a pudding from a plate. Women fantasised about surviving and thriving.
Read 44 tweets

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