We’re delighted that roofing works at St Mary’s, Long Crichel, Dorset are complete. Long overdue, works included repairs to the oak wall-plate, renewing handmade plain clay tiles, installing new hamstone eave slabs and ridge tiles, and reinstating the angel in the apse.
The roof at St Mary’s is a king-post truss design, and ranges from 15th century in parts to 1850s in others, as the church was largely rebuilt after a fire in the early 19th century. We found the wall plate to be decayed in places, and new sections were spliced in.
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When the builders started stripping the roof, they found that a vast number – far more than anticipated – of the clay roof tiles were cracked, disintegrating, defective. We ordered new handmade clay tiles, and managed to reuse about 50% of the existing tiles.
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Several years ago, the lead covering the apse roof was stolen. As is ever the case, rain poured through and damaged the beautiful ceiling and its sculpture - including the corrosion of the ironwork that supported one of four praying angels.
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This angel has been missing for as long as we can remember… until, shining a torch into a dusty vestry cupboard of flowering arranging paraphernalia, we glimpsed a pair of praying hands.
Further rummaging revealed the angel’s head.
Hooray!
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The angel is currently with the stone mason being repaired, and will shortly be instated, along with a newly carved cross for the gable.
We’re all out of money now, but one day, hope to be able to repair and redecorate the interior, and re-connect the electricity.
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As ever, if you’re able and would like to donate towards our work, you can do so via our website or by texting FFC 3 to 70085 to donate £3.
We are so grateful that the roofing works were supported by the Culture Recovery Fund. #HereForCulture
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Nestled in the centre of a small village in the Welsh countryside, St Mary's, Derwen is renowned for its wondrous collection of medieval woodwork.
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The church is entered through a charming late medieval wooden door, with iron studs and fleur-de-lys decorated hinges, set in a surround of gorgeous South Cheshire sandstone.
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Naturally, the medieval wooden treasures of this Denbighshire church continue inside. Foremost is the the fine late 15th-century rood screen and loft that dominate this interior.
A heavily Victorianised small church, St Anno's, Llananno in Powys is, from the outside, a humble and largely forgettable building.
However, inside visitors can feast their eyes upon one of the finest pieces of medieval carpentry in Wales.
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The rood screen and loft inside St Anno's, Llananno is a medieval gem that no visitor will forget in a hurry. Spanning the entire width of the building, this magnificent piece of medieval craftsmanship dates from the 15th century.
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The term for these pieces of church furnishings (rood screen and rood loft) relates to the fact that, in the medieval period, above these magnificent wooden structures there would have been a rood - a carving of the crucified Christ on the Cross.
St Mary's, Temple, Corsley is a stunning example of Arts and Crafts Gothic architecture.
This charming church was built in the early 20th century, when the Arts and Crafts architectural style had reached its acme.
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The chapel was constructed in memory of the husband and son of Mary Barton of Corsley House. When Mary died in 1899, she left £10,000 to establish a trust to build and then care for the chapel.
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The chapel was designed by W. H. Stanley of Trowbridge – his only known building – and built by Buyers Brothers of Westbury.
A marriage of faith, farming, landscape and language, placenames remind us of the personal, poetic origins of a location. This is true for Llangua.
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‘Llan’ is an enclosure usually associated with a church. The element which follows, most commonly a personal name, is mutated. Llangua is the church of St Cywa (English: Kew, Ciwa).
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Although there is no obvious physical evidence for a church being here before the 12th century, the survival of that placename is our first clue in understanding the development of the religious foundation on this site.
The sanctuary of St Philip’s, Caerdeon is a bejewelled Byzantine-esque treat.
In this thread, we will explore the history and details of this beautiful ensemble.
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Casting a kaleidoscope of jewel-toned light across the sanctuary, the east window was produced by the Kempe studio, one of Victorian Britain’s preeminent stained glass firms.
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Intriguingly, this stunning window takes the form of a continental church altarpiece: a crucifixion scene situated within a classical frame, adorned with sumptuous baroque details such as fluted golden Corinthians, foliate swags, and flaming urns.