Happy Easter! Over a 100 years ago this is how you might have celebrated - sending a card featuring giant eggs and women. Across Europe this was a thing. With slight differences between countries. First off the much loved hatching woman (A thread)
In Germany the hatching woman was normally less erotic and more upright - more like a serving hatch or kiosk. ‘Frohe Ostern! kann ich Ihnen helfen?’
Meanwhile In France there’s some weird Easter shit going on. First the giant egg with a scary woman’s face saying PÂQUES!
Also in France, like insta influencers, les femmes pose with eggs, caressing them. Sometimes with a man holding them admiringly, because like Lynx aftershave, eggs make you more attractive
In Estonia the egg lady has hatched an entire weird Easter smirking family.
Meanwhile over in Italy, women know how to present their eggs 🥚 🥚 in a way that renders them irresistible and La Dolce Vita with a moustached man follows.
In Sweden you need to learn a whole new Easter narrative. Forget the eggs, it’s all about the hens. Man turns up with a big grin and a chicken, you are surprised, fall over and it all ends with a puss (a kiss not a cat). I was hoping for better from Sweden...
Austrian women have their own props. An elaborate double basket and sprigs of pussy willow with which to lure the man in jaunty hat. (Beware also their children who drop Easter bombs on you from an airship.)
It’s time to talk about Britain.... What can I say? It’s all here. Caressing crucifixes, hoards of Easter brides in carriages driven by midnight rabbits. None of it looks much fun. Happy Easter 🐣
I don't want to neglect Dutch Easter cards from around 1910 - 1920. Their stares are intense, the hair perfect and lips sumptuous. And they hold flowers and eggs perfectly.
(Images from Wellcome Digital Library)
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The perfect parade of shops in Harlesden, circa 1900. And how it is today. I’ve been thinking about what we’ve lost from our high streets, our local communities and why we often choose to shop online. Here’s a thread but I really want to hear what you all think and feel about it.
To breathe life back into local high streets, councils must place a higher value on how they look, how they invite us to walk, linger and spend money. Art critic Ruskin talked about the ‘bounding line’, the continuation of an edge that the eye follows on the entire structure.
How come it’s been ok for decades now to cover our retail streets in satellite dishes, cables and plastic panels? Signage that bares no relationship visually with the building it sits on? Who wants to linger here?
The extraordinary ornate structures in the White City exhibitions drew millions of people to visit in the early twentieth century. So how were they built? Read on...
These White City attractions structures were made from white washed fibrous plaster. Specialist builders draped lengths of plaster-soaked cloth over wire, wood and metal frames. These pictures show that process in Shepherds Bush in 1908.
They were able to fairly cheaply and quickly construct a waterproof White city of exotic palaces, pavilions, fountains ⛲️ and statues.