Fasting in Sanatan Dharma is a moral and spiritual practice that aims to clean body, mind, and attain divine grace. There is a lot of science indulged in Vedic scriptures of Sanatan dharma. Fasting has greater significance rather than some cultural beliefs. India is said to be a
country with many cultural beliefs. Customs practiced throughout the nation hold greater meaning in life. Fasting is one of such rituals. It is a practice of Santana Dharma that can range from little restrictions to heavy customs. The choice of days and methods of fasting depends
on the community or the individual. Fast is a self-restriction on food and behavior to enlighten our inner being. No priest or person is required to practice fasting. We should fast regularly to keep our minds and body free of toxins that are growing in our lives every day.
Some fastings are related to festivals and other religious ceremonies. It revives a person’s mind and body along with helping the body to fight against diseases related to digestion. In Vedic culture, eternal conscience offered to god exists in the Satwik state. We offer our body
to the lord on the day of Vedic fast. Fruits, milk, ghee, leaves offered to the god helps in attaining Satwa state. The epic book of Bhagavadgita describes salty, sour, frozen food as a promoter of Tamasic and Rajasic state of mind. Thus, these types of food, not be consumed on
the day of fasting. On the day of the fast, we should meditate and practice yoga to attain positive vibrations for the intellectual growth of the mind. One should avoid negative thinking and practices on this particular day. The Upanishads of Rig Veda describe various
kinds of fasting. You can read the complete blog on our website
Did you know: Maharshi Kanad was an ancient Indian scientist, sage, and philosopher who founded the philosophical school of Vaisesika and authored the text Vaisesika Sutras or Aphorisms. He pioneered the atomic theory, described the dimension, motion, chemical reactions of atoms
Vaisesika Sutras are a blend of science, philosophy, and religion. The essence of these Sutras is the atomic theory of matter. It was Kanada who originated the idea that anu (atom) was an indestructible particle of matter. An interesting story states that this theory occurred to
him while he was walking with food in his hand. As he nibbled at the food in his hand, throwing away the small particles, it occurred to him that he could not divide the food into further parts and thus the idea of a matter which cannot be divided further came into existence.
The shankh originated during the Churning of the ocean (Samudra Manthan) and Shri Vishnu can be seen holding it in his hand in many pictures and sculptures. Blowing a conch shell enhances the positive psychological vibrations such as courage, determination, hope, optimism,
willpower, and bliss that can be felt by all people assembled and also by the blower. Conch blowing can provide a great exercise for, urinary tract, bladder, lower abdomen, diaphragm, chest, and neck muscles. You exercise the rectal muscles in the process of blowing a shankh thus
strengthening the rectal muscles and preventing problems that occur due to the gradual weakening of the rectal muscles. It is believed that the sound emerging from the conch helps in sanitizing the nearby environment from various types of germs and harmful insects like mosquitoes
The game had its origin in India and was called Moksha Patam or Parama Padam or Mokshapat. It was used to teach Hindu Dharma and Hindu values to children. The British renamed it Snakes and Ladders.
The game was created by the 13th-century poet saint Gyandev. The ladders in the
game represented virtues and the snakes indicated vices. The game was played with cowrie shells and dices. Later through time, the game underwent several modifications but the meaning is the same i.e good deeds take us to heaven and evil to a cycle of re-births.
Certain references take the game back to the 2nd century BC. In the original game square, 12 was faith, 51 was Reliability, 57 was Generosity, 76 was Knowledge, and 78 was Asceticism. These were the squares where the ladder was found. Square 41 was for Disobedience, 44 for
“दशानन लंकेश्वर”- The depiction on this panel on one of the walls of the Virupaksha Temple is called Ravananugraha showing the ten headed Ravana lifting Mount Kailash with his twenty arms.
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Ravana” means “terrifying cry” and “Ravananugraha” means “kindness to Ravana”.
Ravana, the demon king of Lanka, once defeated and looted residence of his half-brother Kubera on Mount Alaka, which is in the area of Mount Kailash.
But on the way back through the air to Lanka, the Pushpaka Vimana was not able to fly over a mountain forest. Shiva’s sacred bull
Nandi explained to him that he, Ravana, could not cross this area and should not disturb. Hearing this, Ravana answered by insulting him. In turn, he was cursed by Nandi. Ravana, full of disdain, then uprooted this entire mountainous area and lifted it. But when the mountain
The chorus of this song uses the shlokas taken from Sundarkand of Ramayana.
It is a series of Sanskrit shlokas recited by Jambavant to Hanuman to remind Him of his true potential.
1. धीवर प्रसार शौर्य भरा: The brave persevering one, your bravery is taking you forward.
2. उतसारा स्थिरा घम्भीरा: The one who is leaping higher and higher, who is firm and stable and seriously determined.
3. ुग्रामा असामा शौर्या भावा: He is strong, and without an equal in the ability/mentality to fight
4. रौद्रमा नवा भीतिर्मा: His anger will cause new fears in his foes.
5.विजिटरीपुरु धीरधारा, कलोथरा शिखरा कठोरा: This is a complex expression seen only in Indic language poetry. The poet is stating that Shivudu is experiencing the intensity of climbing a tough peak, and likening
The spiritual meaning of Namaste is profound. Particularly in Hinduism, Gods are worshiped by closing the eyes and joining the palms in reverence, which indicates the recognition of their divinity.
'While paying obeisance to God, bring the palms together. After joining the hands
one should bow and bring the head forward. While tilting the head forward, one should place the thumbs at the mid-brow region, i.e. at the point between the eyebrows and try to concentrate on the feet of the Deity. After that, instead of bringing the folded hands down immediately
they should be placed on the mid-chest region for a minute in such way that the wrists touch the chest; then only should the hands be brought down.
The fingers should not be stiff while bringing the palms together because this will lead to a decrease in Sattva component from the